【摘要】：20世紀(jì)后半葉空間理論的興起給學(xué)界帶來(lái)了一場(chǎng)革命。時(shí)間和空間本是人類思維的兩個(gè)重要維度,可傳統(tǒng)上人們只重視時(shí)間而忽略了空間,空間理論的興起正式顛覆了傳統(tǒng)這一固定思維模式,凸顯了空間的重要性和異質(zhì)性、多元性。強(qiáng)調(diào)空間性不會(huì)遮蔽人類的時(shí)間性或歷史性,也不會(huì)損壞人類的邏輯能力和思辨能力,相反,還會(huì)給其注入新的想象力和創(chuàng)造力。 在空間美學(xué)轉(zhuǎn)向下,文學(xué)研究受到多方面影響,空間視角從不同角度進(jìn)入文學(xué)審美,擴(kuò)大了文學(xué)審美的范疇,深化了文學(xué)審美的內(nèi)涵,開(kāi)啟了文學(xué)原本被遮蔽的無(wú)限世界。本文簡(jiǎn)要介紹了空間美學(xué)轉(zhuǎn)向及幾種著名空間理論。著重嘗試進(jìn)行了文學(xué)空間審美,展露了文學(xué)的空間性,凸顯了文學(xué)作為想象性的第二空間審美和作為多元性、異質(zhì)性的第三空間審美,并著重探討了文學(xué)第三空間審美下的開(kāi)放性、邊緣化和異托邦特征,還闡釋了文學(xué)繞不開(kāi)的孤獨(dú)與死亡兩個(gè)空間的審美體驗(yàn)。最后,本文嘗試性的論述了文學(xué)空間審美的意義,其意義便在于彰顯了人的主體性建構(gòu),人于煩勞的塵世解脫出來(lái),在文學(xué)空間中為自己疲憊的心靈構(gòu)筑一處精神家園,以期安放自己無(wú)根的靈魂而進(jìn)入詩(shī)意的棲居之所。 總之,空間理論的興起和空間美學(xué)轉(zhuǎn)向,給文學(xué)研究帶來(lái)了全新的研究視角和研究空間,開(kāi)拓了文學(xué)研究的新局面。
[Abstract]:The rise of space theory in the second half of the 20th century brought a revolution to the academic circle. Time and space are two important dimensions of human thinking, but traditionally people only attach importance to time and ignore space. The rise of space theory subverts the traditional fixed mode of thinking and highlights the importance and heterogeneity of space. Diversity. The emphasis on space will not obscure the temporal or historical nature of human beings, nor will it damage the logical and speculative abilities of human beings. On the contrary, it will inject new imagination and creativity into it. Under the turn of space aesthetics, the study of literature is influenced by many aspects. The angle of view of space enters into literary aesthetics from different angles, expands the category of literary aesthetics, deepens the connotation of literary aesthetics, and opens the infinite world that literature was originally obscured. This paper briefly introduces the turn of space aesthetics and several famous space theories. Focusing on the aesthetic of literary space, it reveals the spatial nature of literature, and highlights the aesthetic of the second space and the third space of diversity and heterogeneity of literature as imagination. It also focuses on the characteristics of openness, marginalization and heterotopia under the aesthetic of the third space of literature, and also explains the aesthetic experience of the two spaces of loneliness and death that literature cannot detach. Finally, this paper tries to discuss the aesthetic significance of literary space, the significance of which is to highlight the subjective construction of human beings, to extricate themselves from the world, and to build a spiritual home for their tired hearts in the literary space. In order to place their own rootless soul and into the poetic dwelling. In a word, the rise of space theory and the turn of space aesthetics bring a new research angle and research space to literature research, and open up a new situation of literature research.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：I01

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 李靜;“空間轉(zhuǎn)向”中的當(dāng)代中國(guó)小說(shuō)研究[D];蘇州大學(xué);2013年

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本文編號(hào)：2204990