本文選題：接受美學(xué)的文論 + 讀者接受論�。� 參考：《福建論壇(人文社會(huì)科學(xué)版)》2010年02期

【摘要】：接受美學(xué)的文論突出了審美和藝術(shù)的接受這一維度,提出了讀者接受論、閱讀現(xiàn)象學(xué)、審美經(jīng)驗(yàn)論,對(duì)于西方文論的發(fā)展開(kāi)辟了新的路徑,但是,它片面地強(qiáng)調(diào)了讀者接受和消費(fèi)的一面,忽視了文學(xué)藝術(shù)的創(chuàng)造者和生產(chǎn)的一面,因而也陷入了片面性之中。我們?cè)诮?gòu)中國(guó)特色的當(dāng)代文論的過(guò)程中,應(yīng)該充分注意文學(xué)藝術(shù)的生產(chǎn)和消費(fèi)的辯證關(guān)系,建構(gòu)起文學(xué)話語(yǔ)實(shí)踐論。
[Abstract]:The literary theory of reception aesthetics highlights the dimension of aesthetic and artistic acceptance, and puts forward the reception theory of readers, phenomenology of reading and aesthetic experience theory, which opens a new way for the development of western literary theory.It emphasizes the acceptance and consumption of readers, neglects the creators and producers of literature and art, and thus falls into one-sidedness.In the process of constructing the contemporary literary theory with Chinese characteristics, we should pay full attention to the dialectical relationship between the production and consumption of literature and art, and construct the practical theory of literary discourse.
【作者單位】： 華中師范大學(xué)文學(xué)院 文學(xué)批評(píng)中心;
【基金】：2006年度教育部人文社會(huì)科學(xué)研究項(xiàng)目《后現(xiàn)代主義思潮與中國(guó)當(dāng)代文論建設(shè)》(06JA75011-44015)的階段性成果
【分類號(hào)】：I01
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本文編號(hào)：1762121