本文選題：詹姆遜 + 后現(xiàn)代主義��； 參考：《新疆大學(xué)》2004年碩士論文

【摘要】：弗雷德里克·詹姆遜是美國(guó)當(dāng)代最著名的西方馬克思主義理論家，他站在馬克思主義的立場(chǎng)上對(duì)后現(xiàn)代問(wèn)題予以關(guān)注，，并在后現(xiàn)代問(wèn)題的討論中表現(xiàn)出了不同于他人的邏輯力量和歷史深度，在當(dāng)代西方馬克思主義文論乃至整個(gè)美學(xué)中達(dá)到了較高的水平。自1985年他應(yīng)邀來(lái)華講學(xué)之后，近20年來(lái)，國(guó)內(nèi)對(duì)他的理論傾注了很大的關(guān)注和熱情，他的主要著作和論文集也已經(jīng)出版。但是，由于其學(xué)問(wèn)十分龐雜，表述過(guò)于艱澀，使得研究者們生畏，研究成果也寥寥。并且，國(guó)內(nèi)對(duì)他的研究更多地傾向于他的馬克思主義闡釋學(xué)，而較少關(guān)注其后現(xiàn)代文化理論。本篇論文主要關(guān)注詹姆遜的后現(xiàn)代文化理論，期望借由全面疏理他的后現(xiàn)代理論而走進(jìn)他，了解他的博大和睿智。 本篇論文分為四個(gè)部分，主要分析了詹姆遜對(duì)后現(xiàn)代主義的界定，總結(jié)了他對(duì)后現(xiàn)代主義文化特征的論述，考察了他對(duì)后現(xiàn)代主義的評(píng)價(jià)，探討了他在研究后現(xiàn)代主義文化的過(guò)程中所形成的獨(dú)特創(chuàng)見(jiàn)和不足之處。 論文第一部分首先從詹姆遜對(duì)后現(xiàn)代主義的界定入手，分析了他的這一定義的三重含義，認(rèn)為詹姆遜從堅(jiān)持經(jīng)濟(jì)基礎(chǔ)決定論、唯物主義歷史觀、總體性原則和辯證法四個(gè)方面顯示出了他的馬克思主義立場(chǎng)，確定了其馬克思主義后現(xiàn)代理論家的地位，進(jìn)而又從他研究后現(xiàn)代主義的獨(dú)特立場(chǎng)出發(fā)，探究了他所采用的馬克思主義的研究后現(xiàn)代主義的方法。 論文第二部分總結(jié)了詹姆遜對(duì)后現(xiàn)代主義文化特征的分析。論文從內(nèi)容和形式兩個(gè)方面歸納了他對(duì)后現(xiàn)代主義文化特征的描述： 一、內(nèi)容方面 論文首先論述了詹姆遜提出的后現(xiàn)代主義的第一個(gè)特征，即后現(xiàn)代主義是對(duì)現(xiàn)代主義的刻意反動(dòng)。認(rèn)為他從五個(gè)方面描述了后現(xiàn)代主義對(duì)現(xiàn)代主義的顛覆：削平深度、歷史感消失、主體的消失、距離感的消失和美學(xué)民粹主義；接著，論文論述了詹姆遜指出的后現(xiàn)代主義的第二個(gè)特征：后現(xiàn)代主義中一些原本在現(xiàn)代主義時(shí)期十分分明的界限和區(qū)別消失了。論文主要論述了在后現(xiàn)代主義中文化和商品界限的消失以及精英文化和大眾文化之間的融合。 二、形式方面 論文認(rèn)為詹姆遜從三個(gè)方面對(duì)后現(xiàn)代主義文化的形式特征作出了分析，即后現(xiàn)代主義文化具有鮮明的拼湊感、視覺(jué)主義以及高科技合成感。 論文第三部分著眼于詹姆遜對(duì)后現(xiàn)代主義文化的評(píng)價(jià)和展望。認(rèn)為詹姆遜把后現(xiàn)代主義文化既視為進(jìn)步又視為災(zāi)難，是他站在清醒而堅(jiān)定的馬克思主義的立場(chǎng)上對(duì)后現(xiàn)代主義文化做出的一分為二卻又合二為一的辯證的評(píng)價(jià)，指出詹姆遜認(rèn)為文化全球化是不可避免的這一預(yù)測(cè)是他從馬克思主義立場(chǎng)出發(fā)必然得出的結(jié)論，并進(jìn)一步分析了他對(duì)文化全球化的看法。 論文最后對(duì)詹姆遜的后現(xiàn)代主義文化理論的優(yōu)點(diǎn)和缺陷做出了評(píng)價(jià)，認(rèn)為詹姆遜的后現(xiàn) WP=3 代主義理論具有包容性、創(chuàng)新性、連貫性、堅(jiān)定性和有效性五大優(yōu)勢(shì)，同時(shí)也指出了詹姆遜理論中的不足之處。 本篇論文廣泛地吸收了前人的研究成果，并在此基礎(chǔ)上，提出了自己的一些見(jiàn)解。國(guó)內(nèi)對(duì)詹姆遜后現(xiàn)代主義理論的研究主要集中于兩點(diǎn)：他的晚期資本主義文化邏輯的理論和他對(duì)后現(xiàn)代“平面感”、“斷裂感”、“零散化”、“距離感的消失”四個(gè)特征的描述。本文則在此基礎(chǔ)上，論述了詹姆遜提出的后現(xiàn)代主義的其他特征，如美學(xué)民粹主義，文化與商品之間邊界的消失，精英文化與大眾文化的融合，以及后現(xiàn)代主義文化在形式方面的特征等。 論文旨在較為全面而系統(tǒng)地疏理詹姆遜的后現(xiàn)代文化理論，細(xì)致而深入地探討詹姆遜對(duì)后現(xiàn)代主義文化研究的獨(dú)特之處，為當(dāng)今的詹姆遜后現(xiàn)代理論研究提供有益的補(bǔ)充。
[Abstract]:Frederick Jameson is the most famous Western Marx theorist in the contemporary America. He stands on the standpoint of Marx's doctrine to pay attention to the post modernity problem, and shows the logic and historical depth different from others in the discussion of the post modernism, and in the western Marx doctrine and even the whole aesthetics. It has reached a high level. Since he was invited to China in 1985, he has devoted great attention and enthusiasm to his theory in the past 20 years. His main works and papers have also been published. However, because of his very complicated knowledge and difficult expression, the researchers are fearful and have few research results. The study is more inclined to his Marx's Hermeneutics and less attention to the subsequent modern cultural theory. This paper mainly focuses on Jameson's postmodern cultural theory, and expects to walk into him by a comprehensive theory of his postmodern theory and understand his greatness and wisdom.
This thesis is divided into four parts, which mainly analyzes the definition of Jameson's postmodernism, summarizes his exposition of the cultural characteristics of postmodernism, examines his evaluation of postmodernism, and probes into his unique originality and inadequacies in the process of studying postmodernism.
