【摘要】： 流行歌曲的構(gòu)成要素諸多,其伴奏配器是其中重要的一部分,它是一首歌曲訴諸演唱前的再創(chuàng)作,是塑造音樂形象不可缺少的重要環(huán)節(jié),是表情達意的重要手段之一。流行歌曲通過伴奏配器環(huán)節(jié)的創(chuàng)作,其藝術(shù)構(gòu)思、音樂形象、伴奏織體等豐富的內(nèi)涵、將會得到更加完美地體現(xiàn)。1980年以后,隨著時代的進步、科技的發(fā)展、人們的審美觀念和標準的改變,我國流行歌曲伴奏的配器形態(tài)也與時俱進,日新月異。不同類型的流行歌曲有不同的伴奏配器形態(tài),同一流行歌曲在不同歷史時期也有不同的伴奏配器形態(tài),本文通過對1980年以后的中國流行歌曲伴奏配器形態(tài)的分析與研究,梳理出我國不同形態(tài)、風格的流行歌曲伴奏配器形態(tài)的特點以及我國不同歷史時期流行歌曲伴奏配器形態(tài)的發(fā)展與演變,理性地認識流行歌曲伴奏配器在改革開放這一中國社會發(fā)展中極其重要的歷史時期的音樂本體特征。 把對流行歌曲伴奏配器形態(tài)的研究放在我國流行音樂的發(fā)展歷史過程中來考察,從音樂形態(tài)學和音樂分析學的角度對流行歌曲伴奏配器形態(tài)進行理論分析,在具體的分析與研究過程中運用比較學的方法對不同風格流行歌曲伴奏配器形態(tài)進行比較分析,用歷史的觀點分析不同時期的流行歌曲伴奏配器形態(tài)的發(fā)展與演變。搜集大量已有專著、論文以及我國不同歷史時期、不同風格流行歌曲的具有代表性意義的音響資料、曲譜,在具體的分析與研究過程中,通過聽記搜集到的流行歌曲音響資料及分析曲譜,總結(jié)出這一時期流行歌曲伴奏配器形態(tài)的基本規(guī)律和特征。
[Abstract]:The accompaniment orchestration is an important part of popular songs. It is the re-creation of a song before it is used to sing. It is an indispensable important link in shaping the musical image and one of the important means of expressing the meaning. Through the creation of accompaniment orchestration, the rich connotations of pop songs, such as artistic conception, musical image and accompaniment texture, will be more perfectly embodied. After 1980, with the progress of the times and the development of science and technology, With the change of people's aesthetic concept and standard, the orchestration of Chinese pop song accompaniment also keeps pace with the times and changes with each passing day. Different types of pop songs have different accompaniment orchestration forms, and the same pop songs have different accompaniment patterns in different historical periods. This paper analyzes and studies the patterns of Chinese pop songs accompaniment orchestration after 1980. Combing out the characteristics of Chinese pop song accompaniment orchestration in different forms and styles, as well as the development and evolution of pop song accompaniment orchestration in different historical periods in China. A rational understanding of the musical Noumenon characteristics of pop music accompaniment orchestration in the reform and opening up, which is an extremely important historical period in the development of Chinese society. The research on the form of the accompaniment orchestration of pop songs is studied in the course of the development of Chinese pop music, and the theoretical analysis of the orchestration of the accompaniment of pop songs is carried out from the angle of music morphology and music analysis. In the process of concrete analysis and research, the comparative method is used to compare and analyze the forms of accompaniment orchestration of different styles of pop songs, and the development and evolution of orchestration forms of popular songs in different periods are analyzed from the historical point of view. Collect a large number of existing monographs, papers, as well as representative audio materials and music compositions of different historical periods and different styles of pop songs in our country, in the specific analysis and research process, The basic rules and characteristics of the orchestration of pop song accompaniment in this period are summarized by means of the audio data collected from the listening notes and the analysis of the composition of the music.
【學位授予單位】：南京航空航天大學
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：J62

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