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關(guān)于“半邊天——社會(huì)實(shí)踐藝術(shù)的交叉點(diǎn)”

發(fā)布時(shí)間:2018-04-11 06:40

  本文選題:波伏娃 + 女性藝術(shù)家。 參考:《美苑》2014年04期


【摘要】:正20世紀(jì)50年代毛澤東提出"婦女能頂半邊天",確定了中國女性在社會(huì)中的獨(dú)立性與社會(huì)身份。此時(shí)的歐洲,法國作家波伏娃在《第二性》中也提出了:"我們并非生來為女人,我們是成為了女人。"這樣的口號(hào),這部被認(rèn)為是西方女性"圣經(jīng)"的作品影響了一代女性存在和獨(dú)立的意識(shí)。波伏娃終其一生推廣存在主義,她提出一系列的問題,探討人類如何在無法選擇出生的荒謬世界中找到生命的意義,特別是女性存在的意
[Abstract]:In the 1950s Mao Zedong proposed that "women can hold up half the sky", which determined the independence and social identity of Chinese women in society.At this time in Europe, French writer Bovova also put forward in the second Sex: "We are not born women, we are women."Such slogans, which are considered Western women's biblical works, have influenced a generation of women's consciousness of being and independence.Throughout her life Popovova promotes existentialism. She raises a series of questions about how human beings can find the meaning of life in an absurd world where they cannot choose to be born, especially the meaning of the existence of women.
【分類號(hào)】:J120.9
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本文編號(hào):1734847

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