1977年以來中國學(xué)者對瀾滄江——湄公河流域境外跨界民族音樂研究綜述
發(fā)布時間：2019-03-05 17:45
【摘要】：2011年,由中國音樂學(xué)院趙塔里木教授主持申報的《瀾滄江—湄公河流域跨界民族音樂文化實錄》課題獲批國家社科基金藝術(shù)重點項目。本課題突破以往國內(nèi)族際間以及國家間行政區(qū)域為單位的研究主題,以流域的視角,對分布于該流域上、中、下游以及左右沿岸的中國西南邊境以及中南半島五國(越南、老撾、緬甸、柬埔寨、泰國)的各同源跨界民族予以民族音樂學(xué)的觀照,在實地田野調(diào)查、拍攝的基礎(chǔ)上,以紙質(zhì)文字和音視頻多媒體的多元載體形式,對各跨界民族音樂文化進行實錄,繼而形成文本民族音樂志、論文、影視民族音樂志等多種研究成果呈現(xiàn)形式。本文將依托此課題平臺,回顧1977年以來我國學(xué)者對于該流域內(nèi)中南半島五國同源跨界民族音樂文化的研究論文,以期獲取對該區(qū)域研究現(xiàn)狀及重要成果的整體把握,搭建起文獻與田野資料間更加全面、客觀的互證關(guān)系,推動未來研究的深化與拓展。
[Abstract]:In 2011, Zhao Tarim, a professor from China Conservatory of Music, presided over the National Social Science Fund's key art project on "the Cross-border ethnic Music and Culture record in the Lancang-Mekong River Basin", which was presided over by Professor Zhao Tarim of China Conservatory of Music. This subject breaks through the previous research theme of the inter-ethnic and inter-state administrative areas, and from the perspective of the basin, to the southwest border of China and the five countries of the Indo-China Peninsula (Vietnam), which are distributed along the river basin, middle, lower reaches, and left and right coasts, and the Indo-South Peninsula (Vietnam), Laos, Myanmar, Cambodia, Thailand (Laos, Myanmar, Cambodia, Thailand), in the form of multi-media carriers of paper text and audio and video on the basis of field work and shooting, all of the cross-border ethnic groups of the same origin gave ethno-musicology observation. To record the cross-border ethnic music culture, and then to form the text ethnography, thesis, film and television ethnography and other research achievements presented form. Based on this topic platform, this paper reviews the research papers of Chinese scholars on the cross-border ethnic music culture of the five countries in the Indo-China Peninsula since 1977, with a view to obtaining an overall grasp of the status quo and important achievements of the research in the region. Set up a more comprehensive and objective mutual evidence relationship between literature and field data, promote the deepening and expansion of future research.
【作者單位】： 中國音樂學(xué)院圖書館;
【基金】：國家社科基金藝術(shù)重點項目《瀾滄江—湄公河流域跨界民族音樂文化實錄》(項目編號:11AD002)的階段性成果
【分類號】：J607
[Abstract]:In 2011, Zhao Tarim, a professor from China Conservatory of Music, presided over the National Social Science Fund's key art project on "the Cross-border ethnic Music and Culture record in the Lancang-Mekong River Basin", which was presided over by Professor Zhao Tarim of China Conservatory of Music. This subject breaks through the previous research theme of the inter-ethnic and inter-state administrative areas, and from the perspective of the basin, to the southwest border of China and the five countries of the Indo-China Peninsula (Vietnam), which are distributed along the river basin, middle, lower reaches, and left and right coasts, and the Indo-South Peninsula (Vietnam), Laos, Myanmar, Cambodia, Thailand (Laos, Myanmar, Cambodia, Thailand), in the form of multi-media carriers of paper text and audio and video on the basis of field work and shooting, all of the cross-border ethnic groups of the same origin gave ethno-musicology observation. To record the cross-border ethnic music culture, and then to form the text ethnography, thesis, film and television ethnography and other research achievements presented form. Based on this topic platform, this paper reviews the research papers of Chinese scholars on the cross-border ethnic music culture of the five countries in the Indo-China Peninsula since 1977, with a view to obtaining an overall grasp of the status quo and important achievements of the research in the region. Set up a more comprehensive and objective mutual evidence relationship between literature and field data, promote the deepening and expansion of future research.
【作者單位】： 中國音樂學(xué)院圖書館;
【基金】：國家社科基金藝術(shù)重點項目《瀾滄江—湄公河流域跨界民族音樂文化實錄》(項目編號:11AD002)的階段性成果
【分類號】：J607
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