【摘要】：學(xué)術(shù)研究是一項(xiàng)個(gè)性化的事業(yè),是一門創(chuàng)造性的藝術(shù);述學(xué)文體不僅關(guān)涉學(xué)術(shù)表達(dá)形式,而且關(guān)涉學(xué)術(shù)思想的創(chuàng)造;學(xué)界普遍缺乏述學(xué)文體的自覺,至今充斥著干癟的概念演繹和空洞的體系構(gòu)架,蔓延著畸形的"學(xué)院語言"——"反黑格爾主義"是重建"述學(xué)文體"的核心主題。維特根斯坦、錢鍾書等人的述學(xué)文體,徹底改變了"講理論的態(tài)度",由對(duì)象化之思轉(zhuǎn)為有我之思,由"知性智慧"轉(zhuǎn)為"詩性智慧";在以語言思考的過程中,他們打通古今中西,打通人文各學(xué)科,動(dòng)態(tài)地立體呈現(xiàn)獨(dú)創(chuàng)性灼見和個(gè)人化風(fēng)格:這種述學(xué)文體,可命名為"畢達(dá)哥拉斯文體",是對(duì)古代道說傳統(tǒng)的回望。
[Abstract]:Academic research is a individualized cause and a creative art, which is related not only to the form of academic expression, but also to the creation of academic thought. Scholars generally lack the consciousness of narrative style, so far they are full of withered conceptual deduction and empty system framework, and the abnormal "college language"-"anti-Hegelism" is the core theme of the reconstruction of "narrative style". The narrative style of Weitgenstein, Qian Zhongshu and others has completely changed the "theoretical attitude", from the objective thinking to my thinking, from "intellectual wisdom" to "poetic wisdom". In the process of thinking in language, they opened up ancient and modern China and the West, opened up various disciplines of humanities, and dynamically presented their original and personal styles in three dimensions: this kind of narrative style can be named "Pythagorean style". It is a look back on the tradition of the ancient Taoist theory.
【作者單位】： 中國(guó)社會(huì)科學(xué)院文學(xué)研究所;
【分類號(hào)】：H0-05

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