本文關(guān)鍵詞： 音樂 文學(xué) 實(shí)質(zhì) 構(gòu)成 關(guān)系　出處：《中國社會科學(xué)院研究生院》2000年博士論文　論文類型：學(xué)位論文

【摘要】： 音樂和文學(xué)——人類兩大精神財(cái)富，和人類發(fā)生發(fā)展過程不可分離，緊密相 伴，不但為人類生活增色添彩，且是人類文明化的重要機(jī)制和重要手段。不可設(shè) 想，沒有物質(zhì)生產(chǎn)，地球上能有人類的出現(xiàn)；同樣也不可設(shè)想，沒有音樂和文學(xué)， 人類能夠組成社會，發(fā)展至今天這樣的現(xiàn)狀。毫不夸張地說，音樂和文學(xué)，既是人 類社會特有的一大標(biāo)識，也是人類賴以生存和發(fā)展的一大基石。 和其他人類精神產(chǎn)品有所不同的是，音樂和文學(xué)之間緊密關(guān)連。它們在原始階 段即密不可分，在后來各自的發(fā)展中依然息息相關(guān)。用“姊妹藝術(shù)”來形容她們的 關(guān)系，似乎還不足以表明親近的程度；實(shí)際上音樂和文學(xué)像一把“雙刃劍”以兩邊 吹毫之鋒同時展現(xiàn)在人們面前，在人們生活中發(fā)揮著極為重要的作用。 也許是人類社會生活的急速發(fā)展和日趨豐富復(fù)雜，同時學(xué)科研究的分工也日趨 細(xì)密，人們對音樂和文學(xué)的體認(rèn)和審視越來越單一化和專門化，綜合性的研究相對 被忽視。這可以解釋為音樂和文學(xué)經(jīng)過漫長的發(fā)展過程完善了自己的規(guī)模，形成了 獨(dú)立的藝術(shù)門類，也可以解釋為對它們的研究也已經(jīng)形成各自獨(dú)立的學(xué)科。但是， 無論從某一角度看，由于音樂和文學(xué)之間存在的特殊關(guān)系，對它們的歷史發(fā)展和本 質(zhì)關(guān)系進(jìn)行相應(yīng)的比較研究和綜合考察，對認(rèn)識音樂或文學(xué)自身或?qū)λ鼈兊恼w把 握，都有著十分明顯的意義。如果說過去我們對這方面的工作做得不夠，則今天就 應(yīng)該引起我們的足夠重視。也正是出于這一認(rèn)識和考慮，才確市了本文設(shè)定的課題 方向。 為了更好地達(dá)到課題規(guī)定的基本任務(wù)，本文自始至終以比較的方法，在歷史敘 述和理論分析的框架中，對音樂和文學(xué)的歷史淵源及其外部的和內(nèi)在的特質(zhì)構(gòu)成等 方面作了盡可能詳細(xì)具體的分析考察。全文除“引言”簡略地從總體刊音樂和文學(xué) 的關(guān)系加以闡述，進(jìn)而以五章的篇幅作具體論析，即：第一章通過對音樂與文學(xué)的 發(fā)生說明二者密切關(guān)系的歷史淵源；第二章進(jìn)一步論及音樂和文學(xué)與語言的實(shí)質(zhì)關(guān) 系，其中特別對音樂與語言節(jié)奏及文學(xué)語言的特點(diǎn)作重點(diǎn)分析：第三章則通過對音 樂與又學(xué)的構(gòu)成和實(shí)現(xiàn)條件，分析它們的構(gòu)成因素以及它們從創(chuàng)作過程到接受過程 的主客體問的關(guān)系；第u章返問來對音樂與文學(xué)的基本特征和上要功能這些通常較 易為人了解的方面加以平行比較，以求更清晰地剖析它們的摹本的共問點(diǎn)；第五章 則更直接地對音樂與文學(xué)的緊平關(guān)系作交叉式的相互比較分析，以求對二者的基本 關(guān)系作出更為明確的定位。 音樂和文學(xué)的發(fā)展歷史十分悠久，創(chuàng)作實(shí)踐十分豐富，涉及內(nèi)容十分寬泛，，對 之爬梳整理不但要求大量材料，也要求有很高的理論分析能力。本文作者雖然盡了 最大的努力，由于研究起點(diǎn)的限止；在整個寫作過程中，深感自己的心有余而力不 足。由于時間和篇幅有限，對于音樂與文學(xué)二者關(guān)系發(fā)展的前瞻還未能作出必要的 探討，對它們應(yīng)該在什么范圍內(nèi)和在什么程度上更好地相互吸納相互融匯，也缺乏 必要的設(shè)想和論證。當(dāng)然；由于本課題自身的復(fù)雜性和巨大的包容性，企圖在一篇 論文中就說明所有問題或深入解剖其中的某個方面，對于本文作者來說顯然是不實(shí) 際的。這只是做一件工作，而不是完成一個課題。然而，既然方向己定，作者將繼 續(xù)努力，抉心在這一方土地卜深入開掘，以求有更多收獲。
[Abstract]:Music and Literature - the two great spiritual wealth of mankind and the process of human development
With, not only for human life rich and colorful, and is an important mechanism and means of human civilization can not be established.
Think, without material production, there can be human appearance on the earth; it is also inconceivable, without music and literature,
It is no exaggeration to say that music and literature are both human beings, which can make up society and develop to the present situation.
A big logo unique to the society is also a cornerstone of human survival and development.
Unlike other human spiritual products, music and literature are closely connected. They are in the original order.
The segment is inseparable. It is still closely related to the development of their own later. "Sister art" is used to describe them.
The relationship seems not enough to show the degree of intimacy; in fact, music and literature are like a "double-edged sword" on both sides.
At the same time, it plays a very important role in people's life.
Perhaps it is the rapid development and increasing complexity of human social life, and the division of labor of subject research is becoming more and more important.
In detail, people's recognition and examination of music and literature are becoming more and more monotonous and specialized, and the comprehensive research is relative.
It is ignored. It can be explained that music and literature have perfected their own scale after a long process of development.
