本文關(guān)鍵詞：《外住地主》中的暗恐母題　出處：《浙江大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 瑪麗婭·艾奇沃思 《外住地主》 暗恐 沖突

【摘要】：瑪麗婭·艾奇沃思(1768-1849)是享譽(yù)西方文壇的英裔愛爾蘭作家,被盛贊為"女沃爾特·司各特"和"愛爾蘭的簡(jiǎn)·奧斯汀"�！锻庾〉刂鳌�(1812)作為其代表作之一,自出版以來,多數(shù)學(xué)者從文化批評(píng)和社會(huì)批評(píng)的角度對(duì)其進(jìn)行了研究,然而鮮有學(xué)者對(duì)文本中人物的負(fù)面情緒進(jìn)行剖析。事實(shí)上,艾奇沃思不僅細(xì)致地刻畫了人物的焦慮和暗恐心理,而且隱晦地揭露了導(dǎo)致人物焦慮的社會(huì)因素。本文以弗洛伊德的暗恐理論為基礎(chǔ),展現(xiàn)小說中所體現(xiàn)的暗恐,揭示其表現(xiàn)形式和產(chǎn)生的來源。首先,人物無意識(shí)的壓抑狀態(tài)是暗恐的一種表征:英格蘭與愛爾蘭長(zhǎng)期的殖民關(guān)系導(dǎo)致克朗布羅尼夫人和克朗布羅尼勛爵在倫敦社交圈經(jīng)常會(huì)有"低人一等"的自卑情結(jié),此種情結(jié)展現(xiàn)為他們對(duì)自我的壓抑;又因英格蘭新教徒與愛爾蘭天主教之間的信仰分歧,克萊姆布尼勛爵一再壓抑對(duì)格芮絲的真摯情感。其次,小說情節(jié)中的"邪惡之眼"是愛爾蘭暴亂之后動(dòng)蕩時(shí)代的產(chǎn)物,也是作者對(duì)當(dāng)時(shí)時(shí)代的暗恐式書寫。奸商默狄凱的蓄意勒索,以索赫為代表的英格蘭民眾對(duì)愛爾蘭人的偏見以及愛爾蘭地產(chǎn)代理人的欺詐行為均給他人留下了揮之不去的暗恐陰影。最后,小說場(chǎng)景設(shè)定中多次出現(xiàn)復(fù)影這一暗恐主題,復(fù)影現(xiàn)象背后是英格蘭、愛爾蘭社會(huì)內(nèi)部問題的映射。外住地主博瑞歐一家的遭遇是克朗布羅尼家未來命運(yùn)的"復(fù)影",拉法提夫人的奢華宴會(huì)是克朗布羅尼夫人奢靡盛宴的"復(fù)影";手持農(nóng)具聚集馬路旁的農(nóng)民是作者經(jīng)歷的愛爾蘭暴亂歷史的再現(xiàn)。綜上,借助暗恐式表達(dá),艾奇沃思在《外住地主》中傳達(dá)出她對(duì)愛爾蘭暴亂之后英格蘭與愛爾蘭之間及其內(nèi)部日益加深的社會(huì)矛盾的焦慮,而深受叛亂之害的作者,也借此表達(dá)她內(nèi)心隱含的恐懼之情�！锻庾〉刂鳌穼�(duì)個(gè)體家庭暗恐感受的呈現(xiàn),以小見大反映英格蘭、愛爾蘭不同群體間的矛盾沖突,表明了作者的創(chuàng)作動(dòng)機(jī):希望消除不同群體之間的隔閡,互包互容,和諧共處。
[Abstract]:Maria Edgeworth (1768-1849) is a famous western literary Anglo Irish writer, was hailed as the "female Walter Scott" and "Jan Austin of ireland". The landlord (1812) is one of its representative works. Since its publication, most scholars have studied it from the perspective of cultural criticism and social criticism. However, few scholars have analyzed the negative emotions of characters in the text. In fact, Ai Chi Vos not only portrayed the anxiety and dark fear of the characters, but also obscurely revealed the social factors that led to the anxiety of the characters. This paper, based on Freud's dark fear theory, reveals the dark fear in the novel and reveals its form and origin. First of all, people depressed state of the unconscious is a characterization of the dark fear: England and Ireland colonial long-term relationship to Mrs. Krone Briones and Lord Krone Briones in the London social circle often have "inferior" inferiority complex, this complex show for their self repression; and for England between Protestants and Irish Catholic faith differences Lord Clem Bunji, repeatedly repression of grace and sincere emotion. Secondly, the "evil eye" in the plot of the novel is the product of the turbulent times after the Irish riot and the writer's dark fear writing to the time of the time. Mo Di Kai profiteers attempted extortion, with sokh as the representative of the people of England against Irish and Irish real estate agent fraud behavior to others left a lingering fear of the dark shadow. Finally, there are many shadows in the setting of the novel scene, which is the reflection of the internal problems in England and Ireland. Living outside Europe a brilliant encounter landlord is the "shadow" Krone broni future home, Mrs. Rafat's lavish banquet is "shadow" Mrs. Krone Briones extravagant feast; farm Street farmers gathered hand is the representation of the experience of the history of the Irish rebellion. In summary, the dark fear expression, Ai Chi Vos in the "live" landlord to express her on the anxiety between England and Ireland and the deepening of social contradictions in Ireland after the riots, and by the rebellion and the author, but also to express her inner hidden fear. "Landlords" of individual families living outside the dark fear of feeling, the child is father of the man England and Ireland between different groups reflect the conflict, show the author's creative motivation: hope to eliminate the barriers between different groups, each package of mutual tolerance, harmony.
【學(xué)位授予單位】：浙江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I562.074

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本文編號(hào)：1339063