發(fā)布時(shí)間：2019-03-12 12:48

【摘要】：陜西是中華民族的發(fā)祥地之一,具有悠久的歷史文化,在音樂上也是極具地域特色。竹笛協(xié)奏曲《陜北四章》是程大兆根據(jù)陜北民歌的映像創(chuàng)作而成,樂曲由四個(gè)樂章組成,分別為《信天游》、《社戲》、《往事》和《鬧紅火》,樂曲地域性風(fēng)格濃郁,極具精神內(nèi)涵。本文對(duì)竹笛協(xié)奏曲《陜北四章》的演奏技法及音樂特征進(jìn)行分析與研究,從技術(shù)和音樂兩個(gè)層面來(lái)切入。技術(shù)層面主要是對(duì)四個(gè)樂章的演奏技法進(jìn)行了綜合分析,由于協(xié)奏曲一般具有較高的技法,無(wú)論創(chuàng)作技法與演奏技法的成功與否都是衡量一首協(xié)奏曲優(yōu)劣的重要標(biāo)準(zhǔn),同時(shí)對(duì)于演奏技法的掌握也是詮釋樂曲的保證,因此,對(duì)于作品的演奏技法分析就顯得尤為重要�！蛾儽彼恼隆凡煌瑯氛戮\(yùn)用了不同的創(chuàng)作理念與素材,以不同的演奏技法來(lái)展現(xiàn)作者創(chuàng)作思維,這是本文要著重研究的內(nèi)容之一。音樂的表現(xiàn)依賴于技法但又超越技法�！蛾儽彼恼隆凡粌H注重創(chuàng)作與演奏技法,更重要的是它有感人的音樂,這無(wú)論在它的《信天游》還是《往事》等樂章中,都能把你帶到空曠、滄桑、深沉的音樂意境中。因此,分析不同樂章的音樂表現(xiàn)構(gòu)成本文另外一個(gè)重要內(nèi)容。文章通過對(duì)竹笛協(xié)奏曲《陜北四章》的研究,勾畫了一首優(yōu)秀竹笛協(xié)奏曲的創(chuàng)作思路,同時(shí)也通過對(duì)于這一首竹笛協(xié)奏曲的研究,加深對(duì)陜西地域性音樂語(yǔ)言的認(rèn)知與了解,同時(shí)對(duì)竹笛協(xié)奏曲這種音樂體裁亦有更深的認(rèn)識(shí)。
[Abstract]:Shaanxi is one of the birthplaces of the Chinese nation, has a long history and culture, and has regional characteristics in music. The Bamboo Flute Concerto "four chapters of Northern Shaanxi" was created by Cheng Dazhao according to the image of the folk songs of Northern Shaanxi. The music is composed of four movements, namely, "Xin Tianyou", "Social Drama", "the past" and "the Red Fire". The music has a rich regional style. It has a very spiritual connotation. This paper analyzes and studies the performance techniques and musical characteristics of the bamboo flute concerto "four chapters of Northern Shaanxi", from the two aspects of technology and music. At the technical level, the author makes a comprehensive analysis of the performance techniques of the four movements. Because the concerto is generally of high skill, the success of both creative and performing techniques is an important criterion to measure the merits and demerits of a concerto. At the same time, the mastery of performance techniques is also the guarantee of interpretation of the music, therefore, it is particularly important to analyze the performance techniques of the works. Different movements in the four chapters of Northern Shaanxi use different creative ideas and materials. It is one of the important contents of this paper to show the author's creative thinking with different playing techniques. The performance of music depends on techniques but transcends them. "the four chapters of Northern Shaanxi" not only pay attention to creative and performance techniques, but also, more importantly, it has touching music, both in its "Tiantian Journey" and "the past," and other movements. Can take you to the open, vicissitudes, deep music mood. Therefore, the analysis of the music performance of different movements constitutes another important content of this paper. Through the study of the Concerto of Bamboo Flute, four chapters of Northern Shaanxi, this paper outlines the creative ideas of an excellent Bamboo Flute Concerto, and at the same time, through the study of this Concerto of Bamboo Flute, deepens the cognition and understanding of the regional musical language of Shaanxi Province. At the same time, there is a deeper understanding of the music genre of bamboo flute concerto.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J632.11

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 劉飛;;竹笛曲《帕米爾的春天》的音樂特征及藝術(shù)處理[J];北方音樂;2015年17期

2 祁云峰;;淺談陜北民歌信天游的民族風(fēng)格[J];當(dāng)代音樂;2015年15期

3 劉麗;;淺析陜北民歌信天游之藝術(shù)特征[J];音樂創(chuàng)作;2014年12期

4 任銘月;;淺談信天游的音樂特征及藝術(shù)特色[J];作家;2013年18期

5 楊飛雪;;淺析安塞腰鼓的藝術(shù)特征[J];大學(xué)教育;2013年15期

6 李昂;;笛曲《塞上風(fēng)情》音樂特征及其聲腔技法研究[J];南京藝術(shù)學(xué)院學(xué)報(bào)(音樂與表演版);2013年02期

7 劉曉文;苗金海;;二人臺(tái)牌子曲音樂的旋法特征[J];音樂創(chuàng)作;2012年07期

8 黨紅巖;;陜北信天游的藝術(shù)特點(diǎn)[J];音樂天地;2008年09期

9 姜曉芳;;二人臺(tái)唱腔旋律特點(diǎn)之我見[J];內(nèi)蒙古師范大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2007年S1期

10 毋蘭;淺論秦腔音樂聲調(diào)與板式[J];當(dāng)代戲劇;2004年05期

，

本文編號(hào)：2438791