本文選題：巴洛克舞蹈節(jié)奏　切入點：舞步　出處：《上海音樂學(xué)院》2008年碩士論文　論文類型：學(xué)位論文

【摘要】： 本文以巴赫的《法國組曲》為分析對象,研究巴洛克時期的舞蹈節(jié)奏與音樂的密切關(guān)系,以及巴洛克舞曲的節(jié)拍結(jié)構(gòu)層次,并以此為切入口,探討在鋼琴教學(xué)中如何將舞蹈的舞步動作轉(zhuǎn)化為鋼琴的彈奏動作,將舞蹈的肢體律動感轉(zhuǎn)化為音樂的內(nèi)心節(jié)奏感,并進一步探討如何將具體的演奏手段運用到《法國組曲》及與巴洛克舞蹈風(fēng)格有關(guān)的巴赫其他非舞蹈標(biāo)題作品的教學(xué)中去,進而實現(xiàn)喚起學(xué)生的內(nèi)心節(jié)奏律動感的目的。
[Abstract]:Taking Bach's French Suite as an analysis object, this paper studies the close relationship between dance rhythm and music in Baroque period, as well as the rhythm structure level of Baroque dance, and takes it as the entry point. This paper discusses how to transform the dance step into the piano playing and the body rhythm into the inner rhythm of the music in the piano teaching, and discuss how to change the dance step action into the piano playing motion, and how to change the dance body rhythm feeling into the music inner rhythm feeling. Furthermore, this paper discusses how to apply the specific performance means to the teaching of French Suite and other non-title Bach dance works related to Baroque dance style, so as to realize the purpose of arousing students' inner rhythm and rhythm.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：J624.1

【引證文獻】

相關(guān)碩士學(xué)位論文 前1條

1 張斯堯;“情感風(fēng)格”與C·P·E·巴赫鍵盤樂奏鳴曲的相關(guān)性分析[D];上海音樂學(xué)院;2012年

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本文編號：1585003