本文選題：觸覺　切入點：軀體　出處：《山東師范大學》2005年博士論文　論文類型：學位論文

【摘要】：身體是當代哲學、社會學、美學、藝術(shù)研究的“新大陸”。與軀體密切相關(guān)的問題之一是膚覺、軀體覺以及膚覺-軀體經(jīng)驗。膚覺軀體覺既是一個古老的話題,同時由于神的消失,軀體的當代生命存在的意義也就備受關(guān)注,膚覺軀體覺以及膚覺-軀體經(jīng)驗的現(xiàn)實意蘊、特別是審美意蘊也就凸現(xiàn)出來。本論文試圖從膚覺-軀體經(jīng)驗的角度,在膚覺軀體經(jīng)驗——視覺——意識的關(guān)系鏈中探討審美意識、特別是當代審美意識的深層內(nèi)涵。 膚覺經(jīng)驗包括了兩方面的內(nèi)涵,一方面是直接的皮膚感知,另一方面是由于膚視先天聯(lián)系和視覺化而滲透進了視覺和思維中的膚覺-軀體經(jīng)驗。這樣,我們的研究對象就是具有“總覺”之稱的膚覺-軀體覺以及存在于視覺和思維中的膚覺-軀體的知覺經(jīng)驗,主要從膚覺軀體經(jīng)驗和視覺經(jīng)驗的結(jié)合點上探討和美、和藝術(shù)的聯(lián)系。 首先是膚覺軀體經(jīng)驗的審美創(chuàng)造性。膚覺軀體經(jīng)驗在諸種知覺經(jīng)驗中出現(xiàn)得最早,最為古老,是人類創(chuàng)造的原點之一。人類依據(jù)這一的古老的膚覺軀體經(jīng)驗進行直接的和間接的創(chuàng)造。直接創(chuàng)造體現(xiàn)在與人類膚覺軀體經(jīng)驗直接相關(guān)的方面,特別是人類雙手的創(chuàng)造,即工具、服飾、建筑等。直接膚覺創(chuàng)造中包含著一定的人類情感因素。膚覺軀體覺的間接創(chuàng)造指的是非接觸的情況下人類對對象的感受、判斷和營造。膚覺軀體的間接創(chuàng)造主要體現(xiàn)在膚覺比喻、膚覺空間和膚覺形式方面。人類借助膚覺的視覺化和膚視先天聯(lián)系將膚覺經(jīng)驗擴展出去,這一擴展方式就是膚覺比喻。所謂膚覺比喻,指的是在膚覺經(jīng)驗的實踐性的基礎(chǔ)上,借助于膚視先天聯(lián)系和視覺化,通過類比的方式,將人的膚覺經(jīng)驗外射到未觸及的對象之上,或是主體在外在事物之上喚起類似于膚覺的類比性感受活動。膚覺比喻具有很強的審美情感色彩。膚覺比喻背后的哲學支撐是胡塞爾的意向性。借助于意向性和膚覺比喻的擴展,人類把現(xiàn)實自我投射出去,并充盈于一定的空間中形成人的空間大我,即膚覺空間大人�？臻g大人與其它動物的不同之處在于反思,空間大人是人類自身反思的結(jié)果�？臻g大人以自身的膚覺軀體的感受經(jīng)驗,意向性地推測外在自然物,空間大人對具體的個別的自然物的推想就
[Abstract]:The body is the "new world" of contemporary philosophy, sociology, aesthetics and art. One of the issues closely related to the body is skin, body, and skin-body experience, which is an ancient topic. At the same time, because of the disappearance of God, the significance of the contemporary life of the body has been paid close attention to. This paper attempts to explore the deep connotation of aesthetic consciousness, especially the contemporary aesthetic consciousness, in the relationship chain of skin sense body experience and visual consciousness from the perspective of skin sense and body experience. Skin sense experience includes two aspects: one is direct skin perception, the other is skin sensor- body experience that permeates vision and thinking because of the innate connection and visualization of skin vision. Our object of study is the skin sensor- somatosensory which is called "total sense" and the skin-body perceptual experience that exists in vision and thinking. We mainly discuss the beauty of skin-sense body experience and visual experience from the point of combination of skin-sense body experience and visual experience. The connection with art. The first is the aesthetic creativity of skin somatic experience, which is the earliest and most ancient of all kinds of perceptual experiences. It is one of the origins of human creation. Human beings make direct and indirect creation based on this ancient skin sense body experience. Direct creation is embodied in aspects directly related to human skin sense body experience, especially in the creation of human hands. That is, tools, clothing, architecture, etc. The direct skin sensation creation contains certain human emotional factors. The indirect creation of skin sense body sense refers to the human feeling to the object in the case of non-contact. Judgment and construction. The indirect creation of the skin sense body is mainly reflected in the skin sense metaphor, the skin sense space and the skin sense form. This expansion is called skin metaphor. The so-called skin metaphor is based on the practical nature of skin sense experience, with the help of the innate connection and visualization of skin vision, by analogy. By projecting human skin experience onto untouched objects, Or the subject evokes the analogous feeling activity similar to the skin sensation on the external thing. The skin sense metaphor has the very strong esthetic emotion color. The philosophy support behind the skin sense metaphor is Husserl's intentionality. The expansion of skin metaphor, Human beings project the real self out and fill a certain space to form the human spatial self, that is, the adult of skin space. The difference between the adults of space and other animals is reflection. The adults of space are the result of human reflection. The adults of space infer the external natural objects intensively with the experience of their own skin sensations, and the spatial adults' extrapolation of specific individual natural objects
【學位授予單位】：山東師范大學
【學位級別】：博士
【學位授予年份】：2005
【分類號】：I01

【引證文獻】

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2 彭懿;白解紅;;通感認知新論[J];外語與外語教學;2008年01期

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2 王新玲;現(xiàn)代漢語觸覺形容詞研究[D];廣西師范大學;2010年

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本文編號：1590711