【摘要】：隱喻發(fā)生的基本原理是轉(zhuǎn)義生成。作為人類思維的兩種基本形式,隱喻和轉(zhuǎn)喻對(duì)應(yīng)的符號(hào)結(jié)構(gòu)分別是聚合關(guān)系(paradigmatic relation)和組合關(guān)系(syntagmatic relation)。電影符號(hào)學(xué)者麥茨立足于拉康的精神分析傳統(tǒng),認(rèn)為電影語言中隱喻和轉(zhuǎn)喻的無意識(shí)工作原理分別是"凝縮"和"移置"。前者為了捕捉"真理的微光"而在隱喻軸上打開了一個(gè)巨大的想象空間,后者則在轉(zhuǎn)喻軸上形成了"想象的能指"(imaginary signifier)。在視覺修辭的意義機(jī)制中,視覺隱喻依賴于視覺元素所構(gòu)成的轉(zhuǎn)喻結(jié)構(gòu),而且在圖像文本的聚合軸上實(shí)現(xiàn)了隱喻意義的生產(chǎn)。我們可以根據(jù)本體與喻體的"在場"方式差異,將視覺隱喻的工作原理區(qū)分為構(gòu)成性視覺隱喻和概念性視覺隱喻。
[Abstract]:The basic principle of metaphor generation is escape generation. As the two basic forms of human thinking, the symbolic structures corresponding to metaphor and metonymy are aggregate relation (paradigmatic relation) and combinatorial relation (syntagmatic relation)., respectively. Based on Lacan's tradition of psychoanalysis, Metz, a film symbolist, holds that the unconscious working principles of metaphor and metonymy in film language are "condensation" and "displacement", respectively. The former opened up a huge imagination space on the metaphorical axis in order to capture the "dim light of truth", while the latter formed the "imaginary signifier" (imaginary signifier). On the metaphorical axis. In the meaning mechanism of visual rhetoric, visual metaphor depends on the metonymy structure composed of visual elements, and realizes the production of metaphorical meaning on the aggregation axis of image text. According to the difference of "presence" mode between ontology and metaphor, we can divide the working principle of visual metaphor into constituent visual metaphor and conceptual visual metaphor.
【作者單位】： 暨南大學(xué)新聞與傳播學(xué)院;武漢大學(xué)媒體發(fā)展研究中心;
【基金】：國家社會(huì)科學(xué)基金重大招標(biāo)項(xiàng)目“視覺修辭的理論、方法與應(yīng)用研究”(17ZDA290)
【分類號(hào)】：H05
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本文編號(hào)：2521135