本文選題：唐山地區(qū)民歌　切入點：藝術(shù)特色　出處：《河北師范大學(xué)》2008年碩士論文

【摘要】： 唐山地區(qū)民歌作為冀東民歌的重要組成部分之一,在漫長的歷史歲月中流傳著題材多樣、形式多變、風(fēng)格迥異的民歌。這些民歌之所以能形成現(xiàn)在的演唱風(fēng)格及潤腔技巧,是和千百年來歷史地理的變遷、勤勞智慧的唐山人民文化的積淀,還有各民族、各地區(qū)文化交流與融合分不開的。唐山地區(qū)民歌以現(xiàn)實生活的各個方面或民間故事傳說為主要內(nèi)容,以“中起高拋低落”的旋律線條和帶有“老呔”方言聲調(diào)的旋法特點,以明亮質(zhì)樸且剛?cè)嵯酀?jì)的演唱風(fēng)格,更以“上挑下滑”的潤腔以及兒化音、花舌音、斷腔和歸鼻韻等演唱技巧的巧妙運用,世世代代愉悅著唐山地區(qū)人民的生活與勞作,展現(xiàn)著他們的智慧與堅韌不拔。同時,唐山地區(qū)民歌還為當(dāng)?shù)仄渌耖g藝術(shù)形式如評劇、唐山皮影、樂亭大鼓等注入了大量音樂元素,使得這些地方劇種在發(fā)展成熟之后也對唐山地區(qū)民歌產(chǎn)生了一定的影響,從而在音樂表現(xiàn)上得以相互借鑒。 民歌是世代人民在勞動和生活中創(chuàng)造、積累出的智慧的結(jié)晶,是中華民族的寶貴遺產(chǎn),保護(hù)和利用好這些寶貴的文化遺產(chǎn)“有利于增進(jìn)全民的文化自覺,有利于維護(hù)國家文化安全及世界人類文化的多樣性,有利于維護(hù)民族精神傳統(tǒng),是實現(xiàn)中華民族偉大復(fù)興極為重要的文化手段�！�1同時,本人作為聲樂專業(yè)的音樂學(xué)研究生,亦作為河北省從事民歌研究的音樂工作者,更有義務(wù)為我省民歌的傳承和發(fā)展作出貢獻(xiàn)。文章結(jié)合本人三年來所學(xué)的理論及專業(yè)知識,在各位學(xué)者、專家研究的基礎(chǔ)上,對唐山地區(qū)民歌的演唱技巧做出了進(jìn)一步探討。 本文從全面了解唐山地區(qū)民歌的歷史、地理、人文風(fēng)俗及民歌的分類出發(fā),對唐山地區(qū)民歌的藝術(shù)特征進(jìn)行了細(xì)致的研究分析,并通過對老民歌藝人的演唱錄音和現(xiàn)在民間歌手以及一些專業(yè)歌手的演繹,進(jìn)一步歸納總結(jié)出唐山地區(qū)民歌的演唱風(fēng)格和潤腔技巧,其目的就在于深入的汲取民族民間音樂的精華,從而豐富民歌演唱的各種技巧,同時也為唐山地區(qū)民歌的保護(hù)與發(fā)展、傳承與創(chuàng)新盡一份力,讓這朵散發(fā)著泥土芳香的藝術(shù)奇葩更加艷麗。
[Abstract]:As one of the important components of Jidong folk songs, folk songs in Tangshan area have been spread in the long history of various subjects, varied forms and different styles. These folk songs can form the present singing style and moistening technique. And the historical and geographical changes of thousands of years, the accumulation of hardworking and intelligent Tangshan people's culture, and the various nationalities, The folk songs in Tangshan area are mainly composed of various aspects of real life or folklore, with the melodic lines of "rising high and throwing low" and the features of rotation with the tone of "old tie" dialect. With the bright and simple singing style, the smooth and soft singing style, and the skillful use of singing skills such as "pick up and slide" and the singing skills such as the rhyme of the petulant, the tongue, the broken cavity and the back nose, the people of Tangshan are enjoying the life and work of the people in Tangshan area for generations to come. At the same time, folk songs in the Tangshan area have also injected a lot of musical elements into other local folk art forms, such as drama criticism, Tangshan shadow shadow, and Yue Ting Drum, etc. Make these local drama in the development and maturity of the Tangshan folk songs have a certain impact on the performance of music can learn from each other. Folk songs are the crystallization of wisdom created and accumulated by generations of people in labor and life, and the precious heritage of the Chinese nation. Protecting and making good use of these precious cultural heritages "is conducive to promoting the cultural consciousness of the whole people." It is beneficial to the maintenance of national cultural security and the diversity of human culture in the world, to the preservation of national spiritual traditions, and is an extremely important cultural means to realize the great rejuvenation of the Chinese nation. "1 at the same time, as a graduate student of musicology majoring in vocal music, As a musician engaged in folk song research in Hebei Province, he is also obliged to contribute to the inheritance and development of folk songs in our province. This article combines the theory and professional knowledge I have learned over the past three years, on the basis of the research of scholars and experts. The singing skills of folk songs in Tangshan area are further discussed. Based on a comprehensive understanding of the history, geography, human customs and classification of folk songs in Tangshan, this paper makes a detailed study and analysis of the artistic characteristics of folk songs in Tangshan. And through the recording of the old folk song artists and the deduction of the folk singers and some professional singers, the singing style and the moistening technique of the folk songs in Tangshan area are further summed up. Its purpose is to deeply absorb the essence of folk music, so as to enrich the singing skills of folk songs, and at the same time contribute to the protection and development, inheritance and innovation of folk songs in Tangshan. Make this wonderful flower of art with earthy fragrance more beautiful.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：J616

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前4條

1 劉曉平;孟子故里民歌研究[D];山東師范大學(xué);2011年

2 竇玉英;多重視角下的河北民歌研究[D];河北師范大學(xué);2011年

3 賈銘銘;俄語民歌文本中的語言信息單位研究[D];中山大學(xué);2011年

4 陳倩;河北平山民間歌手閻三妮演唱藝術(shù)探究[D];河北師范大學(xué);2012年

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本文編號：1664114