本文關(guān)鍵詞：接受與生成的互動(dòng)——讀者對(duì)現(xiàn)代文學(xué)生存狀態(tài)的獨(dú)特意義，由筆耕文化傳播整理發(fā)布。

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literary production

     Contemporary Literary production system was fractured after 1949, when the system under national ideology gradually substitutes a kind of Contemporary Literary production system with market orientation.

     當(dāng)代文學(xué)生產(chǎn)機(jī)制在1949年后發(fā)生了一個(gè)斷裂，以國(guó)家意識(shí)形態(tài)為主導(dǎo)的當(dāng)代文學(xué)生產(chǎn)機(jī)制逐步替代了以市場(chǎng)為主導(dǎo)的現(xiàn)代文學(xué)生產(chǎn)機(jī)制。

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     With the integrated transformation of the social, political and economic system of modern China, the contemporary literary production mechanism also transforms deeply and obviously.

     隨著當(dāng)代中國(guó)社會(huì)政治經(jīng)濟(jì)體制的整體性變化，當(dāng)代文學(xué)生產(chǎn)機(jī)制也發(fā)生了顯著而深刻的轉(zhuǎn)型。

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     In what ways are works of literature different from other texts in the context of literary production, circulation and reception?

     文學(xué)生產(chǎn)、流通、接受過程中的文學(xué)文本如何不同于其他文本?

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     Since 1990s,mass media have begun to increasingly exert a great influence on literary production and literary consumption.

     20世紀(jì)90年代以來,大眾傳媒對(duì)于文學(xué)生產(chǎn)和文學(xué)消費(fèi)的影響力不斷強(qiáng)化。

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     The studies on all this will provide an example for literary production and for the development of the market of literature at present.

     研究張資平的“走紅”,還能為當(dāng)下的文學(xué)生產(chǎn)和文學(xué)市場(chǎng)的發(fā)展提供借鑒。

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     The spiritual construction and literary production in china in 80th are far away from that point.

     中國(guó)80年代的精神建設(shè)和文學(xué)創(chuàng)作遠(yuǎn)離了這一起點(diǎn)。

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     The introductory remarks, beginning with the great background that the 20th century literary production was influenced by traditional literature, point out the dissemination and inheritance of the novel by family narrative and additionally illustrate the necessity and significance of studying family narrative as a whole.

     引言:從20世紀(jì)文學(xué)創(chuàng)作接受傳統(tǒng)文學(xué)影響的大背景出發(fā),指出家族敘事文學(xué)與《紅樓夢(mèng)》之間的傳承關(guān)系,以及從家族敘事這一文學(xué)類型研究二者關(guān)系的必要性和重要性。

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     Ooe Kenzaburo's novels have provided precious references for Chinese modern literary production in the aspects of using native experiences, meditating upon national history, returning to tradition and making bold innovations.

     大江小說在取用故土經(jīng)驗(yàn)和反思民族歷史、回歸傳統(tǒng)和大膽創(chuàng)新方面,對(duì)當(dāng)代中國(guó)文學(xué)創(chuàng)作具有寶貴的借鑒作用。

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     Intertextuality theory is the theoretical summary of the literary production of western postmodernism,which is based on both the productive practice of postmodern literature and postmodern philosophy,particularly language philosophy.

     互文性理論是西方后現(xiàn)代主義文學(xué)創(chuàng)作的理論總結(jié),既來源于后現(xiàn)代主義文學(xué)創(chuàng)作實(shí)踐,又有其后現(xiàn)代哲學(xué),尤其是語言哲學(xué)的根基。

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     The unification of literary reading and consistency of literary feelings will bring about assimilation of literary creation,circulation and homogeneity in literary production.

     由于文學(xué)閱讀的統(tǒng)一,文學(xué)感受的一致,最終會(huì)帶來文學(xué)創(chuàng)作的趨同化,形成文學(xué)生產(chǎn)的循環(huán)和等質(zhì)現(xiàn)象。

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     Therefore, it is of great importance to analyze the transition of the style of literary production.

     因此,面對(duì)新的文化境遇,分析文學(xué)產(chǎn)生方式的轉(zhuǎn)變,就具有十分重要的意義。

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     Literary regulation is the system of literary production, dissemination, and acceptance that restricts and stipulates the meaning and form of literature.

     文學(xué)制度是文學(xué)的生產(chǎn)、傳播和接受體制,它制約、規(guī)定著文學(xué)的意義和形式。

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     The profound influence of this aesthetic thought on literary production has been greatly carried out in China's classical novels.

     這一美學(xué)思想對(duì)文藝創(chuàng)作的深刻影響在中國(guó)的古典小說中得到了極大的彰顯。

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     The Influence of Readers'Acceptance on the Literary Production

     接受與生成的互動(dòng)——讀者對(duì)現(xiàn)代文學(xué)生存狀態(tài)的獨(dú)特意義

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     Pearl Buck's cross-cultural literary production,academic researches and social activities are all of them the embodiments of her cultural relativism.

     美國(guó)作家賽珍珠一生所從事的跨文化創(chuàng)作、學(xué)術(shù)研究和社會(huì)活動(dòng),均為其文化相對(duì)主義思想的體現(xiàn)。

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  literary production

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After having defined the Greek francophony, a marginal literature of a minority, as well as the place which Théo Crassas occupies nowadays in that literary production, we could fetch his favorite topic: the erotic affection.

This paper examines from the viewpoint of comparative literature the interaction between the French version of Nigerian literary production in English (source language) and Francophone African literature.

In beginning the search for an adequate theory of literary production in biblical studies, this article seeks to bring together the theoretical sophistication of psychoanalytic studies of Genesis 1-3 and the historical concerns of other studies.

