本文選題：流行歌曲 + 詞��； 參考：《復(fù)旦大學(xué)》2007年博士論文

【摘要】： 本文從廣義的“流行歌曲”的概念出發(fā)，以通俗性、娛樂性、商業(yè)性、市民性、個(gè)人性、邊緣性與顛覆性為標(biāo)準(zhǔn)，打破古代文學(xué)和現(xiàn)代文學(xué)的界限，勾勒出詞、曲、時(shí)調(diào)、現(xiàn)當(dāng)代流行歌曲這一古今流行歌曲發(fā)展的大脈絡(luò)。 在具體的分析過程中，本文以人性為主要線索、以時(shí)間為序，一方面橫向考察每一歷史階段流行歌曲中所體現(xiàn)出來的人性的發(fā)展?fàn)顩r，，關(guān)注流行歌曲在表現(xiàn)人性的力度和方式上與當(dāng)時(shí)主流文學(xué)的相異之處。另一方面則以宏觀視角縱向探究歷代流行歌曲發(fā)展演變的整體歷程。在此過程中我們發(fā)現(xiàn)：具有明顯個(gè)人性的流行歌曲總體上更關(guān)注個(gè)人的平凡生活和內(nèi)心世界，尊重自然人性的合理表達(dá)和人性本能欲望的滿足。 本文第一、二章主要考察詞、曲(包括元散曲和明清時(shí)調(diào)小曲)作為邊緣化的流行歌曲如何表現(xiàn)被封建禮教和封建正統(tǒng)文化所壓抑的個(gè)人化的情感世界和需求。市民階層力量的發(fā)展、文人對政權(quán)依附性的不同、精英文化本身的變化等因素都在不同程度上對每個(gè)時(shí)代流行歌曲的發(fā)展趨勢產(chǎn)生影響。從詞到曲，以對個(gè)人情感的關(guān)照和對享樂需求的尊重為主要標(biāo)志，流行歌曲中體現(xiàn)出來的個(gè)人意識越來越鮮明。到了明代，時(shí)調(diào)小曲以“情”、“欲”為旗幟，借助一部分進(jìn)步文人的理論支持向封建禮教發(fā)起了一場有力的挑戰(zhàn)。 第三章梳理了現(xiàn)代流行歌曲的發(fā)展情況。同時(shí)我們發(fā)現(xiàn)：就歌詞而言，古代文學(xué)遺產(chǎn)是現(xiàn)代流行歌曲最重要的文學(xué)素材，也就在對古代資源越來越嫻熟的實(shí)踐運(yùn)用中，現(xiàn)代流行歌曲逐漸成熟，并且立足于新時(shí)代，展現(xiàn)出新的變化和發(fā)展。流行歌曲對個(gè)人的關(guān)注恰和五四時(shí)期“人”的發(fā)現(xiàn)吻合，然而在民族危亡的社會(huì)現(xiàn)實(shí)之下，現(xiàn)代流行歌曲對娛樂性的堅(jiān)持使其承受了來自各個(gè)方面的批判，更在解放后被禁絕。 第四章是對正在變化生成過程中的當(dāng)代流行歌曲的分析和初步歸納。雖然經(jīng)歷了不少波折，但隨著當(dāng)代文化對“個(gè)性”的尊重和提倡以及大眾文化的蓬勃發(fā)展，流行歌曲顯現(xiàn)出空前的生命力，對人們內(nèi)心世界的挖掘也越來越細(xì)致入微。運(yùn)用歷史的眼光，將當(dāng)代流行歌曲置于中國流行歌曲發(fā)展的歷史框架之中，我們可以分析其未來發(fā)展的必然趨勢。
[Abstract]:Based on the concept of "popular songs" in a broad sense, this paper, based on the standards of popularity, entertainment, commercial, civic, personal, marginal and subversive, breaks the boundaries of ancient literature and modern literature, and outlines the words, songs and times.Modern and contemporary pop songs are the development of modern and ancient pop songs.In the concrete analysis process, this article regards the humanity as the main clue, takes the time as the order, on the one hand, the horizontal inspection each historical stage popular song manifests the human nature development condition,Attention is paid to the differences between popular songs and the mainstream literature of the time.On the other hand, it explores the whole history of the development and evolution of pop songs from a macro perspective.In this process, we find that pop songs with obvious personality pay more attention to the ordinary life and inner world of individuals, respect the rational expression of natural human nature and satisfy the instinctive desire of human nature.The development of the strength of the citizen stratum, the different dependence of the literati on the political power, the change of the elite culture and other factors all have an influence on the development trend of the pop songs of each era in varying degrees.From words to songs, the personal consciousness reflected in pop songs is more and more distinct, with the care of personal emotion and respect for the need for enjoyment as the main symbol.By the Ming Dynasty, with the banner of "emotion" and "desire", the time tune and the theory support of some progressive literati launched a powerful challenge to feudal ethics.The third chapter combs the development of modern pop songs.At the same time, we find that in terms of lyrics, ancient literary heritage is the most important literary material for modern pop songs, and in the practical application of more and more skillful ancient resources, modern pop songs are gradually maturing and based on the new era.Show new changes and developments.The attention of pop songs to individuals coincides with the discovery of "people" during the May 4th period. However, under the social reality of national crisis, modern pop songs' insistence on entertainment has made them suffer criticism from all aspects, and was banned after liberation.The fourth chapter is the analysis and preliminary induction of contemporary pop songs.Although it has experienced many twists and turns, with the respect and promotion of "individuality" in contemporary culture and the vigorous development of popular culture, pop songs have shown unprecedented vitality, and the excavation of people's inner world has become more and more meticulous.Using the historical perspective, we can analyze the inevitable trend of the future development of Chinese pop songs by placing them in the historical framework of the development of Chinese pop songs.
【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2007
【分類號】：I207.23;J614.9

【引證文獻(xiàn)】

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本文編號：1740493