【摘要】：于平對(duì)中國(guó)當(dāng)代文化的發(fā)展不僅有宏觀把握,也有微觀研究,在舞蹈藝術(shù)批評(píng)、藝術(shù)批評(píng)和文化批評(píng)上取得了豐碩的理論成果。于平的藝術(shù)批評(píng)具有高度的理論自覺(jué),那就是將理論研究和對(duì)策研究有機(jī)結(jié)合起來(lái),積極推進(jìn)廣大藝術(shù)家的藝術(shù)調(diào)整;將宏觀把握與微觀研究有機(jī)結(jié)合起來(lái),努力解決藝術(shù)批評(píng)的理論分歧;大量汲取中國(guó)古代藝術(shù)理論寶庫(kù)里活的思想,在一定程度上推進(jìn)了中國(guó)古代藝術(shù)理論的現(xiàn)代轉(zhuǎn)型。
[Abstract]:Yu Ping has not only macro-grasp but also micro-research on the development of Chinese contemporary culture, and has made great theoretical achievements in dance art criticism, art criticism and cultural criticism. Yu Ping's artistic criticism has a high degree of theoretical consciousness, that is, combining the theoretical research with the countermeasure research organically, actively promoting the artistic adjustment of the vast number of artists; Combining macro-grasp with micro-research organically, we should try our best to solve the theoretical differences of art criticism, absorb a large number of ideas of living in the treasure house of ancient Chinese art theory, to a certain extent, promote the modern transformation of ancient Chinese art theory.
【作者單位】： 中國(guó)作家協(xié)會(huì)《文藝報(bào)》社;
【分類(lèi)號(hào)】：J120.9;G12
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本文編號(hào)：2473189