【摘要】：小說(shuō),這一文學(xué)家族中的后生,近代以來(lái)取得了長(zhǎng)足的發(fā)展。如今它 不僅是數(shù)量上在文學(xué)家族中處于霸主地位,而且它對(duì)現(xiàn)實(shí)生活的影響也 是其他文學(xué)形式望塵莫及的。隨著小說(shuō)的日益壯大發(fā)展,小說(shuō)理論也雨 后春筍般的發(fā)展起來(lái),特別是19世紀(jì)以來(lái),小說(shuō)理論可謂汗牛充棟,蔚 為壯觀。但理論家們要么只從文體的角度研究小說(shuō),要么只從語(yǔ)體的角 度研究小說(shuō)。而很少同時(shí)從語(yǔ)體和文體的角度研究小說(shuō)語(yǔ)言。本論文就 是為了彌補(bǔ)這種空缺而對(duì)小說(shuō)語(yǔ)言做較為系統(tǒng)的論述。本文首先從中外 幾個(gè)較典型的小說(shuō)定義入手,引出筆者分別從文體學(xué)和語(yǔ)體學(xué)角度給小 說(shuō)下的定義。接著著重從文體學(xué)和語(yǔ)體學(xué)兩方面論述小說(shuō)語(yǔ)言的特點(diǎn), 即綜合性、形象生動(dòng)性、人物語(yǔ)言與形象性格的一致性、小說(shuō)人物語(yǔ)言 的靈活性、小說(shuō)人物語(yǔ)言的口語(yǔ)化、無(wú)聲語(yǔ)言是小說(shuō)語(yǔ)言中的特殊成 分、小說(shuō)語(yǔ)言的準(zhǔn)確性。最后從現(xiàn)實(shí)對(duì)小說(shuō)語(yǔ)言的要求分別論述了小說(shuō) 語(yǔ)言的通俗化和“陌生化”及二者的統(tǒng)一性。
[Abstract]:Novel, the afterlife of this literary family, has made great progress since modern times. Nowadays, it is not only the dominant position in the literary family, but also its influence on the real life is beyond the reach of other literary forms. With the growing development of fiction, the theory of fiction has sprung up after the rain, especially since the 19th century, the theory of fiction can be described as magnificent. But theorists study novels only from a stylistic point of view or from a stylistic angle. It is rare to study fiction language from both stylistic and stylistic perspectives. The purpose of this thesis is to make a systematic exposition of the novel language in order to make up for this kind of vacancy. This paper begins with several typical definitions of novels at home and abroad, and leads to the definitions of Xiao Shuo from stylistic and stylistic perspectives. Then it discusses the features of novel language from stylistics and stylistics, that is, comprehensiveness, vividness, the consistency between character language and image character. The flexibility of the language of characters, the colloquialization of the language of characters, the silent language are the special components of the language of novels, and the accuracy of the language of novels. Finally, the author discusses the popularization and strangeness of novel language and their unity from the point of view of reality.
【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類(lèi)號(hào)】：I054

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 張茂娟;康永杰;;簡(jiǎn)潔而不乏細(xì)膩,活潑中透著蒼涼——試論《哈利·波特》系列的語(yǔ)言特色[J];大家;2010年14期

相關(guān)碩士學(xué)位論文 前3條

1 田田;論小說(shuō)轉(zhuǎn)換成電影的如何可能[D];四川師范大學(xué);2011年

2 于嘉;相聲故事性特征[D];中國(guó)藝術(shù)研究院;2007年

3 肖靜;《畫(huà)皮》：從小說(shuō)到電影的轉(zhuǎn)換[D];陜西師范大學(xué);2012年

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本文編號(hào)：2304404