【摘要】： 田漢(1898——1968)是我國革命戲劇運動的奠基人,革命電影的杰出領(lǐng)導(dǎo)人、組織者,戲曲改革的先驅(qū)。同時,他又是中國早期革命音樂的開創(chuàng)者,他一生寫有許多振奮人心的歌詞、曲詞作品。由他作詞,聶取冼星海、任光、張曙、賀綠汀、劉雪庵等譜曲的革命歌曲,廣為流傳。田漢與光未然、塞克并稱為“中國歌詞三大家”。然而,長期以來,對于田漢歌詞的研究并不多見,這在一定程度上影響了我們對田漢歌詞藝術(shù)成就的了解與借鑒;同時,對于現(xiàn)代歌詞發(fā)展歷程的建構(gòu)也是一個很大的缺失。 本文試圖通過分析田漢的歌詞作品和藝術(shù)創(chuàng)作經(jīng)歷,來了解這位堪稱近代歌詞史上最偉大的歌詞作家的歌詞創(chuàng)作歷程與歌詞美學(xué)意義。文章共分兩章,第一章梳理了田漢的歌詞創(chuàng)作背景與經(jīng)歷,并根據(jù)不同歷史時期,對其歌詞作品的藝術(shù)成就進(jìn)行分析。第二章是在第一章的基礎(chǔ)上,論述了田漢歌詞的美學(xué)意義,分別論述了田漢歌詞的情志美、語言美、音樂美、手法美、結(jié)構(gòu)美與意境美。 通過研究可以看出,田漢一生信奉“一誠可以救萬惡”的人生信條。他不同時期的作品中始終貫穿著一個“情”字和一個“誠”字。田漢的歌詞創(chuàng)作緊跟時代脈搏,時刻關(guān)注祖國的命運、民族的危機與人民的疾苦。他的歌詞作品猶如社會歷史的一面鏡子,通過大眾化、民族化的語言;音樂化、形象化的表現(xiàn)手法與賦予靈動的結(jié)構(gòu)形式,寓情于志,感人至深,催人奮進(jìn),成為了時代鏗鏘的號角;成為了中華民族自救覺醒的一面旗幟。 此課題的研究不僅為田漢的個人藝術(shù)成就研究彌補了一些空白,有利于我們更加全面而客觀的認(rèn)識田漢在歌詞創(chuàng)作領(lǐng)域所作出的重要貢獻(xiàn),同時也對歌詞創(chuàng)作實踐起到了一定的借鑒意義與參考價值。
[Abstract]:Tian Han (1898-1968) was the founder of Chinese revolutionary drama movement, the outstanding leader of revolutionary film, organizer and pioneer of opera reform. At the same time, he was the pioneer of Chinese early revolutionary music. He wrote many inspiring lyrics and lyrics in his life. The revolutionary songs composed by him, Nie Tzu Xian Xinghai, Ren Guang, Zhang Shu, He Lvting, Liu Xuean were widely circulated. Tian Han and Guangbei, Sai Ke as the "three great Chinese lyrics." However, for a long time, the study of Tian Han lyrics is rare, which to some extent affects our understanding and reference to the artistic achievements of Tian Han lyrics. At the same time, it is also a great lack of the construction of the development of modern lyrics. By analyzing Tian Han's lyric works and artistic creation experience, this paper attempts to understand the lyric creation process and aesthetic significance of the greatest lyric writer in modern lyric history. This paper is divided into two chapters. The first chapter combs Tian Han's background and experience of lyric creation, and analyzes the artistic achievement of his lyric works according to different historical periods. On the basis of the first chapter, the second chapter discusses the aesthetic significance of Tian Han lyrics, and discusses the beauty of emotion, language, music, technique, structure and artistic conception. According to the research, Tian Han believes in the creed that "one sincerity can save all evil". In his works of different periods, there is always a word "feeling" and a word "sincerity". Tian Han's lyrics closely follow the pulse of the times, always pay attention to the fate of the motherland, the national crisis and the suffering of the people. His lyric works are like a mirror of social history, through popular, nationalized language, musical expression, visualized expression and intelligent structural form, which embodies emotion, makes people feel deeply, and inspires people to advance. Has become the time sonorous horn; has become the Chinese nation self-rescue awakening a banner. The research on this topic not only makes up for some gaps in Tian Han's personal artistic achievements, but also helps us to understand the important contribution of Tian Han in the field of lyrics creation more comprehensively and objectively. At the same time, it also plays a certain reference significance and reference value to the lyric creation practice.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：J614.9

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 楊宗蓉;田漢戲劇的唯美傾向研究[D];吉林大學(xué);2010年

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本文編號：2277652