發(fā)布時間：2019-05-29 08:05

【摘要】：�？聦ξ箘P茲《宮娥》的空間解讀,顯示出其空間概念"異托邦"與巴洛克之間的互文對話關(guān)系。委拉斯凱茲作品中多重空間的存在亦有助于理解�？乱曈蛳碌目臻g表象機(jī)制如何通過表象、可視與可述等相關(guān)策略的運用進(jìn)行排斥與隔離從而建立同一性歷史話語的秩序。對于同一性的話語霸權(quán),福柯尋找歷史斷裂處的縫隙,還原線性歷史的空間性,這種反抗既是對封閉空間的有力反擊同時又難以避免走向自我封閉的悖論性處境。
[Abstract]:Foucault's spatial interpretation of Glaskez shows the intertextuality between his spatial concept "pagoda" and Baroque. The existence of multiple spaces in Kraskez's works is also helpful to understand how the spatial representation mechanism under Foucault's vision can be excluded and isolated through the use of representation, visual and speakable strategies, so as to establish the order of identity historical discourse. For the discourse hegemony of identity, Foucault looks for gaps in the historical fracture and reduces the spatial nature of linear history. This kind of resistance is not only a powerful counterattack against the closed space, but also can not avoid the contradictory situation of moving towards self-closure.
【作者單位】： 四川大學(xué)文學(xué)與新聞學(xué)院;
【分類號】：I0-02

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 M.福柯;王U喎，

本文編號：2487776