本文關(guān)鍵詞： 閔安琪 《紅杜鵑》 現(xiàn)代性 “文革”書寫 普適主題　出處：《華文文學》2017年05期 　論文類型：期刊論文

【摘要】：從啟蒙現(xiàn)代性的角度來看,美華作家閔安琪《紅杜鵑》中的"文革"書寫是作家在西方語境下,從敘事者的主體性、行政系統(tǒng)對私人領(lǐng)域的入侵和人性解放的"解放敘事"等方面用普遍人性和民主自由等"現(xiàn)代性"普適價值觀反觀"文革"時期的中國,是一種隱蔽和深層的自我東方化書寫。首先,作家通過敘事者的選擇和抗爭凸顯其主體意識和工具理性精神;其次,作家通過"蚊帳"和"蘆葦蕩"等幽閉意象折射出行政系統(tǒng)對私人領(lǐng)域的殖民;最后,作家遵循"受苦——抗爭——救贖"的敘事范式,肯定理性和自由的價值,有著主題性、連慣性、統(tǒng)一性,是一種關(guān)于人性解放的"現(xiàn)代性"元敘事�！都t杜鵑》通過"文革"書寫所探討的自由和人性等主題有明顯意識形態(tài)色彩,并非真正意義上的普適主題。
[Abstract]:From the perspective of enlightening modernity, the writing of the Cultural Revolution in Min Anqi's "Red Rhododendron" is the writer's subjectivity in the western context from the perspective of narrator. The administrative system's invasion of the private sphere and the emancipation narration of human nature, and so on, use the universal values of "modernity" such as universal humanity and democratic freedom to view China during the "Cultural Revolution". It is a kind of hidden and deep self-orienting writing. Firstly, through the choice and struggle of narrator, the writer highlights his subjective consciousness and instrumental rational spirit. Through the claustrophobic images such as "mosquito net" and "Reed swing", the writer reflects the colonization of the private sphere by the administrative system. Finally, the writer follows the narrative paradigm of "suffering-resistance-redemption" and affirms the value of reason and freedom. Even inertia and unity is a kind of "modernity" meta-narrative about the liberation of human nature. The themes of freedom and humanity discussed in the writing of the "Cultural Revolution" by the Red Rhododendron have obvious ideological color and are not the universal theme in the true sense.
【作者單位】： 南京大學外國語學院;中國礦業(yè)大學外文學院;
【基金】：2016年江蘇省高校哲學社會科學基金資助項目“美國華人新移民英語文學中的‘越界’現(xiàn)象研究”(2016SJD750036)
【分類號】：I712.074

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