本文關(guān)鍵詞： “串把式” 蓮花山花兒會(huì) 花兒 創(chuàng)作　出處：《蘭州大學(xué)》2008年碩士論文　論文類型：學(xué)位論文

【摘要】： “串把式”作為花兒會(huì)中“歌攤”的領(lǐng)頭人物,在花兒會(huì)前期準(zhǔn)備、中期運(yùn)作、后期總結(jié)等方面起到了不可替代的作用。但迄今為止,對(duì)花兒會(huì)中“串把式”這一“文化承載者”的研究沒(méi)有得到相應(yīng)的重視,幾乎為零。筆者希望通過(guò)本文的研究,不僅可以彌補(bǔ)花兒學(xué)界長(zhǎng)期以來(lái)對(duì)花兒的真正主人——“串把式”的研究空白,更可以起到拋磚引玉的作用,以示引起花兒學(xué)人研究視角和視線的轉(zhuǎn)移,推動(dòng)花兒藝術(shù)和花兒研究的全面繁榮。 本文主要對(duì)蓮花山花兒會(huì)中“串把式”的身份特征、期間作用、創(chuàng)作特點(diǎn)、創(chuàng)作風(fēng)格及其影響因素等進(jìn)行了詳實(shí)的論證。具體內(nèi)容如下: 首先,介紹了本文的研究背景、研究意義和研究方法。指出本文的研究可以彌補(bǔ)花兒學(xué)界長(zhǎng)期以來(lái)對(duì)“串把式”的研究空白,并進(jìn)一步引起花兒學(xué)人研究視角和視線的轉(zhuǎn)移,推動(dòng)花兒藝術(shù)和花兒研究的全面繁榮。 其次,介紹了蓮花山的人文、地理知識(shí),并就蓮花山花兒會(huì)的基本情況以及新時(shí)期出現(xiàn)的一些新變化進(jìn)行了簡(jiǎn)單論述。 再次,詳細(xì)闡述了蓮花山花兒會(huì)“串把式”的角色定位、存在原因、期間作用、一般特征。主要采用實(shí)地調(diào)查、人物訪問(wèn)和理論探討的方法完成。 最后,重點(diǎn)論證了“串把式”的創(chuàng)作特點(diǎn)、創(chuàng)作規(guī)律及其影響因素。在論述其創(chuàng)作的即興性時(shí),采用并發(fā)揮了物理學(xué)中“場(chǎng)”的原理,結(jié)合心理學(xué)的相關(guān)理論,提出了音樂(lè)的三種“場(chǎng)”論—“物質(zhì)場(chǎng)”、“社會(huì)關(guān)系場(chǎng)”、“文化意識(shí)場(chǎng)”,并加以闡述。
[Abstract]:As the leading figure of the "Song stand" in the Flower Club, the "string Type" has played an irreplaceable role in the preparation of the Flower Club, the mid-term operation, and the summing up of the later period, etc., but up to now it has played an irreplaceable role. The research on the "string" in the Huahua meeting has not been paid much attention to, and it is almost zero. The author hopes that the research will be carried out in this paper. It can not only make up for the blank of the research on "string type", but also play a role in drawing the attention of the flower scholars to show the shift of perspective and sight of the flower scholars. To promote the overall prosperity of flower art and flower research. In this paper, the identity characteristics, the role of the period, the creative characteristics, the creation style and the influencing factors of the "string type" in the Lotus Mountain Huayuan Association are discussed in detail. The specific contents are as follows: First of all, it introduces the research background, significance and research methods of this paper, pointing out that the research in this paper can make up for the long study of "string" in the field of flowers. It also causes the shift of the perspective and sight of the Flower Scholars, and promotes the overall prosperity of the Flower Art and the Flower Research. Secondly, it introduces the knowledge of humanity and geography of Lianhua Mountain, and briefly discusses the basic situation of Lotus Mountain Flower Club and some new changes in the new period. Thirdly, the role orientation, the reason of existence, the function of the period, the general characteristics of the "string" of Lotus Mountain Flower Club are explained in detail. The methods of field investigation, character interview and theoretical discussion are mainly used. In the end, the author focuses on the characteristics, rules and influencing factors of "string" creation. In discussing the improvisation of its creation, it adopts and gives play to the principle of "field" in physics. Combined with the related theories of psychology, this paper puts forward three kinds of "field" theory of music-"material field", "social relation field", "cultural consciousness field", and expounds them.
【學(xué)位授予單位】：蘭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J607

【共引文獻(xiàn)】

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