【摘要】： 本篇論文的目的是為了研究頻譜音樂的組織結(jié)構(gòu),論文以第一代頻譜樂派作曲家杰勒德·格瑞瑟、提斯坦·繆哈耶的作品為研究重點(diǎn),輔助于第二代已經(jīng)具有國際影響的“后頻譜”作曲家的作品為佐證,深入探討他們作品中反映出來的聲學(xué)原理;借助電子儀器、電腦頻譜分析來揭示構(gòu)成這些作品的聲音本質(zhì);探求他們把聲學(xué)、電子理論運(yùn)用于常規(guī)傳統(tǒng)樂器的經(jīng)驗(yàn)成果,并按照人們習(xí)慣的音樂“術(shù)科”分類標(biāo)準(zhǔn),進(jìn)行歸納、綜合出頻譜音樂旋律形態(tài)、和聲建構(gòu)、復(fù)調(diào)特征、曲式原則、配器原則等方面的“新”成果,總結(jié)出頻譜音樂作品的組織結(jié)構(gòu)特性。 文本結(jié)構(gòu)分為上下兩篇。其中上篇為理論建模與運(yùn)用,分為:頻譜基礎(chǔ)、泛音的作用、音樂的結(jié)構(gòu)力因素、頻譜音樂的音高素材、頻譜音樂的聲音合成原理五章內(nèi)容;下篇為實(shí)例求證,按照音樂“術(shù)科”分類標(biāo)準(zhǔn)歸納出六章內(nèi)容。同時附有十二個附錄,涉及計(jì)算公式、實(shí)驗(yàn)數(shù)據(jù)、頻譜語圖、相關(guān)定律、譜例圖形和作曲家作品索引信息,它們是論文論證的重要論據(jù),其中出現(xiàn)了音樂家們較少涉及的數(shù)理、聲學(xué)專業(yè)術(shù)語,它們同樣是不可省略、科學(xué)的推理依據(jù)。
[Abstract]:The purpose of this paper is to study the organizational structure of spectrum music. The purpose of this paper is to focus on the works of the first generation spectrum music composers Gerard Griser and Tistan Muhaye. Supported by the works of the second generation of "post-spectrum" composers, who have already had international influence, the acoustic principles reflected in their works are discussed in depth. With the help of electronic instruments, computer spectrum analysis reveals the sound nature of these works. To explore the empirical results of applying acoustics and electronic theory to conventional traditional musical instruments, and to sum up the melodies, harmony construction and polyphonic characteristics of spectrum music according to the classification standard of music "skill subject", which is used by people. The "new" achievements in the principles of music form and orchestration are summarized, and the organizational structure characteristics of spectrum music works are summarized. The text structure is divided into two articles. The first part is the theoretical modeling and application, which is divided into five chapters: spectrum basis, the function of overtone, the structural force factor of music, the pitch material of spectrum music, and the sound synthesis principle of spectrum music. The second part is an example to verify, according to the music "technical" classification standards summed up six chapters. At the same time, twelve appendices are attached, involving calculation formulas, experimental data, spectrum maps, related laws, spectral examples and index information of composers' works, which are important arguments for the argumentation of the paper, in which mathematics and mathematics, which are less involved by musicians, appear. Acoustics terms, they are also not omitted, scientific reasoning basis.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：博士
【學(xué)位授予年份】：2008
【分類號】：J614

【引證文獻(xiàn)】

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2 戴維一;論基于電子音樂音響合成的創(chuàng)作思維[D];上海音樂學(xué)院;2010年

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本文編號：2481847