天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

《紅樓夢(mèng)》與《伊瑙》思想藝術(shù)之比較

發(fā)布時(shí)間:2018-08-17 19:58
【摘要】:有一句話(huà)說(shuō),中國(guó)人之精神,世間的也,樂(lè)天的也,故代表其精神 之戲曲小說(shuō),無(wú)往而不著此樂(lè)天之色彩。始于悲者終于歡,始于離者終于合,始于困者終于享。若《牡丹亭》之返魂,《長(zhǎng)生殿》之重圓,其最著之一例也,而《桃花扇》之作者,但借候李之事以寫(xiě)故國(guó)之戚,而非以描寫(xiě)人生為事,故《桃花扇》,政治的也,國(guó)民的也,歷史的也。而《紅樓夢(mèng)》之解脫,自律的也,哲學(xué)的也,宇宙的也,文學(xué)的也。但本人以為還得加上“感情的也”。此《紅樓夢(mèng)》之所以大背于中國(guó)人之精神,而其價(jià)值亦即存乎此,正代表中國(guó)人樂(lè)天之精神者也。 而《伊瑙》,泰國(guó)詩(shī)劇。由阿瑜陀耶王朝后期的波隆葛國(guó)王時(shí)代(1732-1767)蒙谷公主和恭吞公主根據(jù)一個(gè)馬來(lái)亞女俘虜講述的爪哇班基故事寫(xiě)成,由曼谷王朝二世王帕普塔勒臘·納帕萊重新加以改編,成為完整優(yōu)美的詩(shī)劇。它是具有泰國(guó)民族風(fēng)格的古典文學(xué)名著之一。全劇約兩萬(wàn)行詩(shī),描寫(xiě)達(dá)哈國(guó)王的公主浦莎芭與谷列班國(guó)王的王子伊瑙的悲歡離合的故事。兩人本已訂婚,但伊瑙卻另有所愛(ài)(金妲蘭),寄信與浦莎芭退婚,達(dá)哈國(guó)王賭氣將公主另嫁左蠟卡。不久,嘎芒谷寧國(guó)王率大軍搶劫浦莎芭,達(dá)哈國(guó)王向谷列班求援,伊瑙率領(lǐng)援軍擊敗入侵者,殺死嘎芒谷寧父子。伊瑙參拜達(dá)哈國(guó)王時(shí),看見(jiàn)浦莎芭容貌非凡,重生愛(ài)慕之心,將她劫走。不料,浦莎芭在上山游玩時(shí)突然被狂風(fēng)吹走,二人離散。數(shù)年內(nèi)他們互相尋找,遍訪列國(guó),歷盡波折,終于重逢。 作品歌頌了忠貞的愛(ài)情和善良終將戰(zhàn)勝邪惡的思想,同時(shí)描述了泰國(guó)宮廷的禮儀和風(fēng)俗習(xí)慣。泰國(guó)政府曾經(jīng)將它列為文科教材。1798年,《伊瑙》被緬甸詩(shī)人妙瓦底敏紀(jì)吳薩譯成緬文,它的故事也先后傳入老撾和柬埔寨等國(guó)。 全文主要內(nèi)容共分四個(gè)章節(jié): 第一章《伊瑙》的故事 如以上所說(shuō),《伊瑙》是泰國(guó)的一部由曼谷王朝二世王帕普塔勒臘·納帕萊重新加以改編詩(shī)劇,具有泰國(guó)民族風(fēng)格的一部著作。描寫(xiě)的是達(dá)哈國(guó)王的公主布莎巴與古列班國(guó)王的王子伊瑙的悲歡離合的故事。本來(lái)已訂婚的少年王室族,但伊瑙卻另有所愛(ài)與布莎巴退婚,布莎巴的父親賭氣將她嫁給扎拉嘎。不久,嘎芒谷寧國(guó)王率大軍搶走了布莎巴,達(dá)哈國(guó)王向谷列班求援,伊瑙率領(lǐng)援軍擊敗入侵者,殺死嘎芒谷寧父子。伊瑙參拜達(dá)哈國(guó)王時(shí),看見(jiàn)布莎巴美麗動(dòng)人,容貌非凡,與布莎巴重生愛(ài)慕之心,將她劫走。不料中,布莎巴在上山游玩時(shí)突然被狂風(fēng)吹走,二人離散。數(shù)年內(nèi)他們互相尋找,遍訪列國(guó),歷盡波折,終于重逢。 第二章動(dòng)人心弦的人物心境之比較 分為兩節(jié),主要內(nèi)容分析主人物和次人物心境里的差別與共同之處。伊瑙和賈寶玉具有把愛(ài)情作為首位之性等的共同之處,同時(shí)布莎巴和林黛玉也有她們的孤高伶俐,多愁善感的共同之處。至于次人物本節(jié)主要分析金妲蘭的外向與薛寶釵的內(nèi)向,左蠟卡的謙虛與王熙鳳的自信之差別等。 第三章動(dòng)人心弦的對(duì)話(huà)之比較 本章主要分析兩部作品里的每一種類(lèi)的對(duì)話(huà),如表達(dá)愛(ài)情,憤怒,悲痛等對(duì)話(huà),和對(duì)話(huà)里使用的筆法,如“像似”筆法,“比喻”筆法,“作,為,是,當(dāng)”筆法等。 第四章動(dòng)人心弦的背景之比較 主要是分為兩節(jié),第一節(jié)主要是分析在故事里出現(xiàn)的環(huán)境背景,如城市環(huán)境背景,和自然環(huán)境背景。第二節(jié)主要是分析給讀者印象最深刻的背景,本節(jié)已舉了兩個(gè)背景的例子。在《紅樓夢(mèng)》的那部分,本人以“黛玉葬花”,和“寶玉失魂”為主。在《伊瑙》的那部分,本人以“浦莎芭求蠟燭占卜選婿”,和“刮風(fēng)”為主 本論文主要是分析《紅樓夢(mèng)》與《伊瑙》里怎么創(chuàng)造出動(dòng)人心弦的心境,以便表示這兩部作品不管是在創(chuàng)造人物方而,在對(duì)話(huà)方面,和背景方面都具有突出的表達(dá)方式。 研究結(jié)果歸納出創(chuàng)造動(dòng)人心弦的心境主要是分為三部分;(一)創(chuàng)造人物,(二)對(duì)話(huà),(三)背景,這三部分以有意義的詞匯與句子很突出地關(guān)聯(lián)在一起,以便明顯地表達(dá)出心境與情緒。以形象化的語(yǔ)言描寫(xiě)出讓人感到動(dòng)人心弦的心境,使讀者對(duì)人物,對(duì)話(huà),與背景有著深刻的印象,使讀者與作品里的人物有著共同的喜怒哀樂(lè)的情緒。
[Abstract]:There is a saying that the spirit of the Chinese people and the joy of the world also represent their spirit.
If the soul of the Peony Pavilion and the reunion of the Palace of Eternal Life are the most important examples, the author of the Peach Blossom Fan is the author of the Peach Blossom Fan. The liberation of the Dream of Red Mansions is not only a national but also a historical one. The liberation of the Dream of Red Mansions is self-disciplined, philosophical, cosmic and literary.
And Inaugure, a Thai poetic drama, was written by Princess Mongkok and Princess Gongton in the late Ayutoya Dynasty (1732-1767) in accordance with the Jawa Banki story told by a Malayan prisoner of war. It was re-adapted by Paputara Napalai, the second king of Bangkok dynasty, into a complete and beautiful poetic drama. One of the classical literary masterpieces of the genre. The 20,000-line poem tells the story of the joys and sorrows of Pushaba, the princess of Daha, and Inaud, the prince of Gulliban. The two were engaged, but Inaud had another love (Golden Lady Lands), and sent a letter to Pushaba to retire. The Daha King gambled that the princess would marry another left wax. When he led a great army to rob Pushaba, King Daha appealed to Valley and Lebanon for help, and Inaud led the army to defeat the invaders and kill the Garmonguin father and son. Inaugure visited King Daha, he saw Pushaba's extraordinary appearance, renewed love and took her away. After visiting all the countries, they finally met again.
