本文選題：大眾傳媒 + 新文學(xué)��； 參考：《廈門大學(xué)》2002年碩士論文

【摘要】： 近代大眾傳媒的興起打破了傳統(tǒng)的文學(xué)傳播體制，促進(jìn)了新文學(xué)的萌芽。同時(shí)，在近代的社會(huì)政治條件下，大眾傳媒又帶來了新文學(xué)的政治化與商品化，造成了新文學(xué)審美價(jià)值的缺席(弱化)。 近代大眾傳媒的興起構(gòu)建了全新的文學(xué)傳播體制，對(duì)文學(xué)觀念與文學(xué)形態(tài)產(chǎn)生了深刻的影響。具體地說，它起碼促成或推進(jìn)了以下變革：傳統(tǒng)文士向現(xiàn)代知識(shí)分子轉(zhuǎn)變，職業(yè)作家誕生；文學(xué)大眾化，市民讀者群形成；文學(xué)白話化，，舊文體向新文體轉(zhuǎn)變；文學(xué)內(nèi)容的現(xiàn)實(shí)性增強(qiáng)；文學(xué)傳播方式由載道向啟蒙轉(zhuǎn)變；文學(xué)批評(píng)公共空間開始形成。這些轉(zhuǎn)變雖然還不徹底，卻是傳統(tǒng)文學(xué)向現(xiàn)代文學(xué)轉(zhuǎn)型的契機(jī)。 不過，在當(dāng)時(shí)的社會(huì)條件下，救亡圖存是大眾傳媒的神圣使命，文學(xué)的政治化傾向因此顯得相當(dāng)突出；另一方面，由于大眾傳媒的產(chǎn)業(yè)化，新文學(xué)出現(xiàn)了嚴(yán)重的商品化傾向。這兩種傾向造成了新文學(xué)審美價(jià)值的缺席(弱化)。 大眾傳媒的興起與現(xiàn)代文學(xué)的發(fā)生之間的關(guān)系給了我們很多啟示，其中有兩點(diǎn)與現(xiàn)實(shí)聯(lián)系尤為緊密，頗足關(guān)注：其一是大眾傳媒與文學(xué)全球化的問題；其二是如何正確處理大眾傳媒與文學(xué)家(甚至人文知識(shí)分子)、文學(xué)(甚至學(xué)術(shù))的關(guān)系問題。本文認(rèn)為，在當(dāng)今這個(gè)媒體爆炸的時(shí)代，有必要樹立正確的媒體意識(shí)，擁抱媒體而不是一味地批判或逃避，只有這樣，才能使文學(xué)家(人文知識(shí)分子)與媒體和諧共處，使文學(xué)(學(xué)術(shù))走上健康發(fā)展之路。
[Abstract]:The rise of modern mass media broke the traditional system of literary communication and promoted the germination of new literature. At the same time, under the social and political conditions of modern times, mass media brought about the politicization and commercialization of new literature, which resulted in the absence (weakening) of aesthetic value of new literature. The rise of modern mass media constructs a new system of literary communication, which has a profound influence on literary ideas and forms. Specifically, it has at least promoted the following changes: the transformation of traditional literati to modern intellectuals, the birth of professional writers, the popularization of literature, the formation of the readership of citizens, the transformation of literary vernacular, and the transformation of old style to new style; The reality of literary content is enhanced, the mode of literary communication is changed from Tao to enlightenment, and the public space of literary criticism begins to form. These changes, though incomplete, are the turning point of the transformation from traditional literature to modern literature. However, under the social conditions at that time, saving the nation from death was the sacred mission of the mass media, so the politicization tendency of literature was quite prominent. On the other hand, due to the industrialization of mass media, the new literature had a serious tendency to commercialize. These two tendencies lead to the absence of aesthetic value of new literature. The relationship between the rise of mass media and the occurrence of modern literature has given us a lot of enlightenment, two of which are particularly closely related to reality, quite concerned about: first, the problem of mass media and literary globalization; The other is how to correctly deal with the relationship between mass media and writers (even humanities intellectuals, literature and even academics). This paper holds that in this era of media explosion, it is necessary to establish a correct media consciousness and embrace the media instead of blindly criticizing or escaping. Only in this way, can the writers (humanistic intellectuals) live in harmony with the media. Make literature (academic) on the road of healthy development.
【學(xué)位授予單位】：廈門大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2002
【分類號(hào)】：G206.3;I02

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 鄭濤;民國(guó)前期（1912-1936）西方現(xiàn)代木刻在中國(guó)的傳播[D];中央美術(shù)學(xué)院;2007年

相關(guān)碩士學(xué)位論文 前1條

1 肖瑩;現(xiàn)代傳媒視野下的鴛鴦蝴蝶派[D];南昌大學(xué);2009年

本文編號(hào)：1820266