【摘要】：“詩(shī)性智慧”是維柯在《新科學(xué)》中提出并論述的核心概念。他認(rèn)為詩(shī)性智慧是人類(lèi)最初的智慧形態(tài),其以想象的創(chuàng)造為根本特征。中國(guó)傳統(tǒng)藝術(shù)中的詩(shī)性智慧是指在中國(guó)傳統(tǒng)的詩(shī)學(xué)精神與詩(shī)性文化的熏染下,不斷發(fā)展、完善起來(lái)的一種傳統(tǒng)的審美精神,具有神性的玄秘莊嚴(yán)、詩(shī)意的本真浪漫和哲思的形上意蘊(yùn)等特質(zhì)。這種智慧展示出一種超越邏輯和知識(shí)的靈性,引導(dǎo)人生的詩(shī)化,不斷提升著人們的生存與發(fā)展,從而輔佐人們“詩(shī)意地棲居”在大地上。自近代始,西方為了實(shí)現(xiàn)啟蒙運(yùn)動(dòng)提出的現(xiàn)代化事業(yè),將理性嚴(yán)重扭曲、極端化,造成了今天的自然生態(tài)、社會(huì)倫理和人性等方面的危機(jī)以及文藝等方面的一些不良現(xiàn)象,嚴(yán)重威脅和影響了人類(lèi)的生存與發(fā)展。而在中國(guó),自現(xiàn)代工業(yè)文明社會(huì)以來(lái),在藝術(shù)中也出現(xiàn)了與一脈承延下來(lái)的詩(shī)性智慧的內(nèi)涵與使命相悖的一些不良現(xiàn)象,造成了傳統(tǒng)藝術(shù)中的詩(shī)性智慧有所斷裂和遮蔽,嚴(yán)重地影響了傳統(tǒng)藝術(shù)精神的延續(xù)和人們的精神生活。有鑒于此,本文以詩(shī)性智慧為切入點(diǎn),考察了中國(guó)傳統(tǒng)藝術(shù)中詩(shī)性智慧的來(lái)龍去脈、基本特征以及在現(xiàn)代社會(huì)的缺失,主張復(fù)活、倡揚(yáng)中國(guó)傳統(tǒng)藝術(shù)中的詩(shī)性智慧,護(hù)衛(wèi)人類(lèi)的精神家園。 文章分六部分。 第一部分是引言,主要就詩(shī)性智慧的出處、中國(guó)傳統(tǒng)藝術(shù)中詩(shī)性智慧的特殊性作簡(jiǎn)要說(shuō)明,指出它在當(dāng)今社會(huì)有利于克服由現(xiàn)代化造成的各種弊端,說(shuō)明寫(xiě)作的意圖。 第二部分首先概要指出中國(guó)傳統(tǒng)藝術(shù)中詩(shī)性智慧的內(nèi)涵,然后對(duì)中國(guó)藝術(shù)中詩(shī)性智慧的萌發(fā)作了考察,指出:華夏先民萌發(fā)的詩(shī)性智慧不僅創(chuàng)造了大量的史前藝術(shù),造就了后世的許多藝術(shù)類(lèi)別,凝練出成為后世中國(guó)藝術(shù)基因的漢字藝術(shù),更重要的是賦予了中國(guó)藝術(shù)中詩(shī)性智慧的基本特質(zhì),并昭示出人類(lèi)棲居的根本方式,巨大而深遠(yuǎn)地影響了后世的中國(guó)傳統(tǒng)藝術(shù)。 第三部分主要論述中國(guó)傳統(tǒng)藝術(shù)中詩(shī)性智慧的思想根源�？酌先鍖W(xué)使中國(guó)傳統(tǒng)藝術(shù)中的詩(shī)性智慧具有了在現(xiàn)實(shí)關(guān)懷中詩(shī)化人生的品格,使這個(gè)民族在世俗倫常中持有一份詩(shī)性的浪漫情懷,儒雅淑世;老莊道學(xué)濃厚地賦予了中國(guó)傳統(tǒng)藝術(shù)中詩(shī)性智慧以哲思的形上意蘊(yùn),奠定了中國(guó)藝術(shù)的基本精神;而經(jīng)過(guò)本土化的佛學(xué)禪理將中國(guó)詩(shī)學(xué)推上到一個(gè)新的臺(tái)階,催化了“意境”說(shuō)的誕生,豐富了中國(guó)人的詩(shī)學(xué)精神與詩(shī)性思維方式。 第四部分著重分析中國(guó)傳統(tǒng)藝術(shù)中詩(shī)性智慧的基本特征:從藝術(shù)本體上看,推崇道法自然的藝術(shù)精神;從價(jià)值取向上看,注重詩(shī)意棲居的人生境界;從思維
[Abstract]:Poetic wisdom is the core concept put forward and discussed by Vico in New Science. He holds that poetic wisdom is the initial form of human wisdom, which is characterized by the creation of imagination. Poetic wisdom in Chinese traditional art is a kind of traditional aesthetic spirit which is constantly developed and perfected under the influence of Chinese traditional poetic spirit and poetic culture. Poetic true romance and philosophical metaphysical implication and other characteristics. This kind of wisdom shows a kind of spirit beyond logic and knowledge, guides the poeticization of life, promotes people's existence and development, and assists people to "inhabit poetically" on the earth. Since the beginning of modern times, in order to realize the cause of modernization proposed by the Enlightenment, the West has seriously distorted and radicalized rationality, resulting in today's crises in natural ecology, social ethics and human nature, as well as some undesirable phenomena in literature and art. Seriously threaten and affect the survival and development of mankind. In China, since the modern industrial civilization