本文選題：正劇 + 悲劇性��； 參考：《云南藝術(shù)學(xué)院學(xué)報(bào)》2010年01期

【摘要】：長期以來,我國戲劇界依據(jù)"易卜生主義"的基本思路和戲劇觀把《玩偶之家》作為易卜生的代表作和最高成就。本文指出,《玩偶之家》把理性和基于理性的生活理想作為絕對的價值來認(rèn)同,而《野鴨》則觀照了理性和生活理想的片面性,后者與《俄狄浦斯王》、《哈姆雷特》是同質(zhì)的。從現(xiàn)代世界觀的角度評判,《野鴨》的藝術(shù)價值要高于《玩偶之家》。
[Abstract]:For a long time, Chinese theatrical circles have regarded "the family of dolls" as the representative work and the highest achievement of Ibsen on the basis of the basic ideas and theatrical views of "Ibsen doctrine". This article points out that "the doll's house" identifies the rational and rational life ideals as absolute values, while the wild duck looks at the one-sided nature of rational and life ideals, and the latter. Judging from the perspective of modern world outlook, the artistic value of wild duck is higher than that of the doll's home.
【作者單位】： 浙江工商大學(xué)人文學(xué)院;
【分類號】：I106.3;I0-03

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