流行歌詞中的修辭藝術(shù)
發(fā)布時間：2018-10-18 12:56
【摘要】： 任何時代任何人群都有自己獨特的文化表達方式。大眾流行文化作為當代社會新的文化形態(tài)一直在社會文化結(jié)構(gòu)中占據(jù)重要位置。流行歌曲作為當代最為流行的一種文化現(xiàn)象,以其對社會變動特有的敏感,記錄并表征著日常生活的細微變化,改變了社會的文化氛圍和精神結(jié)構(gòu),并深刻影響著普通人的生活方式。長期以來,盡管流行歌曲已經(jīng)影響了整整幾代人的生活,形塑和重構(gòu)著社會的文化精神結(jié)構(gòu),但流行歌曲的學(xué)術(shù)研究在國內(nèi)一直處于空白狀態(tài)。20世紀90年代以來,文化研究作為一種新的研究范式被國內(nèi)學(xué)術(shù)界接受和認可。文化研究的各種理論方法和理論視角為打破國內(nèi)學(xué)術(shù)界的偏見帶來了契機。流行歌曲作為一種新的文化表征實踐和表征形態(tài)不僅記錄了當代社會變遷的過程,而且反映了時代精神的嬗變。本文就是以流行歌曲為研究對象,通過歌詞發(fā)展演變的歷史脈絡(luò)的梳理,進而對流行歌曲進行界定,并在此基礎(chǔ)上,對流行歌曲歌詞的搭配現(xiàn)象以及流行歌曲中的辭格運用進行了研究。通過研究最終發(fā)現(xiàn)流行歌詞中的詞語搭配和修辭格運用使能使事物表現(xiàn)得生動形象,使思想表現(xiàn)得深刻雋永,使感情表達得淋漓盡致,使意境表達得更加深遠。它可以從抽象到具體,化單調(diào)為生動,化無形為有形,增強語言的可感受性,達到一種情與景的高度融合,最終化成一種難以詮釋的語言美。
[Abstract]:Any group of people at any time have their own unique cultural expression. Popular culture, as a new cultural form in contemporary society, has always occupied an important position in the social and cultural structure. Pop songs, as one of the most popular cultural phenomena of contemporary times, have changed the cultural atmosphere and spiritual structure of the society because of their special sensitivity to social changes, recording and characterizing the subtle changes in daily life. And has a profound impact on the way of life of ordinary people. For a long time, although pop songs have affected the lives of whole generations, shaped and reconstructed the cultural and spiritual structure of the society, the academic research of pop songs has been in a blank state in China. As a new research paradigm, cultural research has been accepted and recognized by domestic academic circles. Various theoretical methods and theoretical perspectives of cultural research have brought opportunities to break the prejudice of domestic academic circles. As a new form of cultural representation, pop songs not only record the process of contemporary social change, but also reflect the evolution of the spirit of the times. This article takes the pop song as the research object, combs the historical thread of the development and evolution of the lyrics, and then defines the pop song, and on this basis, This paper studies the collocation phenomenon of pop song lyrics and the use of lyrics in pop songs. Through the research, it is found that the collocation of words and figures of speech in popular lyrics can make things vivid, thoughts deep and meaningful, feelings expressed incisively and vividly, and artistic conception more profound. It can change from abstract to concrete, from monotony to vividness, from invisible to tangible, to enhance the sensibility of language, to achieve a kind of high fusion of emotion and scenery, and finally to turn into a kind of language beauty that is difficult to interpret.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：J614.9
本文編號：2279192
[Abstract]:Any group of people at any time have their own unique cultural expression. Popular culture, as a new cultural form in contemporary society, has always occupied an important position in the social and cultural structure. Pop songs, as one of the most popular cultural phenomena of contemporary times, have changed the cultural atmosphere and spiritual structure of the society because of their special sensitivity to social changes, recording and characterizing the subtle changes in daily life. And has a profound impact on the way of life of ordinary people. For a long time, although pop songs have affected the lives of whole generations, shaped and reconstructed the cultural and spiritual structure of the society, the academic research of pop songs has been in a blank state in China. As a new research paradigm, cultural research has been accepted and recognized by domestic academic circles. Various theoretical methods and theoretical perspectives of cultural research have brought opportunities to break the prejudice of domestic academic circles. As a new form of cultural representation, pop songs not only record the process of contemporary social change, but also reflect the evolution of the spirit of the times. This article takes the pop song as the research object, combs the historical thread of the development and evolution of the lyrics, and then defines the pop song, and on this basis, This paper studies the collocation phenomenon of pop song lyrics and the use of lyrics in pop songs. Through the research, it is found that the collocation of words and figures of speech in popular lyrics can make things vivid, thoughts deep and meaningful, feelings expressed incisively and vividly, and artistic conception more profound. It can change from abstract to concrete, from monotony to vividness, from invisible to tangible, to enhance the sensibility of language, to achieve a kind of high fusion of emotion and scenery, and finally to turn into a kind of language beauty that is difficult to interpret.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：J614.9
【引證文獻】
相關(guān)期刊論文 前1條
1 查清蘭;查清平;;淺析流行歌曲歌詞的語句修辭[J];作家;2012年18期
相關(guān)碩士學(xué)位論文 前4條
1 陳嶺;歌詞隱喻理解對聲樂教學(xué)的作用[D];南京藝術(shù)學(xué)院;2011年
2 陳杭;八十年代后中國流行歌曲歌詞的語言特色[D];大連理工大學(xué);2011年
3 譚珍宜;中國當代流行歌曲名稱的語言藝術(shù)[D];湖南師范大學(xué);2010年
4 張秀娟;大眾傳播語境下流行歌詞的古典回歸[D];福建師范大學(xué);2012年
，本文編號：2279192
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