發(fā)布時間：2018-04-23 01:05

  本文選題：元以前畫論 + 繪畫類語詞�。� 參考：《重慶師范大學(xué)》2016年碩士論文

【摘要】：本文從語言學(xué)、詞匯學(xué)、語義學(xué)等角度出發(fā),對《中國古代畫論類編》元以前的畫論繪畫類語詞進行了比較全面的梳理與分析。首先,文章整理了元以前畫論繪畫類語詞共259個,分為三個大類。第一大類,繪畫名稱類157個,包括繪畫相關(guān)統(tǒng)稱27個,繪畫工具材料名稱19個,繪畫形象名稱111個;第二大類,繪畫色彩類46個,包括繪畫顏料色彩語詞41個,繪畫賦彩類語詞5個;第三大類,繪畫畫法類56個,包括繪畫技法類語詞34個,繪畫思想態(tài)度語詞22個。其次,文章重點分類辨析了繪畫名稱類語詞、繪畫色彩類語詞和繪畫畫法類語詞。對其中語義相近、易混淆的語詞進行了辨析,結(jié)合古今詞義、具體的語境,分別對赤類、青類、白類以及雜色類這四組易混淆的詞進行了辨析;并利用描寫釋義法、義素分析法,對繪畫工具材料語詞和技法類語詞進行了進一步的辨析。并對這三大類語詞的構(gòu)詞法、短語的結(jié)構(gòu)類型進行了分析總結(jié)。再者,文章從不同的角度對繪畫類語詞進行了系統(tǒng)分析,比較了元以前各個時期的繪畫類語詞狀況,從而探究其傳承與發(fā)展。繪畫類核心的基礎(chǔ)的語詞表現(xiàn)出穩(wěn)定性與傳承性;同時不斷產(chǎn)生新的語詞,豐富繪畫類語匯的體系。然后對繪畫類專類詞語的特殊性以及與普通詞語的關(guān)聯(lián)性進行了探究,對其中專類詞語的泛化使用進行了重點分析。最后,從聚合關(guān)系、層級組合關(guān)系的角度系統(tǒng)地分析了繪畫類語詞。繪畫類語詞是以“與繪畫相關(guān)”這一共同性形成的聚合關(guān)系;同時又以“質(zhì)的差異性”構(gòu)成層級組合的關(guān)系。最后,從語言與文化的角度,窺探了元以前重色彩和重水墨、輕色彩兩大類的色彩觀念,以及繪畫功能、形神關(guān)系等審美思想。
[Abstract]:From the perspectives of linguistics, lexicology and semantics, this paper makes a comprehensive analysis of the words of painting before the Yuan Dynasty. First of all, the article collates a total of 259 painting words of painting theory before Yuan Dynasty, which are divided into three categories. In the first category, there are 157 categories of painting names, including 27 related to paintings, 19 names of painting tools, 111 names of painting images, and 46 categories of painting colors, including 41 words and expressions of paint colors, The third category includes 56 types of painting techniques, including 34 words of painting techniques and 22 words of attitude and attitude in painting. Secondly, the article mainly classifies and analyzes the words of painting name, painting color and drawing method. This paper discriminates and analyzes the words which are similar in meaning and easy to be confused, combined with the meaning of ancient and modern words and the specific context, respectively, discriminates and analyzes the four groups of confusing words, such as red category, green category, white category and mixed color category, and makes use of the method of descriptive interpretation. The sememe analysis method further discriminates the words of painting tool materials and technical words. And the three categories of word formation, phrase structure type are analyzed and summarized. Furthermore, the paper makes a systematic analysis of the words of painting from different angles, compares the status of the words of painting before Yuan Dynasty, and probes into the inheritance and development of these words. The basic words in the core of painting show stability and inheritance; at the same time, new words are constantly produced to enrich the system of vocabulary of painting. Then it probes into the particularity of the special category words and their relevance to the common words, and analyzes the generalization of the special category words. Finally, from the point of view of aggregation relation and hierarchical combination relation, this paper systematically analyzes the words of painting. The words of painting are the convergent relations formed by the commonality of "painting related", and at the same time, they form the relationship of hierarchical combination with "qualitative difference". Finally, from the point of view of language and culture, this paper probes into the two kinds of color concepts before Yuan Dynasty, such as the emphasis on color and ink, and the light of color, as well as the aesthetic thoughts such as painting function, the relationship between form and spirit, and so on.
【學(xué)位授予單位】：重慶師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：H131

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