【摘要】：單簧管是一種獨(dú)特而高貴的樂器。它以其寬廣豐富的音域、抒情曼妙的音色、別具一格的音樂表現(xiàn)力感染了這個世界上一代又一代的演奏家們。由于單簧管渾然天成的靈活演奏性能,故頗受作曲家們的器重與青睞,不論是獨(dú)奏曲、室內(nèi)樂作品還是作為交響樂的獨(dú)奏,單簧管獨(dú)具魅力的聲音都能夠給予我們恰如其分的詮釋�？v觀浩如煙海的單簧管歷史長河,從古典主義早期一直到現(xiàn)代派音樂的興起與發(fā)展,單簧管承載了很多種音樂體裁與不同風(fēng)格的作品,并能夠?qū)⒚恳皇鬃髌返莫?dú)特魅力發(fā)揚(yáng)光大,流傳于世。本文將對法國作曲家弗朗西斯·普朗克的單簧管《奏鳴曲》三個樂章的曲式結(jié)構(gòu)與音樂布局做一番研究,并就新古典主義時期的音樂作品的演奏技法進(jìn)行嚴(yán)謹(jǐn)?shù)奶接懪c考究。
[Abstract]:Clarinet is a unique and noble instrument. With its wide and rich range, lyric and elegant timbre, its unique musical expression has infected generations of performers in the world. Because of the natural flexible performance of the clarinet, it is highly valued and favored by composers, whether it is solo, chamber music or solo as a symphony. Clarinet unique charm of voice can give us the right interpretation. Throughout the vast history of clarinet, from the early classicism to the rise and development of modern music, clarinet carries many music genres and different styles of work. And can carry forward the unique charm of each piece of work, spread to the world. In this paper, French composer Francis Planck's clarinet "Sonata" three pieces of musical structure and music layout will be studied, and the neo-classical period of music works of the performance techniques for rigorous discussion and study.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J621.4

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1 邵華;古典奏鳴曲式溯源[J];德州學(xué)院學(xué)報(哲學(xué)社會科學(xué)版);2003年01期

2 鄒彥;;前奏鳴曲式引論[J];人民音樂;2008年09期

3 陳絢;王f，

本文編號：2446294