本文關(guān)鍵詞：超俗拔韻的“逸”　出處：《山東師范大學(xué)》2004年碩士論文　論文類型：學(xué)位論文

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【摘要】：“逸”是一個(gè)具有鮮明民族特色的美學(xué)范疇，它集中體現(xiàn)了中國(guó)古代文人士大夫的審美趣味和審美理想，成為文人士大夫在得意和失意的重要精神寄托。雖然自從20世紀(jì)20年代以來(lái)，日本學(xué)者就開始了對(duì)它的研究，其后國(guó)內(nèi)也有不少研究成果，但是把“逸”這個(gè)范疇放在具體的歷史語(yǔ)境中系統(tǒng)的進(jìn)行研究至今還是一項(xiàng)空白。本文試圖從儒、道、釋三家互動(dòng)的文化事實(shí)出發(fā)，把“逸”的問(wèn)題放置在具體的歷史語(yǔ)境中進(jìn)行系統(tǒng)的闡發(fā)。文章分為五個(gè)組成部分： 在引言部分，首先闡述了“逸”研究的目的和意義，接著分析了目前的研究情況，最后提出了研究的方法。 在第一章中，主要從“逸”產(chǎn)生的社會(huì)歷史基礎(chǔ)和文化淵源兩個(gè)方面具體分析了“逸”產(chǎn)生的歷史語(yǔ)境。 在第二章中，主要結(jié)合各個(gè)時(shí)代的歷史文化文化語(yǔ)境來(lái)具體分析“逸”的歷史內(nèi)涵和演變軌跡。這是全文分析論證的一個(gè)重點(diǎn)。因?yàn)�，只有弄清楚“逸”在各個(gè)時(shí)代的具體情況和內(nèi)涵的變化，才能對(duì)“逸”的問(wèn)題有一個(gè)清晰的認(rèn)識(shí)，進(jìn)而從歷史的角度作總體的把握。而這正是研究的關(guān)鍵，也是歷來(lái)研究者較為薄弱的環(huán)節(jié)。這一章又分成四個(gè)組成部分。在第一部分中，主要分析了“逸”由人到藝術(shù)的演變問(wèn)題。第二部分分析了“逸”在唐宋時(shí)代的發(fā)展?fàn)顩r。在第三部分中，主要分析了“逸”在元代的深化和理想模式的建立。第四部分重點(diǎn)分析“逸”在明清的發(fā)展。 第三章主要分析了“逸”在近代的衰落和原因分析�！耙荨钡乃ヂ涿珙^出現(xiàn)在它的泛化之際。泛化是指“逸”作為一個(gè)美學(xué)范疇已經(jīng)漸漸滲透到繪品評(píng)的方方面面�！耙荨弊鳛槔L畫品評(píng)的最高等級(jí)和文人畫追求的理想境界，泛化無(wú)疑降低了它的品格，進(jìn)而造成了泛濫。此時(shí)，西方列強(qiáng)開始用堅(jiān)船利炮打開中國(guó)的國(guó)門。隨之，西方文化開始強(qiáng)行介入到中國(guó)文化體系中來(lái)�！耙荨弊鳛楣糯娜耸看蠓虻膶徝廊の逗蛯徝览硐氲捏w現(xiàn)，在近現(xiàn)代救亡圖存的歷史大潮中漸漸走出人們的審美視野。至于“逸”衰落的原因則是本部分的重點(diǎn)所在，也是以往研究的一個(gè)空白點(diǎn)。 在論文的結(jié)語(yǔ)部分，對(duì)“逸”的現(xiàn)代意義作了分析。
[Abstract]:"Yi" is a distinctive ethnic characteristics of the aesthetic category, it embodies China ancient literati aesthetic taste and aesthetic ideals, become literati in important spiritual sustenance. Although the ups and downs since 1920s, Japanese scholars began to study it, then there are also many research results, but the "Yi" in this category to put the system in a specific historical context of the research so far is still a blank. This paper attempts from Confucianism, Tao, Buddhism and the three interactive cultural facts, the "Yi" problem placed in the specific historical context of the system analysis. For the five part:
In the introduction part, it first expounds the purpose and significance of the "Yi" research, then analyzes the present research situation, and finally puts forward the research method.
In the first chapter, it analyzes the historical context of "Yi" from two aspects, the social and historical basis and the cultural origin of "Yi".
In the second chapter, mainly with the ages of historical and cultural context of culture to analyze the "Yi" historical connotation and evolution. This is a key text analysis. Because, only to clarify "change Yi" in the specific circumstances and the connotation of the times, in order to "escape" problems a clear understanding of, and then from the angle of history for the overall grasp. It is the key of the study, researchers are relatively weak. This chapter is divided into four parts. In the first part, mainly analyzes the "Yi" by the people to the development of art in second parts. Analysis of the "Yi" in the development of the Tang and Song dynasties. In the third part, mainly analyzes the "established in Yuan Dynasty and deepen the ideal mode of the escape." the fourth part focuses on the analysis of "Yi" in the Ming and Qing Dynasties.
The third chapter mainly analyzes the "Yi" in modern analysis and the decline of reason. "The decline of signs" in its generalization on the occasion. The generalization refers to "Yi" as an aesthetic category has gradually penetrated into all aspects of painting tasting. "The ideal pursuit of the highest level and the literati painting Yi" as a generalization of painting appreciation, undoubtedly reduced its character, and caused a flood. At this time, Western powers began with gunboats opened the door China. Then, western culture began to intervene to China culture system. Manifestation of "Yi" is the ancient scholar, aesthetic taste and aesthetic ideal in modern times, salvation history tide gradually out of people's field of vision. As for the reason of "Yi" fading is the focus of this section is a blank spot and previous studies.
In the concluding part of the paper, the modern meaning of "Yi" is analyzed.

【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2004
【分類號(hào)】：I01

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 于永森;論豪放[D];山東師范大學(xué);2010年

相關(guān)碩士學(xué)位論文 前1條

1 王楠;八大山人花鳥畫之冷逸[D];江西科技師范學(xué)院;2010年

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本文編號(hào)：1432348