本文選題：意象敘事　切入點(diǎn)：事象符號(hào)　出處：《河北學(xué)刊》2017年04期 　論文類型：期刊論文

【摘要】：漢語以象表意的特性是生成漢語意象敘事的根源之一。本文從漢字象形表意的根本屬性出發(fā),探索漢字意象的本質(zhì)屬性,分析意象內(nèi)涵的結(jié)構(gòu)形態(tài)與敘事功能,辨析意象敘事與抒情之關(guān)系,考察意象敘事的風(fēng)格特色,發(fā)現(xiàn)漢字意象在主客一體性、直觀性、空間性、體驗(yàn)性、不等性諸方面與表音文字有別。意象的這些屬性在轉(zhuǎn)向意象敘事的過程中受傳統(tǒng)觀念文化影響,形成了天人合一、萬物通變的敘述視域,體驗(yàn)性與心性關(guān)懷的敘述品格,場(chǎng)景化寫意性的敘述意味,形斷意連對(duì)稱循環(huán)的敘述結(jié)構(gòu),朦朧與神秘性的敘事氣韻等典型意象敘事風(fēng)格,初步發(fā)現(xiàn)了意象敘事的特有品質(zhì)及其形成原因。
[Abstract]:The character of Chinese imagery is one of the root of Chinese image narrative. This paper explores the essential attribute of Chinese character image, analyzes the structure form and narrative function of Chinese image connotation, starting from the basic attribute of Chinese character pictograph. The relationship between image narration and lyricism is analyzed, and the style and characteristics of image narration are investigated. It is found that Chinese character image has the characteristics of unity of subject and object, directness, space, experience, etc. These attributes of image are influenced by the traditional concept and culture in the process of turning to image narration, which form the narrative field of unity of nature and man, the changing narrative horizon of all things, and the narrative character of experiential and mental care. The typical image narrative style, such as the narrative meaning of scene freehand brushwork, the narrative structure of shape and meaning with symmetrical cycle, the narrative charm of obscurity and mystery, and so on, has been preliminarily discovered the unique quality of image narrative and the reasons for its formation.
【作者單位】： 上海交通大學(xué)媒體設(shè)計(jì)學(xué)院;
【分類號(hào)】：H12
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本文編號(hào)：1637985