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Western culture had a great influence on Chinese modern literature.It not only influenced people's views on literature,but also urged the literary production to change.The literary styles of modern novels changed greatly from the following aspects:The types of novels were extended,and there were political novels,detective stories, scientific novels and so on;On the narrative patterns,the limited narration,first person narration and flashback came into being;The structures were no more limited...

Western culture had a great influence on Chinese modern literature.It not only influenced people's views on literature,but also urged the literary production to change.The literary styles of modern novels changed greatly from the following aspects:The types of novels were extended,and there were political novels,detective stories, scientific novels and so on;On the narrative patterns,the limited narration,first person narration and flashback came into being;The structures were no more limited in couplet head full-length stories;The circumstance description was strengthened;Artistry were derived from the western novels.All above lay a foundation for Chinese traditional novels to modernize,promoting Chinese novels taking on a new stage during its modernization .

西方文化的輸入對(duì)中國(guó)近代文學(xué)產(chǎn)生了巨大影響。不僅影響了文學(xué)觀念，也促進(jìn)了文學(xué)創(chuàng)作的變革。近代小說文體的變革主要表現(xiàn)在：小說類型擴(kuò)大，出現(xiàn)了政治小說、偵探小說、科學(xué)小說等；敘事模式出現(xiàn)了限制敘事、第一人稱敘事和倒敘等；長(zhǎng)篇章回小說體制的沖破；汲取西方小說藝術(shù)技巧；環(huán)境描寫的加強(qiáng)。這一切都為傳統(tǒng)型小說向現(xiàn)代型小說過渡奠定了基礎(chǔ)，并推動(dòng)中國(guó)小說在近代化進(jìn)程中跨出新的一步

Literary production and editorship from the outbreak of Chinese resistence war against Japan to the founding of P.R.China is a process of alternate moving.It is beyond doubt that literary production and editorship under the banner of “resisting Japan and seeking democracy”are conducted on the cultural war-front,another battle field which smells of no gunfire.Now that the masses or readers are the heading factor in this process of alternate moving,the modernity of the New Culture Movement in this stage...

Literary production and editorship from the outbreak of Chinese resistence war against Japan to the founding of P.R.China is a process of alternate moving.It is beyond doubt that literary production and editorship under the banner of “resisting Japan and seeking democracy”are conducted on the cultural war-front,another battle field which smells of no gunfire.Now that the masses or readers are the heading factor in this process of alternate moving,the modernity of the New Culture Movement in this stage promises realistic possibility and prerequisite of actualization.ln addition,literary production and editorship of war times as checked by varied political factors are bound to take extremely intricate forms.

抗戰(zhàn)爆發(fā)至共和國(guó)成立前的文學(xué)生產(chǎn)與編輯出版行為之間的關(guān)系是互動(dòng)的。毋不庸置疑 ,“抗戰(zhàn)和民主”旗幟下的文學(xué)生產(chǎn)和編輯出版行為 ,都屬看不見硝煙的另一戰(zhàn)場(chǎng) :文化戰(zhàn)線。由于二者的互動(dòng)極其自然地以民眾或讀者為主導(dǎo) ,因而在這一時(shí)期的中國(guó)新文化“現(xiàn)代性” ,真正有了現(xiàn)實(shí)的可能性和實(shí)現(xiàn)的前提。另外 ,戰(zhàn)時(shí)文學(xué)生產(chǎn)與編輯出版行為受制于復(fù)雜多變的政治環(huán)境 ,表現(xiàn)形態(tài)也極其錯(cuò)綜復(fù)雜

The Manchu nationality of the Qing Dynasty created in v aluable wealth of culture in about three hundred years, among which literary the ory is a part. The literary criticism of the Manchu nationality of th e Qing Dynasty covered such theoretical issues as the relations between literatu re and social life, between content and form of literary works, between literary and artistic techniques and the subjective situation of the writer and literary production in addition to the pursuit of poetic aesthetics, inheritance...

The Manchu nationality of the Qing Dynasty created in v aluable wealth of culture in about three hundred years, among which literary the ory is a part. The literary criticism of the Manchu nationality of th e Qing Dynasty covered such theoretical issues as the relations between literatu re and social life, between content and form of literary works, between literary and artistic techniques and the subjective situation of the writer and literary production in addition to the pursuit of poetic aesthetics, inheritance and inn ovation of literary production, artistic character of the writer and approaches of literary criticism, etc. The literary criticism of the Manchu nationality exh ibited such cultural characteristics of the times as openness, direct experience , inheritance, and fusion of Manchu and Han nationalities, etc., which determine d its cultural belonging. It is part of the progressive culture created in the l ater stage of the age of recent antiquity of the Chinese nation.

清代滿族在將近300年的時(shí)間里創(chuàng)造了彌足珍貴的文化財(cái)富，文學(xué)理論是其中的一部分。清代滿族文論涵蓋了文學(xué)與社會(huì)生活的關(guān)系、文學(xué)作品的內(nèi)容與形式的關(guān)系、創(chuàng)作手法、作家主體境遇與創(chuàng)作的關(guān)系、詩歌美的追求、文學(xué)創(chuàng)作的繼承與創(chuàng)新、作家的藝術(shù)個(gè)性及批評(píng)方法等諸多理論問題。滿族文論具有開放性、親歷性、傳承性、滿漢融合等時(shí)代文化特征。這些特征決定了它的文化歸屬，它是中華民族近古時(shí)期晚近階段所創(chuàng)造的進(jìn)步文化的一部分。

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  本文關(guān)鍵詞：接受與生成的互動(dòng)——讀者對(duì)現(xiàn)代文學(xué)生存狀態(tài)的獨(dú)特意義，，由筆耕文化傳播整理發(fā)布。