【摘要】：發(fā)話主體在藝術(shù)語言的創(chuàng)作過程中,常常將自己對世界的審美體驗融進了藝 術(shù)語言。一定時代一定地域的人們對世界的審美體驗和認知方式具有一定的特 點,甚至形成一定的模式。人們求新求異的努力使人們要突破原有的語言表達方 式,這又導致人們新的審美體驗的出現(xiàn)。 一定地域,一定歷史時期人們使用的修辭方式具有一定的特點,這就形成特 定的審美體驗的表現(xiàn)模式。人們在使用語言的過程中,對已有的表現(xiàn)模式既有繼 承,也在不斷地超越。 發(fā)話主體的審美體驗常常是偏離現(xiàn)實的。一方面,發(fā)話主體的審美體驗對現(xiàn) 實的偏離是藝術(shù)語言產(chǎn)生的基礎(chǔ)。另一方面,藝術(shù)語言一旦產(chǎn)生,會影響人們對 現(xiàn)實的審美體驗。 我們認為,在藝術(shù)語言中,隱喻的喻體和本體的審美體驗相似性越明顯,隱 喻越有獨創(chuàng)性:隱喻的喻體和本體的客觀相異性越明顯,隱喻越有獨創(chuàng)性。并且, 對于某一句藝術(shù)語言,我們很難找到一個客觀的標準來量化其獨創(chuàng)性,其獨創(chuàng)性 的認定一般只能靠我們的審美體驗來衡量。 對藝術(shù)語言的理解是一個復雜的問題。對發(fā)話主體的了解及讀者個人的文化 修養(yǎng)都影響他對藝術(shù)語言的理解。語境也對理解藝術(shù)語言有制約作用。
[Abstract]:In the process of artistic language creation, the speaker often melts his aesthetic experience of the world into art language. At a certain time, people in a certain region have a certain special experience and cognitive style of the world, and even form a certain mode. People's efforts to seek new and different things make people break through the original expressions of language, which leads to the emergence of new aesthetic experience. In a certain region and in a certain historical period, the rhetorical means used by people have certain characteristics, which forms the expression mode of special aesthetic experience. In the process of using language, people are inheriting and surpassing the existing performance patterns. The aesthetic experience of the speaker often deviates from reality. On the one hand, the deviation from reality is the basis of artistic language. On the other hand, once artistic language comes into being, it will affect people's aesthetic experience of reality. In the artistic language, the more obvious the similarity between the metaphor and the aesthetic experience of the ontology is, the more original the implicit metaphor is. The more obvious the objective difference between the metaphor and the Noumenon is, the more original the metaphor is. Moreover, it is difficult to find an objective criterion to quantify the originality of an artistic language, and its originality can only be measured by our aesthetic experience. Understanding the language of art is a complex problem. The understanding of the speaker and the individual culture of the reader affect his understanding of artistic language. Context also restricts the understanding of artistic language.
【學位授予單位】：云南師范大學
【學位級別】：碩士
【學位授予年份】：2005
【分類號】：I045

【參考文獻】

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1 邱淵,齊春紅;語言中的任意概念系統(tǒng)和隱喻概念系統(tǒng)[J];云南師范大學學報;2004年01期

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