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  本文關(guān)鍵詞：浪漫主義與李斯特的鋼琴音樂　出處：《湖南師范大學(xué)》2007年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 浪漫主義音樂 李斯特 鋼琴

【摘要】： 李斯特是浪漫主義時期音樂史上重要的作曲家、鋼琴演奏家和教育家。本文的研究目的有二：一是將李斯特與他的鋼琴音樂相關(guān)的歷史史料進(jìn)行系統(tǒng)地搜集和整理，并從中廓清較為正確明晰的歷史脈絡(luò)；二是將浪漫主義時期整體文化思潮、藝術(shù)理念、創(chuàng)作觀點(diǎn)與李斯特的鋼琴音樂創(chuàng)作、表演、教學(xué)等進(jìn)行甄別、分析、整合，從中尋找出浪漫主義思潮對李斯特鋼琴音樂的直接影響和間接影響，同時證明李斯特為浪漫主義音樂做出了自己卓越而獨(dú)特的貢獻(xiàn)。 本文的研究意義為：通過對李斯特的鋼琴創(chuàng)作風(fēng)格和思想的研究，勾勒出李斯特風(fēng)格鋼琴曲的發(fā)生、發(fā)展的源流；深刻探討對其產(chǎn)生影響的浪漫主義大文化語境和成因。通過李斯特鋼琴作品的整理和分析，以及其他學(xué)者對李斯特的評價，闡述李斯特對浪漫主義音樂的重要作用。本文是一篇史論結(jié)合的論文。歷史資料是不可或缺的重要部分，因此我使用了歷史學(xué)研究的一般研究方法，在歷史事實(shí)清晰、脈絡(luò)明了的前提下，，得出了論文最后的觀點(diǎn)。 通過研究，本文最終得出以下結(jié)論：浪漫主義時期的社會思潮、人文積淀是李斯特音樂的重要表征和內(nèi)在驅(qū)動，浪漫主義時期的音樂特點(diǎn)、音樂表現(xiàn)是李斯特成功的重要因素和必然因素，浪漫主義不僅是李斯特本人的性格使然，而且決定了李斯特是浪漫主義時期偉大的作曲家；反觀，李斯特不僅是浪漫主義音樂和浪漫主義自由的化身，而且李斯特的音樂是浪漫主義音樂豐碑中不可或缺的一座。 作為浪漫主義時期音樂的重要代表人物，李斯特得到學(xué)術(shù)界真正的重視，似乎不能與其取得的成就和音樂史中的地位相匹配。以往的研究也往往局限于音樂界對他音樂成就的解讀和歷史學(xué)家對他生平歷史的介紹。本文首先是將這兩者的有機(jī)結(jié)合，其次探究其中的千絲萬縷和必然偶然。
[Abstract]:Liszt is an important composer in the history of Romantic music. The purpose of this paper is to collect and sort out the historical data of Liszt related to his piano music systematically, and to clarify the more correct and clear historical context; The second is to identify, analyze and integrate the whole cultural thoughts, artistic ideas and creative viewpoints with Liszt's piano music creation, performance and teaching during the Romantic period. The direct and indirect influence of Romantic thoughts on Liszt's piano music is found, and it is proved that Liszt has made his own outstanding and unique contribution to Romantic music. The research significance of this paper is as follows: through the study of Liszt's piano creation style and thought, the origin and development of Liszt's piano music are outlined; Through the arrangement and analysis of Liszt's piano works, as well as the evaluation of Liszt by other scholars. Expound the important role of Liszt in Romantic music. This paper is a paper combining historical theory. Historical material is an indispensable and important part, so I use the general research methods of historical research. On the premise of clear historical facts and clear thread, the final viewpoint of the paper is obtained. Through the research, this paper finally comes to the following conclusions: the social trend of thought in the romanticism period, humanistic accumulation is the important representation and internal driving force of Liszt music, and the musical characteristics of the Romantic period. Music performance is an important factor and an inevitable factor of Liszt's success. Romanticism is not only the result of Liszt's personality, but also determines that Liszt is a great composer in the Romantic period. On the other hand, Liszt is not only the embodiment of romantic music and romantic freedom, but also an indispensable monument of Romantic music. As an important representative of the Romantic period of music, Liszt got the real attention of the academic community. It does not seem to match his achievements and his position in the history of music. Previous studies have often been limited to the interpretation of his musical achievements by the music community and the introduction by historians of his life history. An organic combination. Second, explore the inextricable and inevitable chance.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J624.1

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 于紅;李斯特《b小調(diào)鋼琴奏鳴曲》研究[D];山東師范大學(xué);2008年

本文編號：1407531