扭曲的音響時(shí)空——陳曉勇室內(nèi)樂“Warp”的作曲技法與組織結(jié)構(gòu)分析
發(fā)布時(shí)間:2018-05-07 02:45
本文選題:組織結(jié)構(gòu) + 單音技術(shù) ; 參考:《音樂藝術(shù)(上海音樂學(xué)院學(xué)報(bào))》2008年01期
【摘要】:本文對(duì)陳曉勇室內(nèi)樂"Warp"中獨(dú)特的個(gè)性化的音樂語言作了一些分析。他在作品中擴(kuò)大了單音技術(shù)的使用范圍,以速度為基礎(chǔ)的復(fù)調(diào)手法運(yùn)用得也極有特點(diǎn),本文對(duì)此作了相關(guān)的分析,并對(duì)作品中出現(xiàn)的念唱因素以及"Warp"的創(chuàng)作觀念作了一些探討。
[Abstract]:This paper makes some analysis on the unique individualized music language in Warp. In his works, he expanded the scope of use of monosyllabic technology, and the polyphonic technique based on speed is also very characteristic. This paper makes a related analysis of this, and discusses the factors of reading and singing and the creative concept of "Warp" in his works.
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【分類號(hào)】:J614
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本文編號(hào):1855081
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