It celebrates the idea that loyal love and kindness will eventually triumph over evil, and describes the etiquette and customs of the Thai court.The Thai government once listed it as a liberal arts textbook.
The main content of the thesis is divided into four chapters.
The first chapter is the story of "NaOH".
As mentioned above, Inaugur is a Thai poetic drama adapted from the second king of Bangkok, Paputara Napalai, and a work of Thai national style. It depicts the joys and sorrows of the divorce between the princess of King Daha, Bushaba, and the prince of King Gulieban, Inaugur. When he visited the king, he saw that Bushaba was beautiful and beautiful, and that he was extraordinarily good-looking. Bushaba's love was reborn and she was robbed. Unexpectedly, Bushaba was suddenly blown away by a strong wind while he was playing in the mountains. They separated. They searched for each other for several years, visited various countries, and finally met again.
The second chapter compares the mood of moving people.
It is divided into two sections to analyze the differences and similarities in the moods of the main characters and the secondary characters. Inaugure and Jia Baoyu share the same characteristics as regard love as the first priority. At the same time, Bushaba and Lin Daiyu share the same characteristics of their aloneness and sentimentality. The introversion of hairpin, the difference between the left wax card's modesty and Wang Xifeng's self-confidence.
The third chapter compares the stirring dialogue.
This chapter mainly analyzes each type of dialogue in the two works, such as the expression of love, anger, grief and other dialogues, and the dialogues used in the brushwork, such as the "iconic" style, the "figurative" style, the "doing, doing, being, being" style.
The comparison of the fourth chapter's touching background
The first section mainly analyzes the environmental background in the story, such as the urban environment background and the natural environment background. The second section mainly analyzes the most impressive background to the readers. This section has given two examples of the background. In the part of A Dream of Red Mansions, I take "Daiyu Buried Flower" and "Baoyu Lost Soul" as the examples. Lord, in the part of "Nu", I used "Pu Sha Ba to ask for candles to divination" and "windy".
This paper mainly analyzes how the two works create a heart-stirring state of mind in A Dream of Red Mansions and Inaugure, so as to show that the two works have prominent ways of expression in terms of dialogue and background, no matter in creating characters.
The results of the study conclude that there are three main parts in creating a touching mood: (1) creating characters, (2) dialogue, (3) background. These three parts are closely related to sentences with meaningful words in order to clearly express mood and emotion. They are deeply impressed by characters, dialogues, and backgrounds, which make readers and characters in their works share a common mood of joy, anger, sorrow and joy.
【學(xué)位授予單位】:山東大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2011
【分類(lèi)號(hào)】:I0-03;I106.4

