本文關(guān)鍵詞：論雨果小說(shuō)藝術(shù)的戲劇化特征　出處：《山東師范大學(xué)》2017年碩士論文　論文類(lèi)型：學(xué)位論文

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【摘要】：維克多·雨果(Victor Hugo,1802-1885),十九世紀(jì)歐洲浪漫主義文學(xué)運(yùn)動(dòng)中的風(fēng)云人物,最具代表性的浪漫主義文學(xué)大師,法國(guó)浪漫派的旗手與標(biāo)志,在詩(shī)歌、戲劇、小說(shuō)、散文等諸多方面,取得了輝煌成就。在小說(shuō)創(chuàng)作方面,其五部重要作品《巴黎圣母院》(1831)《悲慘世界》(1862)《海上勞工》(1866)《笑面人》(1869)《九三年》(1874)等,不僅展示了波瀾壯闊的社會(huì)歷史圖景,同時(shí)塑造出多種多樣、豐滿立體的人物典型,在表現(xiàn)社會(huì)黑暗和人性詭詐的同時(shí),浸潤(rùn)著柔軟祥和的人道主義與渾厚激昂的思想力度,以其宏大的藝術(shù)表現(xiàn)力和藝術(shù)感染力,成為世界文學(xué)史上燦爛而不朽的旗幟與典范。在其小說(shuō)創(chuàng)作中,雨果將戲劇藝術(shù)手法靈活而準(zhǔn)確地加以運(yùn)用,使其小說(shuō)具有獨(dú)特的結(jié)構(gòu)、曲折離奇的情節(jié)和恢弘的氣勢(shì),呈現(xiàn)出強(qiáng)烈的戲劇化特征。論文分為緒論、三章和結(jié)語(yǔ)五部分:緒論部分主要是對(duì)雨果的文學(xué)地位和重要文學(xué)創(chuàng)作進(jìn)行簡(jiǎn)要概述,并對(duì)國(guó)內(nèi)外雨果研究現(xiàn)狀進(jìn)行歸納梳理,以此為切入點(diǎn)闡釋論文選題的意義及創(chuàng)新點(diǎn)。第一章,對(duì)西方戲劇發(fā)展史進(jìn)行簡(jiǎn)要概括,探討戲劇藝術(shù)特征及小說(shuō)戲劇化的藝術(shù)效果,同時(shí)從戲劇本身的發(fā)展歷程入手,逐層深入地導(dǎo)入雨果的戲劇創(chuàng)作,并對(duì)其戲劇創(chuàng)作進(jìn)行梳理和概括。作為戲劇大師,雨果在戲劇創(chuàng)作方面取得了輝煌成就,劇作《艾那尼》更是成為法國(guó)戲劇史上的重要轉(zhuǎn)折,其戲劇作品創(chuàng)作體現(xiàn)出他對(duì)于戲劇創(chuàng)作手法的熟練掌握和靈活運(yùn)用。第二章,主要?dú)w納和闡釋雨果小說(shuō)創(chuàng)作中的戲劇化特征,包括小說(shuō)結(jié)構(gòu)布局的戲劇化、小說(shuō)故事情節(jié)的戲劇化、小說(shuō)人物形象塑造的戲劇化、小說(shuō)語(yǔ)言尤其人物話語(yǔ)的戲劇化等四個(gè)方面的特征。此外,本章節(jié)將從整體和局部等角度,以《巴黎圣母院》《悲慘世界》等代表性小說(shuō)著作為例,對(duì)雨果小說(shuō)的戲劇化特征進(jìn)行抽絲剝繭式地探討和分析,力圖對(duì)雨果小說(shuō)創(chuàng)作的戲劇化特征予以深入探討和全面展示。第三章,闡述雨果小說(shuō)之戲劇化特征及其研究的意義。雨果小說(shuō)創(chuàng)作的戲劇化特征,具有極強(qiáng)的系統(tǒng)性,是其自成體系的藝術(shù)世界,是其小說(shuō)創(chuàng)作最為顯著的藝術(shù)特征,這與雨果的文藝思想有著極為密切的聯(lián)系。此部分從雨果小說(shuō)戲劇化特征的本體論意義入手,揭示之于小說(shuō)家創(chuàng)作的重要意義,并且說(shuō)明雨果小說(shuō)戲劇化特征與其美學(xué)思想之間的關(guān)系,以及其小說(shuō)戲劇化特征研究的學(xué)術(shù)意義與價(jià)值等方面,探討雨果小說(shuō)創(chuàng)作戲劇化特征的由來(lái),并闡述其對(duì)后世作家文學(xué)創(chuàng)作的指導(dǎo)和啟發(fā)意義。結(jié)語(yǔ)部分,再次強(qiáng)調(diào)雨果小說(shuō)藝術(shù)的戲劇化特征、藝術(shù)效果以及研究意義,對(duì)全文進(jìn)行概括總結(jié)。
[Abstract]:Victor Hugo, Victor Hugo 1802-1885, was the most representative of the Romantic literature movement in Europe in 19th century. The flag and symbol of the French Romantic school, in poetry, drama, novel, prose and many other aspects, has made brilliant achievements, in the field of novel creation. His five important works "Notre Dame de Paris" (1831) "Les Miserables" (1862) "Labor at Sea" (1866) "laughing Man" (1869) (93 > No. 1874) etc. Not only showed the magnificent social and historical picture, but also created a variety of plump and three-dimensional characters, in the performance of social darkness and human deceit at the same time. With its great artistic expression and artistic appeal, it has become a splendid and immortal banner and model in the history of world literature. Hugo uses the dramatic art techniques flexibly and accurately, which makes his novels have a unique structure, twists and turns of the plot and grand momentum, showing a strong dramatic characteristics. The paper is divided into introduction. Three chapters and the conclusion five parts: the introduction part is mainly about Hugo's literature status and important literature creation, and summarizes and combs the domestic and foreign Hugo research present situation. The first chapter briefly summarizes the history of western drama development and discusses the artistic characteristics of drama and the artistic effect of drama. At the same time, starting with the development of drama itself, it leads into Hugo's drama creation layer by layer, and combs and generalizes his drama creation. As a drama master, Hugo has made brilliant achievements in the field of drama creation. The drama "Anani" has become an important turning point in the history of French drama. The creation of his dramatic works reflects his skillful mastery and flexible use of the techniques of drama creation. Chapter two. It mainly summarizes and explains the dramatic features of Hugo's novels, including the dramatization of the structure and layout of the novel, the dramatization of the story plot and the dramatization of the portrayal of the characters in the novel. In addition, this chapter will take the representative novels such as Notre Dame in Paris and Les Miserables as an example from the perspective of whole and part. The dramatic features of Hugo's novels are discussed and analyzed in the form of silk and cocoon, and the dramatization characteristics of Hugo's novels are deeply discussed and comprehensively displayed. Chapter three. This paper expounds the dramatic features of Hugo's novels and the significance of their research. The dramatic features of Hugo's novel creation are highly systematic, the artistic world of its own system, and the most prominent artistic features of its novel creation. This part starts with the ontological significance of the dramatization of Hugo's novel and reveals the important significance of the novelist's creation. It also explains the relationship between the dramatic features of Hugo's novels and his aesthetic thoughts, as well as the academic significance and value of the study on the dramatization characteristics of his novels, and probes into the origin of the dramatic features of Hugo's novel creation. The last part emphasizes the dramatic features, artistic effects and research significance of Hugo's novel art, and summarizes the full text.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I565.074

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