The first part of the thesis begins with the definition of Jameson's Postmodernism and analyzes the three meanings of his definition. It shows that Jameson shows his Marx standpoint from the four aspects of insisting on the determinism of economic basis, materialism history, general principle and dialectics, and determines his Marx doctrine. On the status of the family, and then from his unique standpoint of postmodernism, he explores the postmodernism method of Marx's study.
The second part of the thesis summarizes Jameson's analysis of the cultural characteristics of postmodernism. The thesis sums up his description of the cultural characteristics of postmodernism from two aspects of content and form:
First, content aspects
The paper first discusses the first feature of Jameson's postmodernism, that is, postmodernism is a deliberate reactionary of modernism. It is considered that he describes the subversion of Postmodernism to modernism from five aspects: the depth of the leveling, the disappearance of the sense of history, the disappearance of the subject, the disappearance of the sense of distance, and the aesthetic populism. This paper discusses the second characteristics of Jameson's Postmodernism: the distinction and distinction between some of the postmodernism which are very distinct in the modernist period. The paper mainly discusses the disappearance of the boundary of culture and goods in postmodernism and the integration of elite culture and great culture.
Two, form aspect
The paper thinks that Jameson has made an analysis of the form characteristics of postmodernist culture from three aspects, that is, the post modernist culture has a distinct sense of patchwork, visions and high-tech synthesis.
The third part of the thesis focuses on Jameson's evaluation and Prospect of postmodernist culture. It is considered that Jameson regards postmodernist culture as both progress and disastrous, and is a dialectical evaluation of the separation of postmodernist culture from his sober and steadfast Marx's standpoint. The prediction that cultural globalization is inevitable is his inevitable conclusion from the standpoint of Marx's doctrine, and further analyses his views on cultural globalization.
At the end of the paper, the advantages and disadvantages of Jameson's post modernist cultural theory are evaluated, and Jameson's post emergence is considered.
WP=3
The theory of substitution has five advantages: inclusiveness, innovation, consistency, firmness and effectiveness. It also points out the shortcomings of Jameson's theory.
This paper has extensively absorbed the achievements of predecessors, and on this basis, put forward some opinions. The domestic research on Jameson's postmodernism theory mainly focuses on two points: his late capitalist cultural logic theory and his postmodern "sense of plane", "sense of fracture", "fragmentary", "sense of distance" On the basis of this, this article discusses the other features of Jameson's postmodernism, such as aesthetic populism, the disappearance of the boundary between culture and goods, the integration of elite culture and mass culture, and the form characteristics of postmodernism culture.
The thesis aims at a more comprehensive and systematic review of Jameson's postmodern cultural theory, and a detailed and in-depth discussion of the unique features of Jameson's study of postmodernism culture, which provides a useful supplement to the research of Jameson's postmodern theory.

【學(xué)位授予單位】：新疆大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2004
【分類號(hào)】：I0

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 張彩云;試論詹姆遜的“馬克思主義”[D];福建師范大學(xué);2010年

2 王妮;張揚(yáng)導(dǎo)演電影透視[D];陜西師范大學(xué);2011年

3 何勛;神話之輕與游戲之重[D];湖南大學(xué);2012年

本文編號(hào)：1816641