李斯特《B小調(diào)鋼琴奏鳴曲》研究
發(fā)布時間：2018-08-27 19:48
【摘要】： 近些年來,李斯特《B小調(diào)奏鳴曲》越來越受到人們的關(guān)注和喜愛,它是一部鋼琴巨譜,是19世紀最為經(jīng)典的曲目之一�！禕小調(diào)奏鳴曲》創(chuàng)作于1853年,這是李斯特從事創(chuàng)作和音樂活動最豐富最多產(chǎn)的魏瑪時期�！禕小調(diào)奏鳴曲》是一部包容了戲劇性與抒情性的龐大的單樂章樂曲,作者摒棄了傳統(tǒng)奏鳴曲式的寫作方法,采用“主題變形”的原則,大膽嘗試了主題發(fā)展變化的結(jié)構(gòu)布局,將幾個樂章的奏鳴曲的特征融為一體,以有限的音樂材料,非凡節(jié)儉的方式寫出了如此規(guī)模宏大的作品,高度體現(xiàn)了作曲家的獨特思維和藝術(shù)探索。 《B小調(diào)奏鳴曲》是李斯特一生自傳式的表達和刻畫。整部作品充滿著極其激烈的矛盾沖突和以天主教受難者的英雄主義來忍受苦難的情感。向人們展示了李斯特式的宏大的敘事性。正是由于這部作品的深邃、激情的創(chuàng)意開辟了19世紀鋼琴音樂的新路向。 《B小調(diào)奏鳴曲》這部內(nèi)容深邃的作品不僅開辟了單樂章的形式,為以后曲式結(jié)構(gòu)的創(chuàng)新開辟了方向,而且大膽嘗試使用了新鮮的和聲語匯及寫作手法,初具印象主義的風(fēng)格,更重要的該作品對提示李斯特真正的內(nèi)心世界以及美學(xué)思想有著重要的意義。因此,本文將從這部作品入手,對它的創(chuàng)作背景、寫作內(nèi)容、結(jié)構(gòu)框架、音樂形態(tài)、藝術(shù)特征以及美學(xué)思想進行較全面詳盡的分析和總結(jié),以求為更深層次的挖掘李斯特作品的藝術(shù)價值,更好的理解并演奏該曲。
[Abstract]:In recent years, Liszt's Sonata in B minor has attracted more and more attention. It is one of the most classical sonatas of the 19th century. This was the richest and most productive Weimar period in Liszt's creative and musical activities. Sonata in B minor is a mono-movement music that contains drama and lyricism. The author abandons the traditional sonata writing method. By adopting the principle of "theme deformation", we have boldly tried the structural layout of the development and change of the theme, combining the characteristics of the sonatas of several movements into one, and writing such a large-scale work in a limited musical material and in a particularly frugal manner. The sonata in B minor is the expression and portrayal of Liszt's life autobiographical style. The whole work is full of fierce conflicts and suffering with the heroism of Catholic victims. It shows the grand narration of Liszt. It is precisely because of the depth of this work, the passion of creativity opened up a new way of piano music in the 19th century. [B minor Sonata] this profound work not only opened up the form of single movement, It has opened the way for the innovation of the musical structure in the future, and has boldly tried to use fresh harmony vocabulary and writing techniques, and initially has the style of impressionism. The more important work is of great significance to remind Liszt of his true inner world and aesthetic thought. Therefore, starting with this work, this paper will make a comprehensive and detailed analysis and summary of its creation background, writing content, structure framework, music form, artistic characteristics and aesthetic thought. In order to further explore the art value of Liszt's works, better understand and play the song.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J624.1
[Abstract]:In recent years, Liszt's Sonata in B minor has attracted more and more attention. It is one of the most classical sonatas of the 19th century. This was the richest and most productive Weimar period in Liszt's creative and musical activities. Sonata in B minor is a mono-movement music that contains drama and lyricism. The author abandons the traditional sonata writing method. By adopting the principle of "theme deformation", we have boldly tried the structural layout of the development and change of the theme, combining the characteristics of the sonatas of several movements into one, and writing such a large-scale work in a limited musical material and in a particularly frugal manner. The sonata in B minor is the expression and portrayal of Liszt's life autobiographical style. The whole work is full of fierce conflicts and suffering with the heroism of Catholic victims. It shows the grand narration of Liszt. It is precisely because of the depth of this work, the passion of creativity opened up a new way of piano music in the 19th century. [B minor Sonata] this profound work not only opened up the form of single movement, It has opened the way for the innovation of the musical structure in the future, and has boldly tried to use fresh harmony vocabulary and writing techniques, and initially has the style of impressionism. The more important work is of great significance to remind Liszt of his true inner world and aesthetic thought. Therefore, starting with this work, this paper will make a comprehensive and detailed analysis and summary of its creation background, writing content, structure framework, music form, artistic characteristics and aesthetic thought. In order to further explore the art value of Liszt's works, better understand and play the song.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J624.1
【參考文獻】
相關(guān)期刊論文 前10條
1 唯民;鋼琴宗師李斯特的人生軌跡與藝術(shù)成就——學(xué)習(xí)札記[J];鋼琴藝術(shù);2001年05期
2 吳瓊;偉大的音樂教師——李斯特[J];鋼琴藝術(shù);2001年05期
3 陳旭;天才同“魔鬼”的結(jié)合 技巧與藝術(shù)的統(tǒng)一——李斯特的鋼琴演奏與藝術(shù)特色[J];貴州大學(xué)學(xué)報(藝術(shù)版);2004年04期
4 李真;;浪漫主義時期鋼琴藝術(shù)的兩座高峰——肖邦與李斯特的創(chuàng)作特征之比較[J];貴州大學(xué)學(xué)報(藝術(shù)版);2006年04期
5 安曉陽;淺談李斯特鋼琴音樂的特點[J];遼寧教育行政學(xué)院學(xué)報;2005年09期
6 楊sチ，
本文編號：2208278
本文鏈接：http://sikaile.net/wenyilunwen/yinyuetheory/2208278.html