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 劉夢(mèng)溪;;讀《紅樓夢(mèng)人物論》[J];紅樓夢(mèng)學(xué)刊;1984年03期

2 張畢來(lái);;王昆侖的賈寶玉論的觀點(diǎn)方法[J];紅樓夢(mèng)學(xué)刊;1985年04期

3 樺葉;《紅樓夢(mèng)人物的人格解析》[J];紅樓夢(mèng)學(xué)刊;1992年01期

4 羅盤(pán);從《紅樓夢(mèng)》人物透視中國(guó)文化的風(fēng)貌[J];紅樓夢(mèng)學(xué)刊;1993年02期

5 朱素娟;《紅樓夢(mèng)人物對(duì)話(huà)藝術(shù)》[J];紅樓夢(mèng)學(xué)刊;1996年02期

6 吉田;《賈寶玉與大觀園》[J];紅樓夢(mèng)學(xué)刊;1996年03期

7 李治翰;《紅樓夢(mèng)》之人物語(yǔ)言研究——以人物對(duì)話(huà)的功能為中心[J];紅樓夢(mèng)學(xué)刊;2001年01期

8 劉萬(wàn)里;萬(wàn)紅叢中一片雪——薛寶釵對(duì)紅的排拒與隱藏及其心理透視[J];紅樓夢(mèng)學(xué)刊;2002年02期

9 長(zhǎng)風(fēng);;《話(huà)說(shuō)〈紅樓夢(mèng)〉中人》[J];紅樓夢(mèng)學(xué)刊;2007年01期

10 勇凡;;《紅樓夢(mèng)人物畫(huà)傳》[J];紅樓夢(mèng)學(xué)刊;2007年02期

,

本文編號(hào):2188735

資料下載
論文發(fā)表

本文鏈接:http://sikaile.net/wenyilunwen/yishull/2188735.html


Copyright(c)文論論文網(wǎng)All Rights Reserved | 網(wǎng)站地圖 |

版權(quán)申明:資料由用戶(hù)23444***提供,本站僅收錄摘要或目錄,作者需要?jiǎng)h除請(qǐng)E-mail郵箱bigeng88@qq.com