本文選題：歌詞　切入點(diǎn)：疑問句　出處：《華中師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：歷時(shí)幾千年的中國歌曲史,到近代以來,歌詞是流傳下來最多的部分�，F(xiàn)當(dāng)代以來,歌曲作為社會(huì)不可或缺的娛樂方式之一,其歌詞很大程度上反映了時(shí)代的社會(huì)現(xiàn)狀和人們的精神風(fēng)貌。作為一種藝術(shù)語言,歌詞在表達(dá)上必然有其特殊性,然而目前語言學(xué)界對(duì)于歌詞的研究也都集中于修辭和語法領(lǐng)域,對(duì)其文本的特殊性卻未加發(fā)掘。有鑒于此,本文立足于歌詞這種特殊的話語形式,通過考察其中疑問句的特征,來說明歌詞語言中疑問句的功能。本文的研究利用網(wǎng)絡(luò)資源,搜集了各類歌詞語料共計(jì)30萬字左右,構(gòu)成小規(guī)模語料庫,我們對(duì)其中出現(xiàn)的疑問句進(jìn)行了統(tǒng)計(jì)、分析、對(duì)比、歸納,從音樂形式這個(gè)角度對(duì)當(dāng)代歌詞進(jìn)行分類,分為民謠、搖滾、流行、說唱和民族歌曲,對(duì)其中各個(gè)類別歌詞的疑問句進(jìn)行統(tǒng)計(jì),以便研究。我們通過觀察大量的語言事實(shí)和對(duì)數(shù)據(jù)的分析,得出了以下結(jié)論:相較其他文體而言,歌詞中的疑問句在形式上,存在著問句中斷、反復(fù)發(fā)問、連續(xù)發(fā)問和有問無答的特點(diǎn);在句法層面,疑問句通過省略、添加、易位、重復(fù)和替換等操作手段對(duì)常規(guī)的句法進(jìn)行突破和變異,表層超越規(guī)則,深層卻遵循規(guī)則;在語義層面,疑問句內(nèi)部的超常搭配包括主謂搭配、定中搭配和動(dòng)賓搭配,主要表現(xiàn)在抽象和具體詞義的搭配、不同感官感覺詞義的搭配等。最后,我們透過變異現(xiàn)象,對(duì)其功能進(jìn)行闡釋,內(nèi)部主要有增加藝術(shù)效果和吸引聽眾注意的功能,外部有促進(jìn)語言演變的功能,除此之外,我們還對(duì)疑問句在表達(dá)上的功能進(jìn)行分析,認(rèn)為歌詞作為篇章的一種,其疑問句具有表達(dá)情緒、刻畫心理、啟發(fā)思考和促進(jìn)歌詞結(jié)構(gòu)嚴(yán)謹(jǐn)?shù)淖饔谩１疚囊砸蓡柧淝腥?以小見大,通過對(duì)疑問句特征和功能的描寫,發(fā)掘歌詞文本的特殊性,便于更好地理解歌詞語言對(duì)常規(guī)語言的偏離和突破。同時(shí),對(duì)歌詞中疑問句的研究還深化了當(dāng)代歌詞的本體研究,為歌詞理解提供了新的視角。
[Abstract]:In the history of thousands of years of Chinese songs, since modern times, lyrics have been the most popular part. In modern and contemporary times, songs are regarded as one of the indispensable forms of entertainment in society. The lyrics to a large extent reflect the social situation of the times and people's spiritual features. As an artistic language, the lyrics must have their own particularities in their expression. However, at present, the research of lyric has been focused on rhetoric and grammar, but the particularity of its text has not been explored. In view of this, this paper bases itself on lyrics as a special form of discourse and investigates the characteristics of interrogative sentences. The research of this paper uses the network resources to collect all kinds of lyric data about 300,000 words in order to form a small-scale corpus. We have made statistics, analysis and comparison of the interrogative sentences that appear in them. To sum up, classify the contemporary lyrics from the perspective of musical form, and divide them into ballads, rock, pop, rap and folk songs, and make statistics on the question sentences of each category of lyrics. In order to study. By observing a large number of linguistic facts and analyzing the data, we draw the following conclusion: compared with other styles, the interrogative sentences in the lyrics have formal interruption and repeated questions. At the syntactic level, interrogative sentences break through and mutate the conventional syntax by means of ellipsis, addition, translocation, repetition and substitution, surpassing the rules on the surface, but obeying the rules in the deep layer. At the semantic level, the extra-normal collocations in interrogative sentences include subject-predicate collocation, definite collocation and verb-object collocation, which are mainly reflected in the collocation of abstract and concrete meanings, the collocation of different senses, and so on. Finally, through the phenomenon of variation, To explain its function, the interior has the function of increasing the artistic effect and attracting the attention of the audience, and the external has the function of promoting the evolution of the language. In addition, we also analyze the function of the interrogative sentence in the expression. It is considered that as a text, the interrogative sentence has the function of expressing emotion, portraying psychology, enlightening and promoting the rigorous structure of the lyrics. In this paper, we cut into the interrogative sentence, see the whole through a small part, and describe the features and functions of the interrogative sentence. Exploring the particularity of lyric text to better understand the deviation and breakthrough of lyric language from conventional language, meanwhile, the research on interrogative sentence in lyrics also deepens the study of contemporary lyric ontology, which provides a new angle of view for lyrics understanding.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：H146.3

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