本文選題：臨夏花兒 + 聲學(xué)分析�。� 參考：《西北民族大學(xué)》2017年碩士論文

【摘要】："花兒"作為西北的重要民歌組成部分,被譽(yù)為"西北的百科全書(shū)"也是甘肅第一個(gè)獲得世界非物質(zhì)文化遺產(chǎn)稱(chēng)號(hào)的項(xiàng)目。甘肅省臨夏回族自治州是"花兒"的發(fā)源地之一,也是"花兒"的故鄉(xiāng)。臨夏"花兒"以其口口相傳的易傳播和傳授型學(xué)習(xí),在廣大人民群眾之間頗受歡迎,尤以回、漢、東鄉(xiāng)、保安、裕固、撒拉、土族等民族演唱居多,具有很強(qiáng)的民族地域文化傳承代表性。目前對(duì)于臨夏"花兒"的研究多以"花兒"的演唱習(xí)俗,地域性特點(diǎn)以及演唱特征和技巧為主,"花兒"演唱以口傳為主,沒(méi)有固定的讀本和教材,這樣一來(lái),單一傳統(tǒng)的理論性研究對(duì)于"花兒"的傳承和保護(hù)來(lái)說(shuō)是遠(yuǎn)遠(yuǎn)不夠的。本文以多名不同地區(qū)的職業(yè)臨夏"花兒"演唱歌手和民間"花兒"演唱愛(ài)好者對(duì)多種曲令的演唱曲目為主要研究對(duì)象,從中提取語(yǔ)音信號(hào)中的相關(guān)參數(shù)來(lái)對(duì)"花兒"進(jìn)行定量定性的數(shù)字化研究。本文通過(guò)對(duì)語(yǔ)音信號(hào)的分析主要得出以下幾點(diǎn)結(jié)論:(1)發(fā)音人在演唱臨夏"花兒"的過(guò)程中,能量總體上趨于集中分布;同時(shí),演唱者在以不同的情感演唱方式演唱同一首歌時(shí),會(huì)根據(jù)演唱場(chǎng)景或藝術(shù)效果需求而對(duì)曲目的理解和體會(huì)進(jìn)行再次演繹,以達(dá)到表達(dá)效果;(2)發(fā)音人在演唱不同的"花兒"歌曲的時(shí)候,基頻均以下降為主要趨勢(shì),突出表現(xiàn)演唱臨夏"花兒"的特殊點(diǎn),即基頻先高后低;在不同情感的演唱過(guò)程中,高亢的基頻平均值最高,哭腔次之,以歡快的為最低。同時(shí),在基頻的高低對(duì)比中,高亢的基頻比哭腔的低,相對(duì)于超歡快的又高。(3)演唱時(shí)基頻的最小值和最大值都相對(duì)較大,說(shuō)明了演唱時(shí)的音域范圍也相應(yīng)的會(huì)變大。
[Abstract]:As an important part of folk songs in Northwest China, Flower is known as the Encyclopedia of Northwest China, which is also the first project in Gansu Province to win the title of World Intangible Cultural Heritage. Linxia Hui Autonomous Prefecture of Gansu Province is one of the birthplaces of Hua Hua and the hometown of Hua Hua. Linxia "Flower" with its word of mouth easy to spread and imparting learning, is popular among the broad masses of the people, especially Hui, Han, Dongxiang, Baoan, Yugu, Sara, Tu and other ethnic groups in the majority of singing. It has strong representativeness of national regional culture inheritance. At present, the study of "Flower" in Linxia is mainly focused on the singing custom, regional characteristics, singing characteristics and skills of "Huahua". The singing of "Flower" is based on oral transmission and there are no fixed reading books and textbooks, so, The single traditional theoretical study is far from enough for the inheritance and protection of Flowers. In this paper, many professional "flowers" singers in different areas and folk "flowers" singing enthusiasts of a variety of songs as the main research object. The relevant parameters are extracted from the speech signal to carry on the quantitative and qualitative digital research on the Hua Hua. Based on the analysis of phonetic signals, this paper draws the following conclusions: (1) in the process of singing "Flower" in the summer, the energy of the pronunciation person tends to be concentrated, and at the same time, when the singer sings the same song in different emotional ways, According to the demand of singing scene or artistic effect, we will interpret the understanding and experience of the track again, so as to achieve the expressive effect.) when people sing different "Flower" songs, the main trend is to decrease the basic frequency. In the process of singing with different emotions, the basic frequency of hyperactivity is the highest, the crying cavity is the second, and the happy one is the lowest. At the same time, in the comparison of fundamental frequency, the base frequency of hyperactivity is lower than that of crying cavity, and the minimum value and maximum value of base frequency are relatively larger than those of super cheerful and high.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：H172.2

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本文編號(hào)：1915218