發(fā)布時間：2018-03-18 16:13

  本文選題：音樂記錄　切入點：樂譜　出處：《福建師范大學(xué)》2008年博士論文　論文類型：學(xué)位論文

【摘要】： 明清時期是中國古代音樂繁榮發(fā)展、空前普及的階段,也是中國音樂史上至今留下最多音樂記錄的時期。明清音樂記錄作為中國古代音樂記錄的集大成者,是明清音樂文化的重要組成部分。 本文在已有相關(guān)研究成果的基礎(chǔ)上,以明清音樂資料為研究依據(jù),將明清音樂記錄分為樂譜記錄與音樂錄制兩大類別,對明清音樂記錄的這兩大類別的特征進行論述,對明清音樂記錄的傳播特征進行探討,從社會環(huán)境、技術(shù)條件、音樂發(fā)展、文化內(nèi)涵、國際交流等角度對形成特征的原因加以分析,試圖對明清樂譜的規(guī)模、種類、記法、記錄思維;音樂錄制在清末中國的使用與產(chǎn)生的作用:明清音樂記錄的歷史地位;明清時期中外音樂記錄的交流與影響;明清音樂記錄與明清社會文化、音樂藝術(shù)、科技發(fā)展以及國際格局的關(guān)系等問題,形成系統(tǒng)認識。力求較為全面地展現(xiàn)明清音樂記錄的面貌,較深入地了解明清音樂記錄的成就,以及明清音樂記錄與特定文化背景的歷史聯(lián)系等,以此從音樂記錄的角度更全面地認識明清音樂文化。
[Abstract]:The period of Ming and Qing dynasties was a period of prosperity and popularity of ancient Chinese music, and also the period of leaving the most music records in the history of Chinese music. It is an important part of music culture in Ming and Qing dynasties. On the basis of the related research results, this paper divides the music records of Ming and Qing dynasties into two categories: music score record and music recording, and discusses the characteristics of these two kinds of music records. This paper probes into the spreading characteristics of music records in Ming and Qing dynasties, analyzes the reasons for the formation of such characteristics from the angles of social environment, technical conditions, music development, cultural connotation and international exchange, and attempts to analyze the scale, types and recording methods of music scores in Ming and Qing dynasties. Record thinking; the use and production of music recording in late Qing Dynasty: the historical status of music records in Ming and Qing dynasties; the exchange and influence of Chinese and foreign music records in Ming and Qing dynasties; music records and social culture and music art in Ming and Qing dynasties, The development of science and technology and the relationship between international pattern and so on have formed a systematic understanding. They have made every effort to show the appearance of the music records of the Ming and Qing dynasties more comprehensively, and to have a deeper understanding of the achievements of the music records of the Ming and Qing dynasties. And the historical relationship between the music records of Ming and Qing dynasties and specific cultural background, so as to fully understand the music culture of Ming and Qing dynasties from the perspective of music records.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2008
【分類號】：J609.2

【引證文獻】

相關(guān)碩士學(xué)位論文 前2條

1 徐麗娟;《古今圖書集成·樂律典·歌部》初探[D];天津音樂學(xué)院;2012年

2 周少婧;從“洋琴”到“揚琴”[D];上海音樂學(xué)院;2010年

，

本文編號：1630324