【摘要】：陰陽(yáng)五行學(xué)說(shuō)是中國(guó)傳統(tǒng)文化的重要體系之一,是中國(guó)古代解釋自然界陰陽(yáng)兩種物質(zhì)對(duì)立和相互消長(zhǎng)的理論根據(jù)及說(shuō)明世界萬(wàn)物的起源和多樣性的哲學(xué)概念依據(jù)。中國(guó)哲學(xué)的本體論核心在于這樣一個(gè)公式:天道(氣)生陰陽(yáng),陰陽(yáng)成五行,五行變化成萬(wàn)物,而萬(wàn)物的存在方式和相互關(guān)系一直在追求一種“和諧”。這是中國(guó)傳統(tǒng)的宇宙觀,也是中國(guó)古代美學(xué)思想的根本精神。這個(gè)以南方楚地發(fā)展起來(lái)的陰陽(yáng)學(xué)說(shuō)和北方殷人的五行思想相融合而成的陰陽(yáng)五行學(xué)說(shuō)所闡述的陰陽(yáng)五行對(duì)立統(tǒng)一及相生相克的哲學(xué)思想對(duì)我國(guó)傳統(tǒng)美學(xué)思想和藝術(shù)理論的形成,產(chǎn)生過(guò)十分重要的影響和巨大的推進(jìn)作用。 老子說(shuō):“道生一、一生二、二生三、三生萬(wàn)物,萬(wàn)物負(fù)陰而抱陽(yáng),沖氣以為和�！边@是中國(guó)第一個(gè)宇宙生成體系。本文認(rèn)為其中無(wú)疑包含了萬(wàn)物是天地陰陽(yáng)合氣而生的思想,氣做為世界基本元素在自然界陰陽(yáng)相互作用下,產(chǎn)生五行;五行相互作用,則產(chǎn)生宇宙萬(wàn)物的無(wú)窮變化;并由于陰陽(yáng)互相對(duì)立消長(zhǎng),五行相生相克,萬(wàn)物得以和諧發(fā)展。這說(shuō)明中國(guó)人很早就把宇宙看成是一個(gè)互相關(guān)聯(lián)的整體,天地與人之間有一種深刻的互動(dòng)關(guān)系。人們?cè)诮?jīng)驗(yàn)的基礎(chǔ)上把這種對(duì)稱和對(duì)立的聯(lián)系漸漸總結(jié)概括為“陰陽(yáng)五行”學(xué)說(shuō),并借助于這些基本的要素以及其它一些由此而生的次要關(guān)系把宇宙組成一個(gè)統(tǒng)一的整體,這種整體統(tǒng)一、循環(huán)平衡、相生相克、剛?cè)岵?jì)、和諧圓滿的思想從此成為中國(guó)傳統(tǒng)藝術(shù)的顯著特點(diǎn)。 本文以陰陽(yáng)五行學(xué)說(shuō)的起源及演變作為研究其與中國(guó)傳統(tǒng)藝術(shù)的關(guān)系的起點(diǎn),從其深厚的哲學(xué)意義出發(fā),以“虛實(shí)論”、“陰陽(yáng)觀”為主要觀照對(duì)象,以“氣”論、“和諧”思想為切入點(diǎn),研究其美學(xué)層面上對(duì)中國(guó)傳統(tǒng)藝術(shù)的指導(dǎo),試圖對(duì)中國(guó)的傳統(tǒng)精華思想做一次梳理。
[Abstract]:The theory of Yin Yang and five elements is one of the important systems of Chinese traditional culture. It is the theoretical basis for explaining the antagonism and the rise and fall of the two substances in nature in ancient China and the philosophical conceptual basis for explaining the origin and diversity of all things in the world. The essence of the ontology of Chinese philosophy lies in such a formula: heaven creates Yin and Yang, Yin and Yang become five elements, five elements change into all things, and the way of existence and mutual relationship of all things always pursue a kind of "harmony". This is the traditional Chinese view of the universe, but also the fundamental spirit of ancient Chinese aesthetics. This theory of Yin and Yang, which developed from the Southern Chu area, and the five elements of Yin and Yang, which were combined with the five elements of the Yin and Yang people of the North, expounded the unity of opposites of the five elements of the yin and yang and their philosophical ideas which are mutually exclusive to the traditional aesthetic thought of our country. The formation of art theory, Has had the very important influence and the huge propulsive function. Laozi said: "Daosheng one, life two, three, three things, all things negative Yin and embrace Yang, Chong Qi think and." This is China's first cosmic generation system. This paper holds that there is no doubt that all things are born from heaven and earth yin and yang, Qi as the basic element of the world under the interaction of yin and yang in nature, the five elements of interaction, the interaction of the five elements, the creation of infinite changes in the universe; And because Yin and Yang opposite each other, the five elements to each other, everything can develop harmoniously. This shows that the Chinese have long regarded the universe as an interconnected whole, and there is a profound interaction between heaven and earth. On the basis of experience, the symmetries and opposites are gradually summed up as the theory of "yin and yang, five elements", and by the aid of these basic elements and some other secondary relations arising therefrom, the universe is formed into a unified whole. This idea of unity, balance, harmony, harmony and perfection has become a remarkable feature of Chinese traditional art. This paper takes the origin and evolution of the theory of yin and yang as the starting point to study its relationship with Chinese traditional art, starting from its profound philosophical significance, taking "the theory of deficiency and reality" and "view of yin and yang" as the main object, and taking the theory of "qi" as the main object. The thought of "harmony" is regarded as the starting point to study its aesthetic guidance to Chinese traditional art and try to sort out the essence of Chinese traditional thought.
【學(xué)位授予單位】：重慶師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類號(hào)】：J120.9

【引證文獻(xiàn)】

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1 張揚(yáng);;談中國(guó)古典舞形態(tài)構(gòu)成中的陰陽(yáng)五行觀念[J];作家;2010年12期

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本文編號(hào)：2190392