發(fā)布時間：2019-06-20 15:23

【摘要】：二十世紀是復(fù)調(diào)音樂復(fù)興的時期,此時涌現(xiàn)出了一大批以復(fù)調(diào)為重要技術(shù)手段的作曲家,他們以“回歸巴赫”為口號,希望重現(xiàn)巴洛克時期的對位技術(shù),如肖斯塔科維奇、斯特拉文斯基、巴托克、亨德米特、利蓋蒂等,米約則是這一時期法國作曲家的代表。在米約廣泛采用的各種手法中,最突出的是多調(diào)性,他是“第一個對多調(diào)性進行系統(tǒng)研究并始終不斷地采用,從而豐富和發(fā)展了這一手法的作曲家”。室內(nèi)樂創(chuàng)作貫穿了米約音樂生涯的三個階段,尤其是弦樂四重奏,被視為米約“所有作品的支柱”,作為音樂創(chuàng)作的“實驗田”,米約將他精妙的復(fù)調(diào)思維傾注到室內(nèi)樂作品中。20世紀20年代,米約的室內(nèi)樂創(chuàng)作達到了頂峰,其中的復(fù)調(diào)技法更是集中而突出。本論題將以米約早期室內(nèi)樂作品為對象,從早期室內(nèi)樂作品中提取米約多調(diào)性復(fù)調(diào)創(chuàng)作技法及復(fù)調(diào)音樂形式,進而發(fā)現(xiàn)米約對復(fù)調(diào)技法運用的開拓性發(fā)展,以及在復(fù)調(diào)音樂形式上的創(chuàng)新性發(fā)展等,以期詳盡、系統(tǒng)地總結(jié)米約早期多調(diào)性復(fù)調(diào)技術(shù)體系。
[Abstract]:The twentieth century is a period of renaissance of polyphonic music, at which time a large number of composers with polyphonic as an important technical means have emerged. They use "return to Bach" as the slogan, hoping to recreate the counterpoint techniques of Baroque, such as Shostakovich, Stravinsky, Bartok, Hendmet, Ligatti and so on. Miyo is the representative of French composers in this period. Among the various techniques widely used by Miyor, polytonicity is the most prominent. He is "the first composer to systematically study polytonicity and adopt it all the time, thus enriching and developing this technique." Chamber music creation runs through the three stages of Miyo's music career, especially the string quartet, which is regarded as the "pillar of all works". As the "experimental field" of music creation, Miyor poured his exquisite polyphonic thinking into chamber music works. In the 1920s, Miyo's chamber music creation reached its peak, in which polyphonic techniques were even more concentrated and prominent. This thesis will take Miyao's early chamber music works as the object, extract Miyao polyphonic creation techniques and polyphonic music forms from the early chamber music works, and then find out the pioneering development of Miyao's application of polyphonic techniques and the innovative development of polyphonic music forms, in order to summarize the technical system of Miyao's early polyphonic music in detail.
【學(xué)位授予單位】：武漢音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J614.2

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