本文選題：暫時性 + 當(dāng)代藝術(shù)��； 參考：《美術(shù)觀察》2010年02期

【摘要】：在當(dāng)代西方社會,"藝術(shù)"的本質(zhì)及其存在形態(tài),與前現(xiàn)代社會相比早已發(fā)生了深刻變化。作為一位有前瞻性眼光的藝術(shù)批評家,哈羅德·羅森堡在20世紀(jì)80年代初,針對當(dāng)代社會藝術(shù)品形態(tài)的轉(zhuǎn)型和傳播過程、傳播環(huán)境的變化,對藝術(shù)的本質(zhì)和審美上的特性做了探索性的梳理總結(jié)。他的這篇藝術(shù)理論文獻(xiàn)在今天讀來仍有較高的參考價值。鄭式將此文譯出并增加了注釋,推薦讀者關(guān)注。視覺藝術(shù)管理的概念引入國內(nèi)不過幾年時間,人們已經(jīng)越來越意識到對視覺藝術(shù)進行有效管理的重要性。本期刊發(fā)的馬健的文章,對國外藝術(shù)銀行的運作模式做了概要性的介紹。這種藝術(shù)管理方式在國內(nèi)目前還處于起步階段,多數(shù)人對這一"新事物"也還沒有清晰的概念,因此馬健一文非常值得一讀。
[Abstract]:In contemporary western society, the essence and existing form of "art" have already undergone profound changes compared with the pre-modern society.As a forward-looking art critic, Harold Rosenberg, in the early 1980s, aimed at the transformation and communication process of contemporary social art form, the change of communication environment.The essence of art and aesthetic characteristics of the exploration of the summary.His literature on art theory is still of high reference value in reading today.Zheng has translated and added notes to this article, recommending readers' attention.It is only a few years since the concept of visual art management was introduced in China that people have become more and more aware of the importance of the effective management of visual art.Ma Jian's article, published in this issue, gives a brief introduction to the operation mode of foreign art banks.This art management method is still in its infancy in China, and most people do not have a clear concept of this "new thing", so Ma Jian's article is worth reading.
【作者單位】： 中央美術(shù)學(xué)院美術(shù)史系;
【分類號】：J01

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 ;孫連剛論當(dāng)代藝術(shù)摘編[J];中國拍賣;2010年04期

2 李U，

本文編號：1760835