本文關(guān)鍵詞：論丹納對(duì)茅盾早期文藝觀的影響　出處：《湘潭大學(xué)》2002年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 茅盾 丹納 種族 環(huán)境 時(shí)代三決定論 人生時(shí)代觀 三段式純客觀批評(píng)法

【摘要】： 十九世紀(jì)法國(guó)實(shí)證主義美學(xué)代表人物丹納的藝術(shù)社會(huì)學(xué)對(duì)茅盾早期“為人生而藝術(shù)”理論的建構(gòu)有著不容忽視的影響。丹納的藝術(shù)社會(huì)學(xué)的基本理論命題一直貫穿于茅盾的現(xiàn)實(shí)主義理論構(gòu)建中。其影響主要表現(xiàn)在三個(gè)方面：首先，作為丹納藝術(shù)哲學(xué)核心內(nèi)容的種族、環(huán)境、時(shí)代三決定論直接影響了茅盾早期“人生時(shí)代觀”的形成。茅盾吸取了進(jìn)化論學(xué)說(shuō)中的精華，融合丹納的三決定論理論，重新闡釋新文學(xué)的本質(zhì)；接受了丹納以歷史主義為研究手段的客觀真實(shí)論，形成了“‘真’統(tǒng)率‘美善’”的文學(xué)觀，奠定了時(shí)代觀的基礎(chǔ)。其次，丹納美學(xué)中“人的概念”影響了茅盾“以人為本”的原則的確立。茅盾吸取了丹納的特征說(shuō)和個(gè)性論，發(fā)展了塑造典型人物的理論，提出了“人的文學(xué)即真的文學(xué)”的論點(diǎn)來(lái)闡釋文學(xué)和人的關(guān)系，主張?jiān)趥�(gè)性和共性統(tǒng)一中描寫典型性格。再次，丹納的三段式純客觀批評(píng)法曾被茅盾用以校正中國(guó)傳統(tǒng)主觀文學(xué)批評(píng)觀。茅盾選擇了丹納的社會(huì)——?dú)v史批評(píng)模式和注重科學(xué)客觀的開(kāi)放性思維模式，完成了批評(píng)理論的構(gòu)建。最后，茅盾對(duì)丹納的理論并非不加否定的全盤接受，而是采取批判的繼承的態(tài)度，去粗取精，將其精華溶入自己的理論血脈中，，并在此基礎(chǔ)上有所創(chuàng)新�？傊ぜ{的理論，為茅盾的人生時(shí)代觀朝著無(wú)產(chǎn)階級(jí)現(xiàn)實(shí)主義方向發(fā)展奠定了堅(jiān)實(shí)的基礎(chǔ)
[Abstract]:In 19th century, French positivist Aesthetics Representative Dana's Sociology of Art to Mao Dun's early "Art for Life" The basic theoretical proposition of Dana's sociology of art has been running through Mao Dun's realistic theory construction. Its influence is mainly reflected in three aspects: first of all. As the core content of Dana's philosophy of art, the three determinism of race, environment and times directly influenced the formation of Mao Dun's early "view of the age of life". Mao Dun absorbed the essence of the theory of evolution. Combining Dana's theory of three determinism and reinterpreting the essence of new literature; Dana accepted the objective truth theory of historicism, and formed the literary view of "truth" and "beauty and goodness", which laid the foundation of the view of the times. The concept of man in Dana's aesthetics influenced the establishment of Mao Dun's principle of "people-oriented". Mao Dun absorbed Dana's theory of character and personality, and developed the theory of portraying typical characters. This paper puts forward the argument that "man's literature is true literature" to explain the relationship between literature and man, and advocates to describe the typical character in the unity of individuality and commonality. Dana's three-paragraph pure objective criticism method was used by Mao Dun to correct the traditional subjective literary criticism view of China. Mao Dun chose Dana's social-historical criticism mode and scientific and objective open thinking mode. Finally, Mao Dun does not accept Dana's theory completely without negation, but adopts the attitude of critical inheritance, and integrates its essence into his own theoretical bloodline. In a word, Dana's theory has laid a solid foundation for Mao Dun's view of life times to develop towards the direction of proletarian realism.
【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2002
【分類號(hào)】：I206.6;I0-02;I0-03

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