The independent art class can also be explained as the study of them has also formed their own independent disciplines.
From a certain point of view, due to the special relationship between music and literature, the historical development and the origin of them
A corresponding comparative study and a comprehensive study of the quality of a qualitative relationship, to the understanding of music or literature itself or to them as a whole.
Hold, it's all very obvious. If we didn't do it enough in the past, today
We should pay enough attention to it, and it is precisely out of this understanding and consideration that the subject has been set up in this article.
Direction.
In order to better achieve the basic tasks required by the subject, this paper has a comparative method from the beginning to the end.
The historical origin of music and literature and its external and internal characteristics in the framework of narration and theoretical analysis.
The full text, in addition to the "Introduction", is briefly from the overall magazine music and literature.
The relationship between the five chapters is discussed, and the first chapter is through the music and literature.
The historical origin of the close relationship between the two parties; the second chapter further discusses the essence of music and literature and language.
In particular, it focuses on the analysis of the rhythm of music and language and the characteristics of literary language: the third chapter is through the sound of sound.
The composition and realization conditions of music and learning, the analysis of their components and their process from creation to acceptance
The relationship between the subject and the guest; Chapter u is asked to return to the basic features and functions of music and literature.
Easy to understand aspects of parallel comparison, were asked to point more clearly on their copies of the fifth chapter;
The comparison of the close relationship between music and literature is made more directly in order to make the basic of the two.
A clearer position is made in the relationship.
The history of the development of music and literature is very long, the creation practice is very rich and the content is very broad.
The books not only requires a lot of material, but also requires a very high theoretical analysis ability. The author of this article as
Best, because of the limited starting point; in the process of writing, my flesh is not
Due to the limited time and length, it is not necessary for the development of the relationship between the two parties of music and literature.
To explore, to what extent and to what extent they are better absorbed to each other, and lack of
The necessary ideas and arguments. Of course, because of the complexity and great inclusiveness of the subject, an attempt is made in an article.
It is obviously untrue for the author of this article to explain all the questions or to dissect a certain aspect of it.
It's just a job, not a task. However, since the direction is fixed, the author will follow.
Continued efforts, one heart in this land, digging, in order to have more harvest.

【學(xué)位授予單位】：中國社會科學(xué)院研究生院
【學(xué)位級別】：博士
【學(xué)位授予年份】：2000
【分類號】：J60-05;I0-05

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 周文慧;;白玉蘭叢中的百合——評電視連續(xù)劇《金婚》[J];電影文學(xué);2008年16期

相關(guān)碩士學(xué)位論文 前2條

1 梁顥;唐代宮廷音樂文化對宋代市民音樂的影響[D];吉林大學(xué);2008年

2 劉森;浪漫主義音樂中的“拜倫式英雄”[D];南京藝術(shù)學(xué)院;2012年

本文編號：1536633