本文選題：芭蕉　切入點(diǎn)：實(shí)證性文學(xué)關(guān)系　出處：《學(xué)術(shù)交流》2009年01期 　論文類型：期刊論文

【摘要】：基于俳句是根植于日本本土的文學(xué)樣式這一現(xiàn)象,僅在影響研究的視域下看待芭蕉的文學(xué)創(chuàng)作勢(shì)必會(huì)忽視其自身的獨(dú)創(chuàng)性和完整性。藝術(shù)品不僅僅是來(lái)源和影響的總和,應(yīng)視其為一個(gè)整體,從別處將獲得的原材料在整體中不再是外來(lái)的死東西,而已同化于一個(gè)新結(jié)構(gòu)之中。1芭蕉的文學(xué)創(chuàng)作不僅是對(duì)中國(guó)文學(xué)的習(xí)得和模仿,還有他自身對(duì)文學(xué)美的理解。要在實(shí)證性文學(xué)關(guān)系案例分析中找到文學(xué)現(xiàn)象中的流傳、變異和規(guī)律是曹順慶先生提出的比較文學(xué)變異學(xué)理論的意義所在:在客觀事實(shí)為證的基礎(chǔ)上,正視比較文學(xué)間的影響關(guān)系;與此同時(shí),能夠還原、再現(xiàn)被影響對(duì)象自身所蘊(yùn)含的藝術(shù)價(jià)值。
[Abstract]:Based on the phenomenon that haiku is a literary style rooted in native Japan, viewing Issa's literary creation only from the perspective of influence research is bound to ignore its own originality and integrality. Art is not just the sum of sources and influences. It should be regarded as a whole, in which raw materials to be obtained elsewhere are no longer foreign dead things, but assimilated into a new structure. 1 the literary creation of banana is not only the acquisition and imitation of Chinese literature. And his own understanding of literary beauty. To find the spread of literary phenomena in the case study of empirical literary relations, Variation and regularity are the meaning of the theory of variation in comparative literature put forward by Cao Shunqing: on the basis of objective facts, facing up to the influence of comparative literature; at the same time, it can be restored. Reappear the artistic value of the affected object itself.
【作者單位】： 四川大學(xué)文學(xué)與新聞院;
【分類號(hào)】：I0-03

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

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2 楊乃喬;比較視域與比較文學(xué)本體論的承諾[J];北京大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2003年05期

3 李現(xiàn)平;;比較教育學(xué)與比較文學(xué)握握手[J];比較教育研究;2006年10期

4 陳`，

本文編號(hào)：1611970