本文選題：清末　切入點：美術(shù)　出處：《文藝研究》2014年08期 　論文類型：期刊論文

【摘要】："美術(shù)"的引進與近代中國社會需求密切相關(guān)。處社會激變之際,有識之士感嘆中國衰敗而呼吁開民智、新民德。"美術(shù)"被認為是進德教民、改良社會的重要手段而得到提倡。此種以"美術(shù)"為手段的做法,客觀上推動了學(xué)科的發(fā)展:"美術(shù)"相關(guān)知識得到進一步輸入,在"美術(shù)"的框架下舊學(xué)得到初步整理,"美術(shù)"學(xué)堂也得以陸續(xù)出現(xiàn)。本文以大量史料為基礎(chǔ),從社會整體變動考察"美術(shù)",力圖呈現(xiàn)其在清末歷史中的實際進程,以探討美術(shù)學(xué)科的發(fā)展動力。
[Abstract]:The introduction of "Fine Arts" is closely related to the social needs of modern China. At a time of social upheaval, people of insight lamented the decline of China and called for the opening of the people's wisdom. The practice of "fine art" as a means has objectively promoted the development of the subject: the knowledge of "fine art" has been further imported, Under the framework of "fine art", the old study was preliminarily arranged, and the "fine art" school appeared one after another. Based on a large number of historical data, this paper examines "fine art" from the overall changes of society, and tries to present its actual process in the history of the late Qing Dynasty. In order to explore the development of the subject of fine arts motive force.
【作者單位】： 韓山師范學(xué)院潮學(xué)研究院;
【基金】：韓山師范學(xué)院博士科研啟動項目“近代‘美術(shù)教育’之興起及對嶺東美術(shù)界的影響”(QD20110329) 廣東省社科基金“概念與學(xué)科:‘美術(shù)’在近代中國的進程”(GD11XLS02)階段性成果
【分類號】：J120.9
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本文編號：1565647