【摘要】：民族文化戰(zhàn)略和中國(guó)當(dāng)代藝術(shù)市場(chǎng)的發(fā)展現(xiàn)狀兩方面都要求我們以新的視角重新審視中國(guó)當(dāng)代藝術(shù)市場(chǎng)的發(fā)展策略。市場(chǎng)經(jīng)濟(jì)促進(jìn)藝術(shù)家創(chuàng)作狀態(tài)的轉(zhuǎn)變，促進(jìn)社會(huì)藝術(shù)活動(dòng)的興起，這并不僅僅是藝術(shù)的自律，而是在一個(gè)越來越開放的中國(guó)社會(huì)中，藝術(shù)市場(chǎng)作為推動(dòng)藝術(shù)事業(yè)發(fā)展的重要因素，其所起的作用越來越大。近年來，，國(guó)際國(guó)內(nèi)經(jīng)濟(jì)持續(xù)穩(wěn)定發(fā)展，中國(guó)當(dāng)代藝術(shù)市場(chǎng)發(fā)展的第二個(gè)繁榮高峰逐漸形成。但從中國(guó)當(dāng)代藝術(shù)市場(chǎng)與國(guó)際藝術(shù)市場(chǎng)的差距和其潛在問題的思考中，我們不得不為其可持續(xù)發(fā)展擔(dān)憂。中國(guó)當(dāng)代藝術(shù)市場(chǎng)一方面發(fā)展不平衡，局限于“小眾化”，評(píng)價(jià)收藏體系不具前瞻性，另一方面蘊(yùn)藏著巨大的潛力和發(fā)展空間。因此本文從藝術(shù)家的視角、從藝術(shù)市場(chǎng)生產(chǎn)環(huán)節(jié)、評(píng)價(jià)環(huán)節(jié)、收藏環(huán)節(jié)等方面展開討論，試圖找到使中國(guó)當(dāng)代藝術(shù)市場(chǎng)進(jìn)入良性發(fā)展的途徑�！爸袊�(guó)當(dāng)代藝術(shù)市場(chǎng)”是具有當(dāng)代性的課題，涉及藝術(shù)概論中的接受論，美學(xué)中的文藝批評(píng)美學(xué)，經(jīng)濟(jì)學(xué)中的市場(chǎng)營(yíng)銷學(xué)、社會(huì)學(xué)中的藝術(shù)社會(huì)學(xué)等方面，所以本論文在收集資料時(shí)采用文獻(xiàn)檢索和市場(chǎng)調(diào)查的方法，對(duì)上海2003年11月藝術(shù)博覽會(huì)和煙臺(tái)、長(zhǎng)春的固定書畫市場(chǎng)作了調(diào)查。在論文寫作中采取議論與文獻(xiàn)說明相結(jié)合的方法，多層面（包括藝術(shù)市場(chǎng)生產(chǎn)環(huán)節(jié)、流通環(huán)節(jié)、消費(fèi)環(huán)節(jié)）層層深入探討中國(guó)當(dāng)代藝術(shù)市場(chǎng)良性發(fā)展的途徑。最后，從三方面利益考慮（藝術(shù)家、中介機(jī)制、受眾），提出開拓公共藝術(shù)空間，建立藝術(shù)家、政府有關(guān)部門、市場(chǎng)三位一體的互動(dòng)機(jī)制來促進(jìn)中國(guó)當(dāng)代藝術(shù)市場(chǎng)繁榮發(fā)展。
[Abstract]:Both the national culture strategy and the present situation of the Chinese contemporary art market require us to re-examine the development strategy of the Chinese contemporary art market from a new perspective. The market economy promotes the transformation of artists' creative state and the rise of social art activities. This is not only the self-discipline of art, but in an increasingly open Chinese society. As an important factor to promote the development of art, art market plays a more and more important role. In recent years, the sustained and stable development of international and domestic economy, the second prosperous peak of China's contemporary art market gradually formed. However, from the gap between China's contemporary art market and international art market and its potential problems, we have to worry about its sustainable development. On the one hand, the development of Chinese contemporary art market is unbalanced, limited to the "small public", the evaluation collection system is not forward-looking, on the other hand, there is huge potential and development space. Therefore, from the perspective of artists, this paper discusses the art market from the aspects of production, evaluation and collection, in an attempt to find a way to make the Chinese contemporary art market into a benign development. "Chinese Contemporary Art Market" is a contemporary subject, involving the acceptance theory in the introduction of art, literary and art criticism aesthetics in aesthetics, marketing in economics, sociology of art in sociology, and other aspects, such as acceptance theory in art introduction, literature and art criticism aesthetics in aesthetics, marketing in economics, art sociology in sociology, and so on. Therefore, this paper adopts the methods of literature retrieval and market investigation to investigate the fixed calligraphy and painting market of Shanghai Art Fair and Yantai and Changchun in November 2003. In the writing of the thesis, the author adopts the method of combining discussion with literature explanation, and probes deeply into the way of the benign development of the Chinese contemporary art market at many levels (including the production link of art market, the link of circulation and the link of consumption). Finally, from three aspects of interest consideration (artists, intermediary mechanism, audience), put forward to open up public art space, establish artists, government departments, market trinity of the interaction mechanism to promote the prosperity and development of China's contemporary art market.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2004
【分類號(hào)】：J124

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 桑田;從當(dāng)代藝術(shù)市場(chǎng)現(xiàn)狀看畫廊的美術(shù)史觀[D];汕頭大學(xué);2011年

2 劉航;當(dāng)代中國(guó)油畫創(chuàng)作與市場(chǎng)運(yùn)作研究[D];西安美術(shù)學(xué)院;2012年

本文編號(hào)：2445877