【摘要】：對中國中古時期樂人與中古伎樂的演化展開研究,必要的學術(shù)準備就是相關(guān)文獻的整理與閱讀。圍繞這一論題所作相關(guān)參考文獻的綜述,分別從學術(shù)史和專題研究的角度出發(fā),對中古音樂制度及其生存環(huán)境有各得一見,及音樂文化交流等諸問題在歷史文獻中的反映有獨特認識,這些成果幫助我們掌握中古時期音樂文化及音樂結(jié)構(gòu)型態(tài)轉(zhuǎn)折,抑或文化政策、文化活動對音樂藝術(shù)帶來的影響等方面,提供了一個參照系。
[Abstract]:In order to study the evolution of ancient Chinese musicians and mediaeval kimi music, the necessary academic preparation is the collation and reading of relevant documents. From the point of view of academic history and special research, we can see the Middle Ancient music system and its living environment from the point of view of academic history and thematic research. These achievements have helped us to grasp the transition of music culture and music structure, or cultural policy in the middle ancient times, and other issues such as the exchange of music and culture have been reflected in the historical literature. The influence of cultural activities on music and art provides a frame of reference.
【作者單位】： 西安音樂學院;
【基金】：2011年國家社會科學基金藝術(shù)學項目“中古良賤樂人社會身份的形成與中古伎樂的轉(zhuǎn)型”(項目編號:11BD041)研究成果
【分類號】：J609.2
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本文編號：2438833