【摘要】：正如倉(cāng)頡被認(rèn)定為漢字的創(chuàng)造者,曹植因其帝王世胄和不世出的文藝天才和佛道修為,被佛教史家推定為中土佛教音聲事業(yè)的奠基人。他們堅(jiān)持相信,魚山梵唄之所以被立為標(biāo)本,是因?yàn)椴苤?擬其聲而制梵唄",而且"冥合西域三契七聲"。這種因感佛助而極具創(chuàng)造性的擬仿而不是照抄,既能很好地契合中土語(yǔ)文與音聲的特點(diǎn),便于中土廣大佛教徒學(xué)唱;又能遵循佛教音聲以"本行之音"傳達(dá)"無相之旨"的"聲文兩得"原則。
[Abstract]:Just as Cangjie was recognized as the creator of Chinese characters, Cao Zhi was presumed by Buddhist historians to be the founder of the sound cause of Chinese Buddhism because of his imperial nobles and unborn literary and artistic genius and Buddhism. They insisted that the reason why Yushan Van was set up as a specimen was that Cao Zhi "mimicked his voice and made a Brahma" and that "the three deeds and seven voices in the Western region" were "subservient to the West." This kind of creative imitation rather than copying because of the help of Buddhism can not only fit the characteristics of Chinese language and sound well, but also make it easy for the Buddhists in China to learn to sing. We can also follow the principle that the Buddhist sound can convey the principle of "the sound and the writing" with "the sound of our own line" to convey "the purpose of no phase".
【作者單位】： 湖南大學(xué)新聞傳播與影視藝術(shù)學(xué)院新聞學(xué)系;
【分類號(hào)】：J608

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