society, there have also appeared some bad phenomena in art, which are contrary to the connotation and mission of poetic wisdom inherited from the same line, resulting in the breaking and shielding of poetic wisdom in traditional art. It seriously affects the continuation of traditional artistic spirit and people's spiritual life. In view of this, this paper, from the point of view of poetic wisdom, examines the origin and the basic characteristics of poetic wisdom in Chinese traditional art, as well as its lack in modern society, advocates the revival of poetic wisdom in Chinese traditional art, and advocates the poetical wisdom in Chinese traditional art. To guard the spiritual homeland of mankind. The article is divided into six parts. The first part is the introduction, mainly about the provenance of poetic wisdom and the particularity of poetic wisdom in Chinese traditional art, and points out that it is beneficial to overcome all kinds of disadvantages caused by modernization and explain the intention of writing in today's society. The second part firstly summarizes the connotation of poetic wisdom in Chinese traditional art, then investigates the germination of poetic wisdom in Chinese art, and points out that the poetic wisdom of Chinese ancestors not only created a large number of prehistoric arts, It has created many types of art for later generations, condensed out the Chinese character art that became the gene of Chinese art in later generations, more importantly, endowed the basic characteristics of poetic wisdom in Chinese art, and revealed the fundamental way in which human beings live. It has greatly and profoundly influenced the Chinese traditional art of later generations. The third part mainly discusses the ideological roots of poetic wisdom in Chinese traditional art. Confucianism of Confucius and Mencius makes the poetic wisdom in Chinese traditional art have the poetic character of life in the realistic care, and makes this nation hold a poetic romantic sentiment in the secular society. Laozhuang Daoism has given poetical wisdom in traditional Chinese art with the metaphysical implication of philosophy, which has laid the basic spirit of Chinese art, and has pushed Chinese poetics to a new level through the localization of Buddhism and Zen. It catalyzes the birth of artistic conception and enriches Chinese poetic spirit and poetic thinking mode. The fourth part focuses on the analysis of the basic characteristics of poetic wisdom in Chinese traditional art: from the perspective of artistic Noumenon, promote the art spirit of Taoism and nature; from the value orientation, pay attention to the poetic living realm; think from the perspective of thinking
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類(lèi)號(hào)】：J120.9

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 陳葉;論中國(guó)現(xiàn)代平面設(shè)計(jì)的“詩(shī)性”魅力[D];安徽工程大學(xué);2010年

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本文編號(hào)：2254180