論輪指音色多樣性在作品中的應(yīng)用
發(fā)布時(shí)間：2019-06-29 21:46
【摘要】：輪指是琵琶右手演奏技法中十分重要的一種,其音響?yīng)毦咛厣�。輪指產(chǎn)生的具體出現(xiàn)時(shí)間至今無從考證,但它的出現(xiàn)和使用是隨著琵琶先人們?cè)跉v史長河的積累下發(fā)展而來的。最早見于清嘉慶年間記載有琵琶指法的《華秋蘋琵琶譜》中,之后則是在《弦索琵琶藝術(shù)研究》中記載了民國時(shí)期的曹東扶等人曾彈奏“長輪”、“下出輪”和“上出輪”。由此可見,至民國時(shí)期輪指技巧已經(jīng)發(fā)展較為完善并得到廣泛應(yīng)用。每一種演奏技法和不同的技巧所奏出的音色都是用以制造不同的音樂情趣。因此,筆者結(jié)合自己多年的演奏實(shí)踐經(jīng)驗(yàn),探究種類繁多的輪指技法所產(chǎn)生音色豐富多樣的原因。并且對(duì)輪指音色多樣性在樂曲中實(shí)際應(yīng)用的合理性進(jìn)行了詳細(xì)的分析論證。希望能對(duì)作曲家和演奏者們有一定的啟發(fā)性。
[Abstract]:Wheel finger is a very important kind of pipa right hand playing technique, its sound has its own characteristics. There is no textual research on the specific appearance time of the rotation finger, but its appearance and use are developed with the accumulation of the pipa ancestors under the accumulation of the long history. It was first seen in Hua Qiuping Pipa Spectrum, which recorded pipa finger method in Jiaqing period of Qing Dynasty, and then Cao Dongfu and others played "long Wheel", "next Wheel" and "Upper Wheel" in string cable pipa Art Research. Thus it can be seen that the rotation finger technique has been developed and widely used in the period of the Republic of China. The timbre played by each playing technique and different skill is used to create a different musical interest. Therefore, combined with his many years of practical experience, the author explores the reasons for the rich and diverse timbre produced by a wide variety of rotating finger techniques. The rationality of the practical application of wheel finger timbre diversity in music is analyzed and demonstrated in detail. It is hoped that it will be instructive to composers and performers.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J632.33
本文編號(hào)：2508141
[Abstract]:Wheel finger is a very important kind of pipa right hand playing technique, its sound has its own characteristics. There is no textual research on the specific appearance time of the rotation finger, but its appearance and use are developed with the accumulation of the pipa ancestors under the accumulation of the long history. It was first seen in Hua Qiuping Pipa Spectrum, which recorded pipa finger method in Jiaqing period of Qing Dynasty, and then Cao Dongfu and others played "long Wheel", "next Wheel" and "Upper Wheel" in string cable pipa Art Research. Thus it can be seen that the rotation finger technique has been developed and widely used in the period of the Republic of China. The timbre played by each playing technique and different skill is used to create a different musical interest. Therefore, combined with his many years of practical experience, the author explores the reasons for the rich and diverse timbre produced by a wide variety of rotating finger techniques. The rationality of the practical application of wheel finger timbre diversity in music is analyzed and demonstrated in detail. It is hoped that it will be instructive to composers and performers.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J632.33
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