【摘要】：陰陽五行學(xué)說是中國傳統(tǒng)文化的重要體系之一,是中國古代解釋自然界陰陽兩種物質(zhì)對立和相互消長的理論根據(jù)及說明世界萬物的起源和多樣性的哲學(xué)概念依據(jù)。中國哲學(xué)的本體論核心在于這樣一個公式:天道(氣)生陰陽,陰陽成五行,五行變化成萬物,而萬物的存在方式和相互關(guān)系一直在追求一種“和諧”。這是中國傳統(tǒng)的宇宙觀,也是中國古代美學(xué)思想的根本精神。這個以南方楚地發(fā)展起來的陰陽學(xué)說和北方殷人的五行思想相融合而成的陰陽五行學(xué)說所闡述的陰陽五行對立統(tǒng)一及相生相克的哲學(xué)思想對我國傳統(tǒng)美學(xué)思想和藝術(shù)理論的形成,產(chǎn)生過十分重要的影響和巨大的推進作用。 老子說:“道生一、一生二、二生三、三生萬物,萬物負陰而抱陽,沖氣以為和�！边@是中國第一個宇宙生成體系。本文認為其中無疑包含了萬物是天地陰陽合氣而生的思想,氣做為世界基本元素在自然界陰陽相互作用下,產(chǎn)生五行;五行相互作用,則產(chǎn)生宇宙萬物的無窮變化;并由于陰陽互相對立消長,五行相生相克,萬物得以和諧發(fā)展。這說明中國人很早就把宇宙看成是一個互相關(guān)聯(lián)的整體,天地與人之間有一種深刻的互動關(guān)系。人們在經(jīng)驗的基礎(chǔ)上把這種對稱和對立的聯(lián)系漸漸總結(jié)概括為“陰陽五行”學(xué)說,并借助于這些基本的要素以及其它一些由此而生的次要關(guān)系把宇宙組成一個統(tǒng)一的整體,這種整體統(tǒng)一、循環(huán)平衡、相生相克、剛?cè)岵�、和諧圓滿的思想從此成為中國傳統(tǒng)藝術(shù)的顯著特點。 本文以陰陽五行學(xué)說的起源及演變作為研究其與中國傳統(tǒng)藝術(shù)的關(guān)系的起點,從其深厚的哲學(xué)意義出發(fā),以“虛實論”、“陰陽觀”為主要觀照對象,以“氣”論、“和諧”思想為切入點,研究其美學(xué)層面上對中國傳統(tǒng)藝術(shù)的指導(dǎo),試圖對中國的傳統(tǒng)精華思想做一次梳理。
[Abstract]:The theory of Yin Yang and five elements is one of the important systems of Chinese traditional culture. It is the theoretical basis for explaining the antagonism and the rise and fall of the two substances in nature in ancient China and the philosophical conceptual basis for explaining the origin and diversity of all things in the world. The essence of the ontology of Chinese philosophy lies in such a formula: heaven creates Yin and Yang, Yin and Yang become five elements, five elements change into all things, and the way of existence and mutual relationship of all things always pursue a kind of "harmony". This is the traditional Chinese view of the universe, but also the fundamental spirit of ancient Chinese aesthetics. This theory of Yin and Yang, which developed from the Southern Chu area, and the five elements of Yin and Yang, which were combined with the five elements of the Yin and Yang people of the North, expounded the unity of opposites of the five elements of the yin and yang and their philosophical ideas which are mutually exclusive to the traditional aesthetic thought of our country. The formation of art theory, Has had the very important influence and the huge propulsive function. Laozi said: "Daosheng one, life two, three, three things, all things negative Yin and embrace Yang, Chong Qi think and." This is China's first cosmic generation system. This paper holds that there is no doubt that all things are born from heaven and earth yin and yang, Qi as the basic element of the world under the interaction of yin and yang in nature, the five elements of interaction, the interaction of the five elements, the creation of infinite changes in the universe; And because Yin and Yang opposite each other, the five elements to each other, everything can develop harmoniously. This shows that the Chinese have long regarded the universe as an interconnected whole, and there is a profound interaction between heaven and earth. On the basis of experience, the symmetries and opposites are gradually summed up as the theory of "yin and yang, five elements", and by the aid of these basic elements and some other secondary relations arising therefrom, the universe is formed into a unified whole. This idea of unity, balance, harmony, harmony and perfection has become a remarkable feature of Chinese traditional art. This paper takes the origin and evolution of the theory of yin and yang as the starting point to study its relationship with Chinese traditional art, starting from its profound philosophical significance, taking "the theory of deficiency and reality" and "view of yin and yang" as the main object, and taking the theory of "qi" as the main object. The thought of "harmony" is regarded as the starting point to study its aesthetic guidance to Chinese traditional art and try to sort out the essence of Chinese traditional thought.
【學(xué)位授予單位】：重慶師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2005
【分類號】：J120.9

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1 張揚;;談中國古典舞形態(tài)構(gòu)成中的陰陽五行觀念[J];作家;2010年12期

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